Reviews (page 6 of 7)
Too long. I didn’t know any of the songs. I liked Minesoter because it mentioned Minnesota a lot. Long instrumental sections = yuck! Boring, dour songs. It didn’t have the one Dandy Warhol song I like on it (Bohemian Like You). I thought I would like this more than I did.
Exemplar of the mid-90's alternative rock scene. Holy nostalgia...forgot about the "Not If You Were the Last Junkie on Earth" song. That still bangs, but nothing else really sticks out that much to me. Also, it's really long. This didn't need to be 66 minutes. We get it.
An hour of monotone harmonies and boring riffs.
On paper this should be right up my alley. Maybe I was not in the right mood, but boy: what a drag. It's not even bad, it's just boring. The problem starts with the stupid name which shows a deeper issue I have with this album: There is little room for real, unfiltered sincerity, there is always a certain level of sarcasm. This could be interesting if the band would fully commit to the sarcasm but they also want to be a serious rock band. All in all they deliver competent but lengthy, soulless bit of music.
Sounded a bit like Oasis with a tuned guitar. Not overly impressed.
Bitt of a nothing album
How could something categorized as space rock revival, alternative and psychedelic rock make me feel rather unamused for this long? This album had me interested just from what I thought I was getting myself into. In reality, it's a lot of sludge with no real ascension. Some of the intros are too long and meandering before they get to any lyrics. Some of the lyrics are just sort of lame to me. I imagine this is the band that record store hipsters who try and stand out say they listen to. Oh, you listen to Pavement? I LISTEN TO DANDY WARHOLS! We are not the same. Something like that, maybe I'm wrong. But really, I thought this lacked (5/10, 2/5 on this scale)
This is #day494 of my #1001albumsyoumusthearbeforeyoudie challenge, and… I've heard of the band's name, but, as it happens, never gave them a listen. Listening to this record now, I kind of understand why. What I can't understand, though, is why you must hear it before you die. Dreary '90s space/psychedelic rock. This is a 2 out of 5. Looking forward to #day495.
The instrumentals were enjoyable on many tracks on this album. Overall, I found the bubbly pop sounds underlying this record to be underwhelming. Also, there is a lot of wasted space on this album due to multiple drawn out tracks that go nowhere. Lastly, the album ends with a pretty disappointing pair of instrumental tracks that leave me wanting more.
I think they're playing dress up. It's not terrible, but it lacks soul.
Thank god this shits over. Once again DVD menu ahh music you wake up to and you’re too lazy to turn the shit off
OK I suppose
once it set in that the entire melody of the first song was a straight A, i knew i was gonna be tired by the end of this <3 Some of the lyrics are very entertaining, like "Minnesoter" and the "Junkie" one, but i'm getting worried that i'm gonna ask "why is this on this list" every time i listen to one of these albums... like who is litening to "Green" and is like 'this is life-changing...' maybe this just isn't my scene i mean, really, the last song is the same thing for 9 minutes straight idk
The album really felt all over the place to me. I thought there were some decent tracks on here but it was mostly forgettable imo
inoffensive but unmemorable. shame that such a good band name was wasted on a completely unremarkable group
something about this one was really throwing me off in a bad way. i'm not sure i could tell you exactly what it was. alls i know is i don't want to hear it again. it wasn't "bad" or anything like that. idk man it just wasn't for me
I found this one to be extremely vapid. Just didn’t do anything for me at all. 1.5-2
I enjoyed pretty much every second of this album but there were way too many seconds of this album.
The long pre-lyrical instrumental buildup was interesting at first and then got tiring by the end. Although not my style of music, there were a couple songs I enjoyed but probably won't go back to. Additionally not a fan of scratchy or whiney voices, but it wasn't as bad as some other bands.
It was okay.
Grungy version of Will-type music. Not quite up my alley but Pete International Airport's very stripped down and airy instrumental was intriguing. No other stand outs on this one for me...
OK. 2/5
Really not my kind of music, found it really boring. Better than 1 star though
Meh
Dnf. Too drab.
mid, common 90s rock L
I dunno. This has potential, but I just didn’t get into it.
я устал
Meh
Pretty depressing. Some of the instrumentals was good, but the singer sounds like he deliberately sings in a depressing maner.
Not If You Were the Last Junkie on Earth
Not my thing
This is an album with some great songs. But way too long, and very inconsistent.
Not that great if I’m honest. Just a bit too American if you know what I mean! College students trying to be a bit weird? I don’t know it just didn’t do it for me.
