Lady In Satin

>Jazz singer in the golden age >Dies of drugs and alcohol complications Every time. It's almost like a right of passage to be one of the greats

Jazzy

Nice enough but also dont have the patience for any for it

An over-produced bar blues album of a great jazz singere.

Sometimes great music just doesnt resonates that much with you. This is one of those occasions for me.

Meh. All the songs sound the same

“Not quite my tempo” This like showtumes slowier vibe I think for the most part just drags. Spotify keeps scaring me making me think this is an over an hour album when really just 43 minutes but still really boring. I will admit I was playing cod in the background so they didn’t blend well together. The one exception I’ve found so far for slow show toon jazz vibe is in the wee small hours of the night which I really liked but this ain’t it chief!

This is quite a slow album, pretty repetitive, but overall sounds nice for background listening. It is jazzy and calm, and given that it's from 1958, this was probably pretty nice back then as well.

Lovely

It's what I expected. All the songs are basically the same. Not a cohesive jazz album with a story to tell. It get more emotion out of Nina Simone . Sorry, Billie.

I asked for kimono my house in my heart since yesterday was my first sparks concert. and let me tell you a fact: they are so goddamn fucking awesomely biblical (in the liam gallagher sense, which means “extremely awesome”). but you got me this. so, i have a conflicting attitude toward singer with non-pretty voices. i think bob dylan sucks. i hate leonard cohen. i like tom waits because his voice suits his music very much. and let me get it straight: i don’t like this, but the instrumentations is really pretty. 2.5/5

Incredible voice but this is boring

Sure they are all good songs in their own right. This felt like the worlds longest single

I am going to be absolutely honest here. I don't like her voice ... and every song sounds exactly the same!

- ääni ja kasvot ei jostain syystä kohtaa - ihan kivaa entisajan jazzfiilistelyä - monet biisit kuulostaa aika samanlaisilta, tasapaksua - persoonallinen ääni ja ymmärrän miks hänest on varmasti tykätty, ei kyl itelle yhen kuuntelun jälkeen erityisesti potki

Appreciate the artist. Songs are a loiter dated and not for me.

First... the music. I don't really like it. I'm not a fan of big band orchestral "jazz". It's so old fashioned and beige. I hardly even call it jazz because it feels so watered down and over polished. Second.. her singing. It's fine but I don't feel like she's really singing about anything that her soul wants to sing about. Compare this to Nina Simone who sings with soul and feeling. I have to separate the art and the artist with this one. Total respect for who she was as an artist and her obstacles but my little stupid opinion of her music... nah. pass.

With all due respect to her impeccable talent....no thank you.

bit slow

This was a welcome relief after the horror of the Allman Brothers. The dreamy orchestrations are the perfect setting for her fragile, prematurely ancient voice. During the second song, I found myself wondering if Bob Dylan had studied her phrasing. I tired of it by the end, but I would listen to it again. When I found my attention wandering, the solos brought me back in.

Not really a fan to start with and these songs are awful. They all sound the same.

Old sounding. Vocals seem too affected for me in this day and age. I'm probably a heathen.

Two wildly different takes: 1. "Lady In Satin" is what we get for a Billie Holliday album so that she gets representation in music we should all be familiar with/hear before we die, but since albums were a nascent format in 1958, this is all we get and it's not very representative of her best work because of drugs and a production style that tried to prop her up as much as possible. 2. "Lady In Satin" is a heartbreaking performance of a giant of vocal jazz, herself heartbroken. Each note is a reminder of loss and sorrow. I'm going with 1. This is far from her best performances, but due to the constraints of the list, this is what we get. Go out and find some early Billie Holliday and see what she was really about.

Crec que ja havia escoltat aquest album.

I prefer the older, jazzier music I've heard from her. This was interesting for a listen but I don't feel I'd listen repeatedly.

Only previous experience I have had with this lady was being dragged to the cinema by a former girlfriend in the 70’s to watch Lady Sings The Blues. In my musical ignorance in those days I’d no idea who Billie Holiday was but remember being bored to death watching it. Don’t know if that bad experience influenced me or not but I continued through life completely ignoring Billie Holiday because her music meant nothing to me at all. Only recently have I eventually dipped my toe into the female jazz singer catalogue. Patricia Barber and Melanie De Biasio to name just two of my favourites. When I listen to this album I obviously compare it to these two modern contemporaries who I am sure if I were to read their biographies would cite Billy Holiday as an enormous influence. That may be so but personally i do prefer the more modern offerings. But no one can deny that Billie Holiday was a very significant artist and singer and so deserves a place on this list. 2/5 18/10/25

I love Bob Dylan, love Neil Young, love Joni Mitchell. Non of them can be described as having conventional voices. But Billie Holliday's voice leaves me cold. Would like it to be different. It is what it is.

The production on this album is dreamlike. The vocals though are not. They are weathered and not as effective as before. Something does not quite happen within the marriage of instrumentation and voice. Better collections of Billie holiday are available

Reminds me of old cartoons/Disney movies. All the songs kind of blended into one. Nothing really stood out to me. Favorite song: n/a

Sad smoky warbling. Can think of precisely zero occasions when I would think "oooooh, I must play this"

Honestly didn’t really like this, the vocals were kinda off putting and the instrumental wasn’t that interesting. 2 stars

Holiday’s voice sounds like the floorboards are about to give, which, in her case, is another way of saying it sounds like truth. Her life was nothing short of tumultuous, and her singing on this record, recorded a year before her death, is a testament to everything she endured. It’s too bad that her voice is accompanied by an orchestra whose sole job it seems was to soften the pain and tiredness emanating from that truth but really just ends up diminishing the power of the performances. This isn’t jazz so much as exploitation.

Old school female crooning. Decent voice, inspiration for Winehouse? It gets old so quickly Spotify version has bonus tracks.. not listening to those thanks! Best track - any, they all sound the same... picking Glad to Be Unhappy since that's how this album makes me feel. 2 stars

I didn’t really like this one

I thought it started pretty strong and I enjoyed the self-aware lyrics in her recognition of being in a relationship that she just can't quit. But this all started to blur together, and frankly bored me by the midpoint.

Amazing voice obviously but musically not all that interesting

Love the instrumentation, don’t love Billie Holiday’s voice. She was in her early 40’s when this was recorded but she sounds at least 70. Plus, I can hear every single one of her mouth noises in perfect clarity on this recording and it’s driving me nuts. It’s like listening to someone chew peanut butter slowly with their mouth open. 2.4/5

I felt like I listened to a lot of slow dance songs. I like jazz but this was a bit too slow and a bit too much for me. She has a great voice though.

vocal jazz... het is een genre maar niet het mijne... sorry aan alle puristen (maar toch niet)

I've heard plenty of Billie Holiday that I liked, but this one is just incredibly slow. Like painfully slow. Up the tempo just a notch and I'd have liked it. Up it a couple of clicks on the dial and I might have loved it.

1.9 I went off this the more I listened to it. At first I was intrigued, but god does it get grating after a while. I'm not sure why I gave it a third play through. Also, can we not normalise albums full of cover songs on here?

Not bad, just boring

Meh

Lady in Satin is often spoken about as a poignant, late-period work, but as an actual listening experience it is hard to enjoy. Billie Holiday’s voice by this point had lost much of its strength and clarity, leaving her delivery fragile and often strained. The orchestral arrangements behind her are lush and carefully put together, but they highlight just how much she was struggling to carry the melodies. Songs that should sound elegant or heartbreaking instead come across as tired, and it makes the record more uncomfortable than moving. There is certainly historical weight in hearing Holiday so near the end of her career, and some listeners might find the vulnerability powerful in its own way. Yet musically, it does not come together. The orchestra feels disconnected from the worn, shaky vocals, and the result is an album that is easier to respect as a document of an artist’s decline than to enjoy as a record.

William Holiday. Excellent. The 50’s. My most overinflated decade. Nothing has been outright bad, but nothing has blown my mind either. Of course because the rest of the music from other eras has been generally so dreadful, it looks from my profile as though I’m one of those guys that wears porkpie hats and pines for the bygone era of lobotomized housewives and segregation. I’m not, ok? I know that Billie Holiday has a unique voice, so I’m excited for this, but I’m not excited for every song to be along the same lyrical lines as every other 50s song. Ooooh you love me and I love you, OR you don’t love me, but I love you OR we loved but you left for another. The trinity of boredom. Will the unique tone of her voice trump tired lyrical tropes? Or will I be whisked in a blender of mediocrity? What is that metaphor? Ugh. I’m a Fool to Want You - Oh boy. This is what this is hey? Billie Holiday near the end of her life. The voice is raspy. This is the exact kind of sentiment that fits this sound. Miserable, dark, and eerie. For Heaven’s Sake - See, this is the opposite of what this should be. This is incredibly creepy, but seeing as it isn’t intentional, it just comes off as sad. You Don’t Know What Love Is - Not a huge fan of the instrumentation on this one. It feels soaring and triumphant at times where that just shouldn’t be the case here. Between the voice and the general state of this person singing, this should take a different avenue. I Get Along Without You Very Well - More Disney music with these tortured vocals that are singing the strangest lyrics I can fathom this voice to sing. For All We Know - What can I say? This format may be dead soon. I can’t comment on each and every track when they’re all kinda the same thing. Violets For Your Furs - What a bummer of a trade. I suppose PETA will be amped that you have got rid of your furs, but a paltry bouquet of violets? Sad. You’ve Changed - Heartbreaking. More of the same musical stuff here, with this odd happy orchestration. It’s Easy to Remember - But hard to get through. But Beautiful - Man this really is just so dark. Like there is nothing beautiful about this album. I feel like I’m watching somebody sing at a funeral, and they can’t make it through the songs due to crying. I’m in pain listening to this. Glad to be Unhappy - Well you’re going to LOVE this album. I’ll Be Around - I’ll be a member of the “Rounds” in seminal 2004 improvisational paintball movie “Blackballed.” That reference is only for the realest of the real. Yo my name is Clifford. The End of a Love Affair - A same sounding end to this meandering path through hell. Poorly cobbled streets guide us to the nowhere we always knew was coming. There is an element of insanity to this record. Like an old widow in a Victorian mansion being accompanied by her strange, obedient grandson. It feels like it’s out of a horror movie. It’s like somebody bought a 50’s standard karaoke album and let a heartbroken, grandmother ramble over the top. Her voice is haunting. This isn’t a criticism of a singer, but rather the composition of this record. She sounds out of her depth, and while it was emotionally poignant, it felt exploitative, rather than a direct account from the woman herself. Hold your breath; I feel like we’re about to pass a cemetery. 2 HIGHLIGHTS: I’m a Fool to Want You

Talented but oh so boring

2 songs in and I’m gonna struggle with this one. Slow songs that sound like they’ve been lifted from a Disney cartoon. If I’m not asleep by the end of it it will be a miracle.

2/3

Classic voice but all the songs sound the same.

A voice that just screams "classic". It's not really my thing to listen to, but I wouldn't change the song if this came on during a holiday party. Perfect mellow background music on a quiet snowy evening

This is one tone. Start to finish. You can’t start a party with it. You can’t hit the highway and feel the wind through your hair with it. You can’t commit a murder. It’s a fine dining soundtrack I guess. If you like both of those things, this is for you

Chilled out, easy listening album with unique raspy vocals and soft melodies Highlights: - You’ve Changed - I’m a Fool to Want You - For Heaven’s Sake

Ella Fitzgerald is the superior vocalist. I'm actually finding her voice kind of grating. The songwriting so far is not nearly as corny as the Gershwins. I really don't understand her popularity.

Rating: 3.5/10 Nah.

I’m confident this album was remarkable in its day. It’s easy to imagine winter time NYC, leaves collected in the gutter, Sunday afternoon listening to this as a family on the turntable “furniture” popular in the 1960s. But today? This just doesn’t speak to me or my ears…surely reductive but she’s the female Louis Armstrong. I don’t see myself coming back this way. 2/5

I can’t put my finger on what exactly it is but something about this album made me want to turn it off just a bit more with each passing song. Maybe how slow it was and how each song sounded too similar to the last. And I obviously know sound quality was nowhere near what it is today but I could hear the sound of her opening and closing her mouth at points, particularly noticed in the last song. I wanted to enjoy this album as I know Billie Holiday is a legend but it just didn’t do it for me.