The Good: We get art from the factory! The Bad: Oh wait… dyslexia is a bitch! The Ugly: No art to be found here. IMHO… I’d heard of them… I might have heard a song, on the radio, maybe… Never bothered to buy a CD of theirs… After listening to the album, I doubt I will ever listen to them again. Noise… alternated with something resembling good music, yet not good enough to leave a lasting impression on me. Don’t know what to rate this… maybe it is because I am playing catch up, again, and I still have 8 more albums to rush through before I am up to date… 3* down the middle… though it should be 2* Edited, on the same day that I rated… So, uncertain if I was being fair, I decided to quickly listen to this again, also based off of commentaries I was reading from other people regarding this album… and I’ve decided to rate the album 2* and here’s why: a 7-minute intro song that hardly changes beat or chords, with shit lyrics, to have this followed by similar drivel, it is enough to make me really dislike the Dandy Warhols… so, please, stay down...
Couldn't get into it.
Boring
Strange—sometimes clever, sometimes grating. Clearly see where FF got a lot of inspiration from this for One by One. Overall, not really here for the total album flow, though.
I guess 1001 albums is a lot, but does this one really make the cut. Not in my book. Not impressed. At all.
Not bad, and really enjoyed a few songs, but after a while it felt a bit boring. Had to push to finish the album
This is too long for me. At least in this genre and era. I dont love it so MORE of it isnt great for me. Theres some standouts like Green or Cool like Kim Deal, but it feels way too long.
I am genuinely unsure as to why this is on a list of 1001 albums you must listen to. I assume they were influential and that is what got them on this list, but this is dull and shouldn't be here. I don't feel that it has added anything to my life. I did enjoy the very start and very end, which had no singing and were slightly more experimental. A couple of decent beats in the middle but absolutely nothing to write home about.
Britpop but they went all in on dull
Nothing offensive. Don't understand why this is on the list, very average.
Only thing I knew before listening was Bohemian Like You. This was ok.
This is a messy album from a messy band. It was genuinely hard work battling through a sound that is deliberately under-produced. I'm all for raw records, but you need the songs in the first place for it to stack up. The lyrics have aged badly.
Background alt rock, unoffending noise, some lyrical one-liners you might remember but not much more
Not bad but not memorable.
Expected much more from this but got disappointed. Just o.k. favourite: "Every Day Should Be A Holiday" 2,5
I didn’t really care for this a whole lot. There was some good parts. I just found it boring.
A kinda bland and boring page in the book of stoner music, started off alright
It was okay. Drones on too long.
Not so bad, but the name repels me so much it’s hard for me to even start listneing to it. I will have to investigate this album a lil bit more… but damn that name irks me.
Never taken much notice of this lot although often thought I should. So this appearance on my list was somewhat welcome. Started off alright but as I listened it became a bit difficult to distinguish where one track ended and the next began such was the sameness of the whole album. Not something I will return to. 2/5 4/8/25
2 - just not my thing
I remember them, didn't have brain space for them yesterday - listened to it but it failed to resonate.
parts of it are good but most parts are boring
When the album started I thought it was nice but, as the songs went on, I started to lose interest on it. It's 90's alt rock... If you like it, good for you, but something that sounds like an Oasis album with some electronic sounds and bland intros (so you call it psychedelic – if the endlessly repetitive, ambient and uninteresting Pete International Airport is not an example of this but extrapolated to a whole "song") and repetitive lyrics is just not for me. Some songs weren't bad, but I wouldn't listen to the whole album again just to listen to them (in case I would want to listen to them again, which is not my intention for now). At least the last song, The Creep Out, is a nice ending with a better psychedelic attempt (if the album had more of it instead of... nearly all the rest).
Mediano, embora abuse de riffs repetitivos, camadas de guitarras com fuzz e teclados. Também não gosto muito desta opção de mixagem do música psicodélica moderna que se utiliza do excesso de camadas, tornando o som meio confuso e "embolado".
be-in fangt leider so ah wie ich mir es 90er indie ding vorstell. noch 3 minute goht de song langsam los dasch guet. huuuere viel sounds e riese wand. ich verstoh de approach aber die ganze drone sounds sind gad chli viel für mich. boys better gfallt mer no, aber au wieder sooo luuut und z viel sounds. minnesoter und orange hend mi meh ufgregt. not if you were the last junkie on earth isch sehr cool sehr oasis, sehr geile titel. d production findi immerno nervig. bi whipping tree ghört mer de gsang nöd. s riff wär no herzig. haha hard on for jesus funny. afang vo the creep out wieder guet. ich ha afoch gern talkbox gitarre. songs vorher sehr fest a mir verbi. dasch es zwei. schono cooli idee aber d production und de seltsam gflüsteret gsang züchts uf es 2 abe.