Not a big fan of the vibrato technique that she uses. Other than that... it's... fine

It's clear that, by 1958, Billie had definitely lost much of her vocal range. Which makes me wonder, "Why put 'Lady in Satin' on this list?" There has to be a Billie Holiday album from the 50s that could easily top this one.

Vast leuk op een koude winteravond met een knapperend vuur in de haard, Maar in tegenstelling tot Ray Charles vond ik de nummers van Billie Holiday toch net iets te langzaam om er echt lekker naar te luisteren. Tussen 2-3 geef ik toch maar 2 sterren.

Beetje veel van hetzelfde, maar wel relaxte muziek voor in de ochtend

Hoewel ik het album een erg lekkere sound vind hebben, vind ik het ook allemaal te erg op elkaar lijken om er echt memorabele momenten uit te halen. Misschien dat door het UWV lastiggevallen worden de hele dag ook niet helpt met de toon zetten voor dit album dat het waarschijnlijk beter doet in een kerstvakantie.

She's a great singer, but her music really doesn't interest me overall.

I really want to fix the cover's uneven spacing in the title. I've never really understood the fascination with Lady Day's voice or her approach to singing. Her affectation is so distracting I can't get any sense of what emotion (if any) she's bringing to her songs. And the strings don't help. They swell or recede seemingly at random. She definitely has a vibe, though. I can see why her music has endured on soundtracks and in compilations. It's just not for me.

Distinctive voice, but the songs kind of blend into one for me. Plus there are quite a lot of mouth noises picked up on the recording which I found pretty distracting. Maybe an earlier Billie Holiday album would’ve sold me on her more, who knows? But I’m giving this one a neutral 2.5 stars.

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KARANJEEEE

Just not my thing. I could see it being my grandma's thing.... just.... not mine.

Captivating voice. It does feel like a collection of singles instead of an album.

Nicht wirklich meins. Fand es eher langweilig.

I understand that this is one of those names that supposed to be untouchable in music history, but I just don't get it. I don't think her voice is all that great, I'd take some of her contemporaries like Sarah Vaughn or Ella Fitzgerald hands down, and the music is just dry. Maybe it's one of those things that you just have to tip your cap to because you're listening 60 years after the fact and can't quite understand what it was like at the time, but I can't get there.

Några sköna låtar men allt är så tradigt och tråkigt. Fullt sjå att hålla sig vaken.

Songs were boring. I didn’t really like her voice.

Pretty sure this is an important record, but I just can't stand this kind of orchestral singing Jazz.

I'm sure this is great.

Every song sounds the same and there are only slow tunes. No variation on the orchestral arrangements. And I don't like jazz at all. She sing really good though but it gets tiring after a while. I'll probably won't go back to listen this. The score is only based on my personal taste. She's not bad at all.

pristojno, na trenutke jako lijepo, ali više-manje svaka pjesma jako nalikuje ostalima. glas mi ne sjeda :/

Background music for a (dinner) party when you don't want to offend anyone. Also you don't want anyone to pay attention to the music.

4/10 Music I can't relate to, so it's hard to give it a decent score. It's just so syrupy-thick. Maybe if I were to hold a dinner party and invite some mid 20th century intellectuals, this could play low in the background, smothered by the smoke from our cigars. I find it hard to grasp how raw emotion can be conveyed by such bland music, but what do I know. I was glad when it finished.

Das Album Lady In Satin wurde 1957 in den Columbia 30th Street Studios in New York City aufgenommen. Die Interpretin Billie Holiday war US-amerikanische Jazzsängerin mit einer langen Karriere, die bereits in den 1930er Jahren begann. Begleitet vom Ray Ellis Orchestra, zeigt das Album eine späte Phase ihres musikalischen Schaffens. Zu den besonders bekannten Titeln zählen „I'm a Fool to Want You“, „You’ve Changed“ und „For All We Know“. Die Arrangements sind orchestral gehalten, mit Streichern und sanfter Begleitung, was einen Kontrast zu früheren Aufnahmen mit kleinerer Besetzung bildet. Das Album gehört stilistisch zum Vocal Jazz und trägt deutlich die Handschrift von Holiday, deren Stimme hier brüchiger und rauer klingt als in früheren Jahren. Lady In Satin gilt als ein Werk, das weniger durch technische Perfektion als vielmehr durch Ausdruckskraft geprägt ist. Es dokumentiert eindrücklich die späte künstlerische Phase einer der prägenden Stimmen des 20. Jahrhunderts.

I get this is considered a great album, but I really don't like it much.

Mellifluous, if somewhat one-paced. Kind of like a sister record to Sinatra's 'In the wee small hours'.

Wanted to like it, different and old fashioned but boring, the songs sound the same

Fantastic ambience, but very, very repetitive. Distinctively haunting and beautiful voice. This rating is in no way an indictment on Billie Holiday as a performer + legendary voice + generational talent.

Kinda boring, sorry

higher rating for appreciation but lower for actual enjoyment. kinda boring

Greatly prefer Billie Holiday's earlier work. Her voice, ravaged by years of hardship, is fragile and weary. Some may find this vulnerability moving, considering this was recorded near the end of her life, but it's a stark contrast to the youthful clarity and smoothness of her classic recordings.

Didn't exactly want to turn it off, but it wasn't really interesting.

Yeah this is not it. I'm just not a fan of her voice and a lot of the songs are too slow for me. This is my least favorite of all the old jazz albums so far. It doesn't help that every song sounds the same. Mid 2.

Wasn’t that much of a fan. Some songs were ok but I thought I would like more from this than what I did. Id say probably a 3 but was 2.5 for me and gonna round down.

I see the historical significance here, but this album is very samey and songs do little to differentiate themselves from each other.

Ever since I heard David Sedaris do an impression of Billie Holiday, that's all I hear. I am sure that is sacrilegious but it's true.

It sounds like the same song over and over again, and if I’m bring honest Holiday’s voice doesn’t exactly enchant in this album. (If I’m being doubly honest it often sounds like Louise Armstrong, and since Holiday is attempting to reach traditional Beauty rather than any other quality there aren’t many charms to the guttural.)

Her voice is kinda annoying, lyrics come out at a torturously slow pace

She’s got a great voice and I do really love some Billie from time to time but it just didn’t do it for me yesterday

Det lød godt og hun har en fantastisk stemme, men jeg synes godt nok at sangene blendede sammen

I wonder if I can break the keyword system. meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow

Her voice is beautiful but the instrumentation doesn't do much for me. Also, something about the slow tempo throughout made the individual songs hard to distinguish.

Would be amazing if I were sitting in a smoke lounge in 1958 listening to her soulful singing but I am not. Saturday morning sitting in the sun room with a coffee and this just isn't doing it. Really boring and it all blends together. Sorry lady in Satin.

Legendary voice

прочитал, что это последний ее прижизненный альбом и голос к этому моменту уже потерял свою магию. соглашусь, пожалуй

Beautiful voice but just sounded the same throughout the album

didnt know I needed this many songs about fools in love. Can't tell if i super love or super don't love her voice. giving me super Dorothy vibes

I recognise Billie Holiday's talent, and think Strange Fruit is a fantastic song. However I found it hard to connect with this album for some reason. The only songs that stood out for me were I'm a Fool To Want You, You Don't Know What Love Is, and You've Changed. I often find it hard to connect with music pre-1965 or so (except for instrumentals), so it could be another case of that. She had an amazing voice, but I found that the songs were too similar or something.

I am not one for an entire album of Billie Holiday at a time, but there are some standout tracks that I like in more varied playlists

I dunno, very same same for me

Man this sounds dated. I'm sure it must have been a revelation back in the day, but I'm struggling to look past the vignette.

Really dull

It’s the same song repeated 12 times. If you start at the beginning, listen to 10 seconds, skip to the middle, listen to 10 seconds, and then skip to the end, listen to 10 seconds, it sounds exactly the same. She has an interesting voice, I guess, kind of like a frog that has been smoking it’s entire life. If you are nostalgic for this era of music there has got to be a better fix. 3/10

It was likely brilliant for its time but what a dreary album, her voice is sounds like she’d smoked a few too many or she had a terrible chest infection. Enjoyed the first few songs but it got boring really quick and I could’ve done with 3 versions of the opening song. Would love to comment on the audio story song but after 30 seconds of what I can only imagine would’ve been the longest 9 minutes of my life, I had to skip it. I’d love to say more about this album but it was very unforgettable

Listening to an album this dated obviously requires you to try and appreciate it a little bit for what it would have been 70 or so years ago. I also have to factor in that my appreciation or understanding of jazz and blues music, is probably a bit stunted to say the least. All that being said, and I'm talking about this album specifically now, but Billie Holiday quite clearly had dementia. Every single song on the album was about the same thing, Billie, in whatever fossilsed form she was in when recording this album, just sang in simple circles for over an hour, basically saying the same things, over and over and over. I just hope you can't catch this version of dementia, but time will tell. The music in parts in undeniably nice, the yawning, gentle violins, the wind instruments and initially, the croaky, smokey voice that accompanied them. The novelty does wear off quite quickly however- and you're left with essentially the same tune for basically the whole album, trapped in this early Disney sounding loop, with this slow, sleepy, often melancholic, alzheimic singing to accompany it. It's what I would imagine Louis Armstrong's hemorrhoids would have sounded like if they could sing. You can immediately hear the influence Billie had on the likes of Amy Winehouse, and it's probably fair to say someone like Billie as a musician had to walk (around in circles), so someone like Amy could run (right over a cliff and off the rails). All in all a 2/5, it's not for me, and outside of not liking or understanding jazz to any great depth, I still thought it was quite shit. I just hope you can't catch this version of dementia, but time will tell.

Κατι που σιγουρα δεν θα ξανακουσω ξανα.

I didn’t finish this one. It was incredibly boring. What a snooze.

Mindbreakingly boring. It even drove a guy that never rated anything lower than a 3 ("I LIVE INSIDE YOUR WALLS" one) insane

'Strange Fruit' is incredible and she is much loved and respected so I had high hopes. This reminded me of 'In The Wee Small Hours' but I didn't like it as much, no real connection. Oh well, on to the next one :)

Not unpleasant to listen to but sooo booooooooooring. I wasn’t keen on her voice either.

De vacaciones me voy a ir yo para no escuchar esto

Pfoeeee, dit is echt een ontzettend oud album volgens mij. Waar andere oudere soulalbums nog wel wat swingender zijn, hoor je hier echt dat het oud is. Ik ben eerlijk gezegd ook niet de allergrootste fan van Billie's stem. Eigenlijk vind ik dit album een beetje saai. Ik weet het, dit is heiligsschennis want Billie Holiday is een gigantische naam, maar het is wel de waarheid. Dit zou precies zijn wat ik leuk vind, want het is jazz/soul. Maar ik vind het gewoon saai. Muzikaal gebeurt er eigenlijk vrijwel niets, met af en toe een saxofoon die ik dan wel weer meteen heel fiin vind. En dus de stem van Billie die me gewoon niet zo veel doet. Dit word denk ik gewoon een 2, puur omdat ik het saai vind, ik vind het verder niet slecht ofzo. FAVO: I'm a fool to want you, I get along without you very well,

Shes obviously a very good singer. I just find it really boring

Vocal jazz - one of these albums that are fully justified for being included on the list, but are just a little too boring.

Obviously a lot of talent, but I was really bored during this. Not for me at all.

It feels almost wrong to say this, but I just don't care for Lady In Satin. In particular, I don't care for Billie Holiday's voice. The tone and delivery grates on me. Also, every song sounds the same. She's a legendary musician, but she doesn't appeal to me at all.

Good singing, production, and compositions. However vocal jazz is just not my jam.

Albumi #62, 28.09.2024 Käheä-äänisen jazz-laulajatarlegendan viimeinen julkaistu albumi hänen elinaikanaan vuodelta 1958. Hienostuneita jazz-balladeita, mutta ei kovin kiinnostavaa musiikkia omaan makuuni.

Nice enough but just not my genre.

I just don't get on with her voice I'm afraid

Her voice is amazing. The music is mellow. But lordy it is samey, unengaging and pedestrian. I want to love it, but I just can't.

Weird, I get that she’s got pipes but it really didn’t do anything for me at all. Disappointed to say the least.

Listened to it in a hot tub, didn't I. That improved it somewhat, but ultimately it was still someone with an absolutely world class voice singing songs that sound like a Disney princess should be singing them.

These songs all sound the same.

She's got a lovely voice, sure. It's just not doing anything that interests me, unfortunately. Getting this one the day after Nina Simone is possibly doing her a disservice as I feel similarly about both, but it's not a genre I enjoy listening to a lot.