I don’t care that you make an otherwise fine 90’s rock album. If you release 66 minutes of music where the last two songs, worth 15 minutes alone, is total waste of everyone’s time, it’s unforgivable. Total lack of discipline and respect from a the Dandy Warhols.
Boring
They are trying so hard to be The Pixies that they don’t really establish their own identity and so the album becomes a bit muddled in what it wants to be. 4/10
Meh
"...The Dandy Warhols Come Down" is the second studio album by American rock band the Dandy Warhols. Alternative rock, power pop and space rock are the Wiki-listed genres. Yeah, they fit into those styles. The band recorded an album, "The Black Album," before this album that was rejected by their label, "Capitol," for containing "no hit singles." Capitol reached out to Tony Lash to produce the new album since he had produced their debut album "Dandy Rule OK." The bandmembers included Courtney Taylor-Taylor (lead vocals, guitar), Peter Holmström (guitar, vocals), Zia McCabe (keyboard bass, keyboards, percussion. Vocals) and Eric Hedford (drums, vocals). The album received generally positive reviews and, commercially, hit #16 in the UK and #22 on the US Billboard Heatseekers Chart. "Be In" opens the album with a long spacey synth intro. This leads into layered guitars, a drum beat, an organ-sounding synth and echoing vocals. A harder edge to the guitar and droning synth gives this a spacey/psychedelic vibe which fits the loneliness/druggy lyrics. The third single "Boys Better" continue with the layered guitars, the upfront organ-sounding synth and spacey/pyschedelic sound. Reverb on the guitar. I think it's about hipsters and a girl they should be afraid of. Taylor-Taylor said the first single "Not If You Were the Last Junkie on Earth" was written about his girlfriend who became addicted to heroin while he was on tour. The famous opening line of "Heroin is so passé ." This song is more poppy with a 60's sound to the beat and guitars. "Every Day Should Be a Holiday" speeds it up a bit with the drums and guitars. It's kind of groovy with the keyboard sound. A simple message: just have fun. Taylor-Taylor describes that moment of transition between a dream and waking up in "Good Morning." A slow start transitions to a nice standard rock song. I have to be honest; I'm confused to what this band wanted to be on this album. Their singles and several other songs see them as a more 60's sounding, glam rock/pop band and then the rest of the songs are some sort combination of space rock, stoner rock and pyschedelia. The album suffers terribly from being in the cd era and overly long (66 minutes). They should have just ended the album after song eight (and about a 35-minute album). This would have been a totally different review. And what's with the last fifteen minutes being spaced-out instrumentals. Was that needed? I do like their three-released singles and maybe one or two other songs. So, I'd recommend listening to those songs and skipping over the rest unless you like listening to inconsequential stoner rock, then it's all on you.
I know they had some bangers later, but I can tell they were young when this came out. A lot of being in love with weird sounds.
I didn’t mind this album playing in the background while I was working. That said, I don't think I would like it otherwise. That is, unless I was high. Then, it would be amazing!
Didn't really like this
You know those people during the American Revolution who wanted to be like the British and remain under the crown? This is the American band equivalent…
Two good songs
Goes on longer than it should. Started off as agreeable 90s alt-rock, but overstayed its welcome and lost my interest. Must I hear it? Maybe. Must I hear it for 66 minutes? No.
Liked this about as much as I could for an album I'll never listen to again. The droning guitars and the moodiness work surprisingly well and the melodies they sneak in there can make for nice little ditties. Side note for a lot of these albums from the 90s on, moving to CDs after vinyl/tapes was terrible for the consumer. Too many of these artists think they need to fill sixty to eighty minutes with songs that normally would've been left out when an album couldn't be more than 45 minutes. Less can be more. Fitting for our demented post-Cold War era.
Eh.
If the post-Britpop music scene gave rise to what has affectionately become known as "landfill indie", can we invoke "dumpster-fire grunge" for the corresponding era in American alternative music? And, more importantly, would The Dandy Warhols be included in the blaze? Hmm, possibly. Simple, but effective, shoegaze psych meets radio-friendly late-90s danceable pop-rock - the two sides of the Dandys are both fairly easy on the ear. In between, however, is some rather nondescript filler material which sees a dip in quality and focus from the band - dare I say it, they just don't have the musical depth of their self-destructive on-off chums Brian Jonestown Massacre. That said, Dandy Warhols carved a little niche for themselves, nestled one foot firmly into it and still managed to dip the other foot into the charts for a couple of years in the mid-to-late 90s. While it is definitely starting to show it's age, Come Down is still a reasonably pleasant, if slightly superficial and inconsistent, listen.