Holy crap this is so annoying and bland and repetitive.

A bit of a snoozefest! The orchestra was pleasant and Billie is talented, just not really my jam.

Okay

In principe sta ik vrij positief tegenover dit soort muziek, laat maar komen die jazz uit de ouwe doos. En dit is dan 'de' Billie Holiday. Maar die schraapstem! Ik kan er niet aan wennen. Neem eens een dropje, en stop eens met roken, denk je dan.

Lidt langt, lidt kedeligt. Hør bedre af andre.

Hun synger da okay godt. Ikke sådan at det rører mig, og det gør musikken slet ikke. Den er nærmest så enslydende at jeg ikke opdagede hvornår et nummer sluttede, og et nyt begyndte. Strygerne minder om musik fra 50er film (duh!) eller tidlige disney film (hvilket vel lidt er det samme). Det kan være udemærket som baggrunds musik, men jeg bliver ikke fænget af det.

I don’t dislike Billie Holiday by any means, but I do have to give this a low rating because it made me suicidal.

Aight

She has a nice voice, the arrangements are smooth, simple and do well to compliment Holiday's vocals. From what I am to understand, this album is sort of a swan song for her as she was withering away from alcohol and drug abuse which certainly adds an emotional undertone to some of the lyricism and music. The album itself probably goes on for a tad bit too long but it does manage to be a relaxing listen. Having said all that though, personally, this album just doesn't really do much for me, as smooth and relaxing as it is. I'm probably just not into vocal jazz enough to fully appreciate it.

Very textured voice, but every song sounded the same. I didn't realize I was on the fifth song until I looked - it could have been the second or the seventh. I know there are better Billie Holiday albums out there.

Idk why they went with this one for Billie. Shes still amazing tho

I was really enjoying having this album on in the background, right up until the last half hour of the album is the same song over and over. I’d definitely listen to this again for background music, but just the first half. Billie Holiday is a massively important artist but as an album, it just doesn’t hold up.

I feel like I'm missing something, because I really don't understand the hype for this album. I don't really like her voice. She's a decent singer, but I wouldn't say great. The orchestra is good, but nothing new is happening. Overall I found this fairly boring tbh.

Peaceful to listen to but not my thing

This was not a good listen for me. The 'legend' of Billie Holiday is huge, but at least on this recording it didn't come through for me. There were a few places were I found he voice pleasing but we're talking seconds out of this entire album. The 'bonus' material at the end was hard to listen to. I think in general I don't love this style of 'crooner' jazz from the 40's/50's and also I think Billie's voice and body (and life) were just wrecked at this point. It's a sad and somewhat inspiring story but not enough to make the music pleasant haha.

It's always a bit difficult to rate albums pre-1960s because at those times albums were mostly about throwing songs together and they still didn't have concept of albums that came later. Billie Holiday's album a year before her death shows her really great singing once again. It's a melodic and slow album, however the songs blend together too much, and they sound quite the same. The music accompanies the singing just well but it's all too sugary for my taste. I think I'd love this smooth jazz music in a small dose but to listen to the album in its entirety is a bit too much. I'd give for the singing a high mark but as a whole, it's just average. 2.5/5.

Honestly kind of mid. I had high hopes and her voice is great, of course, but the music is boring and the album drags.

The songs on this album all sound the same. Beautiful voice, but I’m sure there are better albums that showcase Billie Holiday than this. 2/5

Late 1950s jazz with an orchestra. Even though her voice was not at its best by the time she recorded this, her penultimate, album, there's no doubting that she had an amazing voice. Unfortunately, I'm not a fan of this style of music and find it boring.

I feel bad giving this such a low rating but it really doesn't do it for me; background music.

“With no mammy and no pappy … I’m so unhappy … but I’m so glad.” OK, Billie.

not for me, her voice irritates me.

Found this quite boring. Considering that this is mainly about the vocals, she can't even sing that well IMO I guess this is a consequence of me not listening to Billie Holiday before and therefore not being a fan of her work before her voice declined. Judging by this album though I do not get the appeal

Pretty, I guess. Not a lot else.

This was fine! but unfortunately a little boring.

A very skilled vocalist vocalist with a terrific voice singing songs I would never listen to.

uskomaton elämäntarina...incredible nainen... drug hörhö.. paska albumi gg... huoh njoo 50 luku populaari jazz struktuuri (so boring omg.. so boring(ei ole... ei ole pakko olla)) kiinnostavampaa olisi kuulla aikaisemmasta aikakaudesta kulla henkilön ääntä, vanha akka kuitenkin... (hagravenesque) suurennettu, pyhitetty.... ole pyhä nimi....kurjattu, ristiinnaulittu, ihmisen kehyksessä....miljoona kynttilää palamassa, siitä avusta, jota ei koskaan tullut .... haluat tummemman.... im a fool to want you

These arrangements are not suited to her voice or style.

It was all fine. But none of the songs really captured my attention. Sure has a unique voice that I don't really love. Probably because I didn't grow up listening to her, so I don't really feel nostalgia on her sound

- why does she sing like that, it’s kinda annoying - otherwise she makes very beautiful music

I usually love this kind of music; this cannot be Billie Holiday's best work. I see that it was recorded at the end of her career, perhaps that explains it. Really wanted to like this too.

Welcome to the 1950s! We have music! You won't remember 90% of it but trust me it's there!

Respect to Billie but this isn’t for me. I was bored. It wasn’t bad but it gave me the same feeling I get watching movies from the 50’s. Probably great for the time, but we have moved way past this.

Nothing interesting. Hard to get through

I feel like this album was not one of Billie Holiday's best. Her voice wasn't as smooth as it once was (which maybe sounds better to some people), but more importantly I felt every song was the same slow drawn out melancholy sound. Its a good sound but I got over it after seven songs.

I wanted to like this, but I just don’t. Every song sounded exactly the same to me. With a little Wikipedia research, I found out that this is later in her career when she had some drug/health problems. Makes sense.

Hard to see why she's so renowned. Her voice is akin to a Disney character. Sure it's unique but how is it enjoyable?

Do not like

I was going to say “unpopular opinion” but reading the reviews it looks like it is the consensus. This album is boring - I agree with the comment about the orchestrations sounding like old Disney movies. I’m going to give the benefit of the doubt and say that these songs do nothing for her voice. They are all in one range, and I feel you could swap the backing music from each track and no one would notice.