This weekend put me in a mood for blunt takes. So here you go: this is forgettable garage rock. It wasn’t hard on the ears, but it didn’t stand out. Meanwhile, it annoyed me to have two white noise songs at the end of a 66-minute album. Don’t do that.
Meh, nothing particularly memorable here
This album had me at “Not If You Were the Last Junkie on Earth” — cheeky, catchy, and soaked in snark. “Cool As Kim Deal” sealed the deal with its slacker charm and undeniable 90s cool. But somewhere around the swamp-fuzz oddity of “Green,” things started to wobble... and by the time “Hard On for Jesus” rolled around, the wheels were fully off the psychedelic tour bus.
This album kinda bored me. The first song got me excited for the rest of the album, but it just dragged on and didn't provide an interesting listening experience. There were some cool elements, but it was very long. I usually like this genre of music, but this didn't land with me. 2
I regret to inform that this record didn’t grab me. It was alright with some good noisy parts but then also some pretty boring cuts as well. Definitely too long. High 2/5
No
Yeh ok. At Work
Ok, I was predisposed to dislike this. Knowing my own taste, when I see the tags “britpop” and “psychedelic”, and an album that is 70mins long and starts with a 7 min opener I got the fear. And turns out I was broadly right to - this isn’t outright offensive and I won’t be wishing ill to the band, but god it was boring.
ok, not for me
Expands upon the template set by 90 percent of Brit-slop to create--for the most part--some creative and novel shoegaze-and-grunge-influenced rock. The last half of the record really stinks. Way too much neutered drone rock. Bumping this down to a 2; would be a 3 if they had excised the latter half.
standard 90's indie rock.
next!
this grew on me more than i anticipated from a stoner rock vibe. I think I like the psychodelic stuff here but the dragging on nature of it gets to me. A decent listen
Started off promising but boy did that not last
Mediocre
2.5
The last two songs moved this to a solid 2, if there was any doubt. This album was ho hum and lasted way too long.
Why?
After the first track I was like, okay this is getting a 2, I can't understand a lick of what this dude is mumbling. Then after track 2 I was like okay maybe a 4, I really like this. I never thought that again after track 2. Most of this was trashy, mumbly lyrics that were either plain and I did not care about or they were just super sexual for no reason other than this dude be horny. Musically it was okay, sometimes really good, but often really boring (tracks 13 and 14). Also being over an hour is obnoxious, y'a'll ain't that good.
it started out interesting, then got to "I Love You" and that was just repeated over and over and over, then a couple other pretty interesting tracks, then got to "Green" and everything else after that was just a chore to listen to. 2.5 stars
A bit of a slog. Not If You Were the Last Junkie on Earth and Everyday Should be a Holiday are great tracks - but rest of the album is a real disappointment. Lots of fairly bland instrumentals / jams and forgettable album fillers. Disappointing.
boring
Did finish, really wasn’t anything super exciting or groundbreaking? I feel like there’s been 10 other albums like this in the month or so we’ve been doing this. 2.5/5 Fav song: Minnesoter
Kind of weird and super emo. The songs all sounded pretty much the same
Boring.
Was okay, but didn't like it that much.
Most of the psychadelic stuff didn't work for me. They just drone along. The other songs are fine.
A kooky, experimental side to britpop that I never know existed. Even more surprising that this band is not from Britain, yet they still tap into the driving sound and mumbled vocals pretty well. Some cool sounds on this, though the run time is too long and many songs lead to nowhere. Best Tracks: - Be-In - Orange Worst Tracks: - Hard On For Jesus - Not If I Were The Last Junkie On Earth Rating: 5.5/10
Not fully my thing
It was fine, dragged towards the end. Didn't need to hear it before I died
I only know one Dandy Warhols song and it's "We Used to be Friends" which isn't on this record so I'm going in blind. So normally while I'm listening I might type some thoughts on individual songs but I was busy today while listening, so I didn't. To be honest, nothing really stands out.
It is a pretty nice album, but not memorable really. Just sort of sits there in its safe space.
Solid droning druggy mid-90s experience, but not really important enough to warrant inclusion on this list. Not If You Were the Last Junkie is incredibly annoying.
So drone-y. So boring. Tim: “There might have been a time I’d have cottoned to it, but certainly no longer.”
Just couldn't get into it at all. I think I might like this is I was five days younger.