This seemed more about the orchestra than Billie Holiday. I think they pair well together, but there’s very little variation throughout the album. 2 stars probably doesn’t do the talent justice.

Kind of depressing, broken voice singing some samey songs that get boring fast. It wasn't horrible, but I would never go out of my way to listen to this again.

Hieno laulaja, mutta vähän liian toisteinen levy. Tylsäksi kävi. Eikä tää samalla tavalla itseä lumoa kuin Ella F. Uskon silti, että eläkkeellä tulen tykkäämään.

Her next to last album recorded. The last one released in her lifetime. Well past her prime- she sounds very sick. 😞 2 stars

One long crying song with Disney animals everywhere

I like Billie Holiday, but in small doses. A whole album was just too much for me.

Beetje saai

I like the music, could be from an old film. But her voice is grating and it ruins it for me. Apparently she was past her best here - I would like to listen to something older.

She's a legend, and even though I love junkie musicians, I can't get down with Billie. The songs are nice, but the contrast with her voice in later years is more sad than anything else. 2.7

I swear all albums before 1960 sound like Christmas music even if they have nothing to do with the holidays

I have a couple main issues with this album. The biggest one is Billie Holiday's singing style. She has a nice voice but she embellishes her long notes with this high pitched falsetto. As if she's using a whammy bar for her singing. Which can be an interesting touch but it's so overused it is like nails on a chalkboard for me. She clearly has masterful control of her voice I just don't like the way it sounds. The second issue is the pacing. The pacing is slow and steady. As a result it really drags on and every song sounds the same. The biggest redeeming quality about this album is the band. If you were to take the instrumentals only I feel like it could pass for a lot of film soundtracks. It's elegant, whimsical, and the only thing bringing this album up from a 1 to a 2 for me.

I get that this album is famous and all that, but her voice is gross here. Ravaged and weak, and shaky and sick. Nope nope nope.

All of the songs are very similar

Jag skulle gärna vilja vara en person som älskar Billie Holiday. Inte minst för att jag då skulle kunna säga att kag är en person som älskar Billie Holiday till andra. Men tyvärr. Efter ett tag stör jag mig satan på hennes röst. Det finns ett knarr på slutet av alla långa toner som med lite god vilja skulle kunna beskrivas som ett vibrato. Jag tycker dock att det låter för jävligt. Blir faktiskt lite ledsen över att jag inte gillar detta. Men jag kan ju inte låtsas för sakens skull.

Alla låtar låter faktiskt exakt likadana. Detta är ett album med en låt. Passar perfekt som filmmusik. En "kritik" som vi använt många gånger nu. Men om det är så här enformigt, men inte nödvändigtvis asdåligt, så är helheten inte bra. Och med bra så är det alltså bra som filmmusik. Älskar rösten, men det räcker inte.

Ein interessante Stimme aber leider begeisterter mich der Mix aus Jazz, Blues und Swing nicht.aLeider kein spektakulärer Titel aber auch für den nicht Jazz Fan nett zu hören als Hintergrund für einen schönen Bar-Abend.

Kinda boring and safe. Didnt like Billies voice as well. Wasnt particularly jazzy as well. I dont wanna sound like an elitist, but this is like jazz for beginners. Overall quite mediocre, but at least it reminded me of Unforgettable from Nat King Cole. Go listen to that album instead, its a lot more soulful. Significant 30/86 Liked 14/86 Added 4/86 NNN Previous one is also NNN

Nice background music perhaps when with family or the rare occasion when I feel like listening to very slow stuff but not my cup of tea really.

not rly my style

Man the music is pretty, but just feels so “everything from this era.” Her voice is warbly and weak sounding. A tough listen.

Classic sounding soul-jazz type stuff

Great voice. But not for me this

There is a soulful voice. There are expansive arrangements. It just feels flat. An individual song might feel arresting on the radio but as a collection each just melds into the next.

I normally love 50's-60's jazz. And while these songs fundamentally are very good, and Billie Holiday has a good voice, I cannot really get myself to enjoy her personal singing style.

2/5. Holiday's voice is so unique and soothing, an album of slow ballads about heartbreak and loss, feels so sad to listen to. About halfway through the album, I was mostly done with it and I was no longer sad, just kind of bored. It's good, and a few songs here and there are enjoyable but a whole album is hard to listen to.

Nope..

boring

Nice, but I wouldn't choose to listen to this again.

Feels like a classic soul/R&B? album. Beautiful voice, lyrics all addressing love and relationships. No songs that stuck out to me on first listen, not something I would go back to, but appreciated it all the same. 2/5

"Thank you, we're the Cantina Band, if you have any requests, shout'em out." "Play that same song." "Alright, same song! Here we go!" Verily, I am not qualified to rate this album.

I did not care for this album her voice to me was nails on a chalkboard.

I still don’t get why everybody says if you like Avenged Sevenfold, you’re gonna love Billie Holiday. I don’t really hear it. I am a huge Tool fan and everybody says Maynard is basically Billie Holiday. “oh, you like Simon and Garfunkel?” they say. Wait till you hear Billie and Holiday!” if I had a nickel for every time, I have heard her compared to Slayer, I’d be a freaking millionaire. Something must be wrong with me, I just don’t hear it.

2/5 Best: For Heaven's Sake Worst: You Don't Know What Love Is

Albumet är gammalt men soundet håller ändå till viss del. Problemet jag har är att det inte finns nån bredd. Varje låt låter i princip likadana. Dessutom älskar jag inte sångrösten. Kan dock inte kalla de för dålig musik.

Listening to BH sing is enjoyable. But the orchestra is almost entirely unlistenable.

Just not my genre

Dit valt me toch wat tegen. Klinkt bijna allemaal hetzelfde

🥱

Dit doet me echt helemaal niets en het klinkt voor mij ook allemaal hetzelfde. Sorry voor het omver trappen van dit heilige huisje.

the music is great, but every song sounds the same! i mean a song could have been playing on repeat and i wouldn’t be able to tell the difference.

It was ok.

It’s cute and a bit sleepy. She has a beautiful voice that is very soothing. The album was all very much the same thing though, which for an hour, is a too much.

Was looking forward to this but was same as the later music by marlene dietrich when compared to her first German songs: the music/orchestra is so sweet and smooth that it smothers the force of her voice, it is all toothpaste commercial, all danger is elinated, smile, smile, smile. Such a shame.2 stars only for this lady Day!

Es EXTREMADAMENTE monótono. Creo que es el álbum más plano que he escuchado hasta ahora. Ya quería que me saliera un álbum de pop tradicional, pues, hasta ahora, solo conozco las canciones más populares, pero no tenía ni idea de álbumes, lamentablemente, espero que haya otros mejores, porque lo único que me dejo este es que ahora jamás me voy a equivocar cuando quiera identificar la voz de Billie Holiday, pues cantaba exactamente igual canción tras canción. Le doy dos porque, al menos, es escuchable, solo no más de una vez.

I think this would be nice in the background on Christmas. Unfortunately today is not Christmas

Wasn't my morning for this album. Feels like her voice was losing some strength and the richness it had. Pleasant enough but I don't know whether decent singer knocking out another album of covers is good enough to rate highly.

Great voice. Feel like the instrumentation on each song sounds the same.

Was having a bad day and this didn’t make it any better - an hour of the same instrumentals repeated and barely recontextualized again and again, plus Holiday’s monotonous and often croaky vocals on top. Just plain boring and a waste of my time

Pas mal toute la même chanson étirée sur l’album, trop triste pour mon mood, pas de highlight special à part que la mélodie reste forte de bout à bout

It’s not doing much for me. I’m not a fan of her tone and as she didn’t write any of these songs I don’t really know what else I can judge it on? It’s not unpleasant so we’ll go with a 2

Not for me. I like the arrangement but the voice sounded like Liza Minnelli and I couldn't get past that fact

I like the vibe, but not the voice. It’s alright I guess. Kelsey liked this one.

Agree this album probably should be on the list, but I’m really not a fan of Billie Holiday’s voice on this album, so not an enjoyable album for me or one I’ll come back to.

Lovely music but VERY one faceted. I wish there had been more variety and while Billie's voice remains soulful and haunting, I was shocked how rough her wonderful voice sounds on this album. How I wish I had enjoyed this more as she deserves a much higher rating than this album brings

I didn't care for this. It was boring and the vocals really didn't sound all that good. Every song was the same.

Billie Holiday is a lovely singer. This album however is so one dimensional it gets very boring very fast. I wish it had more pizzazz, more tempo changes, more….something.

This is a Christmas music type beat. Very smooth, but boring. Made me feel sleepy.

Dit moet al ouderwets geklonken hebben toen het uit kwam. Not for me

Oke jazz album, de mevrouw heeft blijkbaar heel veel invloed gehad op jazz.

Sateen, more like

Old folks‘ dinner party

I wasn't into this, unfortunately. It was too slow, and I don't like Billie's warble. 1.5/5

Not a great album. Billie Holiday is a fantastic singer but syrupy arrangements and her later-life, cracking voice doesn't work on this disc. Those additional unfinished takes do her no favours either. Made me go back and listen to the Columbia collections. Much more enjoyable.

Very mopey. I don't think I'd listen to it again. Very emotional, but not the emotions that I want rattling around my head I guess. I do want to like it though.

Not my cup of tea.

Oof, no disrespect to the queen but this was a complete snooze. Glad to be Unhappy was good.

Too dull for me

In her most depressing album, Billie Holiday has an aging raspy voice that has its limitations but fits with the slow dramatic orchestral ensemble. In a lot of ways reminds me of Sinatra's In the Wee Small Hours. It gets old and repetitive quickly, and it was hard for me to even pick any of them to be my favorite... or even least favorite. The orchestra was a tad bit generic, but it complimented her somber style well, and they had their moments. The wind instruments especially stood out. As individual songs, they're good. But as an album experience, it's quite a chore. Favorites: I'm a Fool to Want You, For Heaven's Sake, But Beautiful

🌞 favourite song: I'm a Fool to Want You 🌜 least favourite song: The End of a Love Affair Already a big Billie Holiday fan so I thought I might be biased about it. Her voice is very different in her later recordings—and it makes this album sound very sad. She was so beautiful 💗 and so talented. But, this is definitely not her best work, and it's very obvious. ✨2.5/5💫

I didn't love her voice on this album. A lot of the songs sounded the same.

Not my thing. Nice voice. All songs sound the same or go too long.

It was nice for sure, but it's just so far from anything I'd ever listen to, that it's difficult to really say anything good about it. I'm certainly not cultured enough to understand the significance, but I'm sure it deserves the spot on this list. Favourite: You Don't Know What Love Is

Surprised, good listen

Incredible talent but just not my favorite style of music. Feel bad giving this rating

It's alright

Sama kappale kertaa 16. Kaunista musiikkia anyways vaikka outo ääni

Not my cup of tea

Album #204 (1001 challenge): "Lady in Satin" by Billie Holiday (1958) "Lady in Satin" is the penultimate album and the last one released in the lifetime of American jazz singer Billie Holiday. The album was produced by Irving Townsend and first after Billie signed a contract with Columbia. Similar to Frank Sinatra and Ella Fitzgerald, Billie wanted to record songs from the Great American Songbook of Claasic Pop in the same orchestral arrangements vein as Frank Sinatra and Ella Fitzgerald (as opposed to jazz). So, that's what she did. Boy, I've heard a lot of the Great American Songobbok this week. Ray Ellis did the arrangements with a 40-piece orchestra. This was at the very end of Billie's career and her voice had a lot of its range. But, she still has the emotion which shown through. The album begins with a cover of Sinatra's "I'm a Fool to Want You." Great orchestral strings. Sure, Billie now has a fairly raspy voice but the emotion is there. The strings and especially the trumpet are great on 1938 Hoagy Carmichel's "I Get Along Without You Very Well." The excellent orchestral arrangements and Billie's emotional continue throughout all 11 songs. Other highlights include "You've Changed," " Glad to Be Happy" and "I'll Be Around." This album was enjoyable to listen to. I know Billie's voice is not what it was 20 years prior but the orchestral arrangements are excellent and Billie's delivery and emotion are still worth checking this album out.

This album lacks depth. The only thing it has going for it is the voice; but the lyrics are shallow, and the accompanying music is all but non existent.

Well just sounded old it's all the bloody strings that ruin these crooner vibes

Disappointing, I was expecting better than this

its ok, but its pretty much the same song 12 times. makes for alright background music

I didn’t impress me

Not really my cup of tea. Let's leave it at that shall we.

Good voice and that, but it's just a bit grating by the end.

I prefer her earlier work

There’s a classy eloquence to this album, a reminder of how things used to be (musically). But that said, Billie Holiday’s voice reminded me of Lady Elaine Fairchild, and her voice and “grittiness” didn’t translate to a sound that I wanted to hear over the course of this album. But I appreciated the opportunity to relax a little and have a jazzy evening for a change of pace.

Somewhat of a christmas vibe.

Makes me sleepy.

Lovely, but not my cup of tea

I wanted to like this. I really did. However, subjectivity leads me to not really care for vocal jazz at all. I recognize the struggles she had at the time and everything she overcame, but just in this album alone, it is just not for me. The songs are too similar and the instrumentation, while enjoyable, is repetitive. It’s likely just a product of it’s time. 2.5/5

There is some great classic instrumentation on this. The trumpet on 'But Beautiful' really is beautiful and haunting. With that said, I found the entire thing to be quite dull. Although her voice is magnificent and the arrangements are very pleasant, it tends to fade into the background. I was reminded of Nat King Cole's Christmas record, but unlike that I can't really think of an occasion to ever put this on.

Considering the fact that Billie Holiday's take on "Gloomy Sunday" was so depressing that it was once banned for decades on BBC, I am not surprised that this record didn't exactly lighten the mood. At the age of only 43 it's remarkable that her voice sounds like it has already lived a full life - and then some. It's not as vibrant as in earlier recordings and while Ray Ellis (and his Orchestra) provides a beautiful tapestry Holiday paints almost every song with the exact same emotions as the ones before and sticks to the same vocal formula through every song. The end result, beautiful and emotional as it surely is, simply isn't enough to keep me invested.

while i understand that this is good music i cant help but falling asleep listening to it. it is too boring for me.

Not exactly my genre

Her voice sounds weak - almost to a point of distraction. The songs sound old fashioned and sleepy -- like the songs that we only listen to during Christmas. This music isn't really my thing.

only stood out for being old vocals didnt have much of an impact

I've never cared for Billie's voice

Every song sounds the same and there is no jam

Not really keen on this one. The instrumentation is extremely uninspired and frankly dated, to such an extent that the initial intrigue of Holiday’s singular vocal is quickly diminished. Her talent is inescapable, but the songs just ain’t here on this album.

Im sure this is a great album for this genre and influential, I didnt really enjoy it 3/10

Billie is a legend no doubt. But like dang, did she ever have a frog in her throat! I listened the whole way through and there just wasn’t enough variety throughout. Bit of a snoozer this one.

Not my favourite recording/production of Billie Holiday. From my understanding her voice wasn't quite what it was at one point on this recording unsure if that's it or just the production. I definitely prefer other recordings/records of Holiday.

Yep, it is amazing, but so covered in sugary instrumentation and sentiment that I nearly got diabetes listening to it

Every single track completely indistinguishable from the next. And her voice is, to be kind, not for me.

Never really a Billie Holiday fan and on this album she sounds more like 73 than 43.

A little boring. I had a hard time getting used to her voice.

This was a tough one to get through. I understand how some people find her voice amazing, but I found the overall album fairly boring.

Probably a pretty good piece of music - but to slow and boring for me. Every song sounds the same to me.

Ładny głos i tak dalej, ale rany, wszystko brzmi tak samo. Typowy soundtrack do romansidła jak sobie łażą po Paryżu i się kochają. Dać 1 w swojej skali nie mogę, bo to nie była jakaś kakofonia, zwyczajna nuda i pierd muzyczny

Probably a little too early for my taste in music. I found this album a bit slow and dull. I didn’t think it was bad, it just want an album I’d listen to. 4.0/10

Lovely voice and I can appreciate the songs, but just too slow and boring for me.

Lmao at what the dude said about the uncultured swine. I'll give it a 2 because it's objectively beautiful but yeah, not for me. 2

don’t like her voice

I thought I liked Billie Holiday more than this. It's okay, and it does feel like I'm listening to something important, something that should be heard. Her voice is really strange though. I think the problem might be the songs on this album, they're all very light and I like her when she's all intense and emotional.

Doesn’t do it for me

Sadly this album reminds me a bit of a creepy restaurant I worked at that hardly anyone ever visited. One night chef didn't have the ingredients for orange chicken so he used hot concentrated OJ, the kind you get in a carton. So I associate this kind of music with a grey haired old woman with a tight perm thrusting a plate of shredded chicken floating in orange juice at me in disgust. There was no fooling her! Billie's soothing notes did nothing to diffuse the situation.

2/5 nope, couldn't finish it

Her voice is nice and all but the music is *really* dull. I walked away from my PC at one point and when I came back a couple of minutes later I genuinely had no idea whether it was the same song or the next one, that's how much they all sound the same

Lovely voice, but fairly boring album. Lots of songs sound very similar

Not a big fan of jazz. I like the sounds, the instrumental. Her voice sounds at some pointsa bit moany if yknow what i mean; not in a bad way, just kinda irritating. Lots of the songs sound similar.

I assume that in the 50’s this orchestral jazz would be considered pop to appeal to the masses. Personally I find that every song sounds the same and I prefer the more edgy sound of the Be-bop or Hard bop era. Holiday’s voice is also an acquired taste, and apparently I haven’t acquired it yet.

inte min påse så att säg

2.5/5 She has something in her voice that makes you want to listen. It’s not my favourite style and genre, but still enjoyed some songs. Wouldn’t return to this album probably.

Probably my least leaked Billie Holiday album. It quickly fades into background music for me.

i know she is a very influential person but something about her voice just irked me. it sounded very throaty and it just bothered me. the album was also just boring and lengthy and sounded very similar.

Meh. Great voice, but not my style

Fails to reconcile the heartbreaking vocals and joyful orchestral score, thus left with a confused mixture of both. Again, somewhat repetitive, some hits but mostly filler

Not my favorite Billie Holiday album.

A haiku: I’m not a jazz guy, So while this was fun to try, It don’t make me cry. 3/10

I was a little shocked by her voice, might be something that grows on me with repeated listens but I just couldn’t get into it today