Huge meh. This is yet another band in the style of a mostly monotone, soft vocal that melts into music an entirely minor synth driven “wall of sound” that absorbs everything. I realize a lot of folks dig this, but I’m not one. It’s ok for a little, but that’s about it. After about 40 seconds into each song, I’ve heard about all it has to offer. Had to stop listening about 2/3 through and couldn’t muster enough give-a-crap to finish it. It’s music, and that’s about it.
Meh
These guys actually seem talented and modestly original inside whatever genre Spotify says this fits into. I liked a few songs, but it’s all a beige blur a couple of days on…
Meh
Not bad, kinda reminded me of my music back in college
The musical equivalent of tat.
Sooo dull and soo long. The very essence of meh. I guess I'm team Jonestown then.
Didn't really like it that much. Lacked strength and energy in my opinion.
Zzzz
I was working in the Portland scene when this band secured their Capitol records deal. This album was super hyped and of course as an idyllic 20 something music fan I picked it up, but I quickly realized it was one of the most over hyped boring albums I had ever heard. As boring as Weezer and the other Brit Pop wannabes with nonsensical lyrics to match. I listened to it maybe 2 more times through before I gave it away to a nephew in Portland who was nuts about them. I then returned to the far more interesting acts and albums from Nothing Records, Depeche Mode, Yello and the more creative acts that I was listening to at the time. The Dandy Warhols didn't have a track I dug until they did "We Used to be Friends" which was used as the show theme for Veronica Mars. Also way, way too long. I would recommend The Dragonflies from this time frame and geography instead. Unfortunately their music is practically nowhere to be found online. If you do find them give "Brenda Mars" or "Critical Nature" a listen. Way more fun than this stuff. Definitely not an album that needs to heard. Sounds like every other middling northwest rock act from 1990 to 2010.
It’s not horrible, just feels like the same sounds over and over for an hour plus.
The excitement about young bands, or garage bands, is the sense of exploration, adventurism, and courage conveyed by people who aren't quite sure what they're doing going for it anyway. For some reason, once the members of a rock band master their craft some magic disappears. They can compensate by embracing a polished sound and selling bazillions, or experimenting in different directions, by becoming studio rats for example. It sounds to me like the Dandy Warhols, here, have perfected their craft - the songwriting and the performances - but they're nostalgic for the magic of their younger years. Instead of going polished, like their peers Weezer or the Outcast - or experimental like Wilco, they just muddied up their sounds with eq and reverb. So you have these pretty little pop hooks, from a very tight band who clearly know what they're doing, but with this amateurish production. It's the worst of all worlds; the magic's gone and it still sounds muddy.
Loved their sound at times but didn’t like any of the songs really. Maybe if they pared it down
"...The Dandy Warhols Come Down" is not an interesting album to listen to. There is nothing surprising or even creative here. It's the same old depressive rock formula that might work if you want to wallow in sadness. Otherwise, this album is not for you. It's so uninteresting that I couldn't even finish listening to the album, even though there were only two tracks left. The Dandy Warhols have (really) gone downhill, and I'm not even exaggerating.
Feels like watered down brit-rock with some U.S. folk thrown in for good measure. I get strange vibes, like it's produced by someone used to doing pompous stadium rock, then they're asked to tone it down and they don't really know how. This is not what I though Dandy Warhols was. Then again by late 90's I was not interested in billboard music at all, so I probably glanced over nor had any interest in most of that kind of music. Pretentious, boring, time has not been nice to this album.
Pretty laid back listening which I think was hindered early on by irritating me with the stupid over-pronunciation of things in Minnesoter (they even wrote it that way the bastards)
Pretty strong start to the album, but falls into a slump of songs in the middle that I had to skip after a while of listening. By the end, I was bored and didn't really care anymore.
I have heard of them but never listened to them Track 1 "Be-In" sounds like something I would have liked in the mid 90s, like a band I would have gone seen at a bar Track 2 "Boys Better" gives the same vibe, that post-grunge feel, It's giving a Verruca Salt feel Track 3 "Minnesoter" is a miss for me, and I can't put my finger on why.. but it does grow on you as it goes...just not a song I would seek out to play Track 4 "Orange" Started out good, until the vocals started, now it sounds like a local garage band trying to sound like Radiohead Track 5 "I love you" is awful Track 6 "Not if You Were the Last Junkie" was ok Tracks 7,8,9, and 10 were so boring and forgettable I didn't even look at the names this album is a drag.. it just goes on and on Track 11 has a cool name Cool As Kim Deal, and the music is good, great drums and guitars. Too bad the rest wasn't this good Track 12 "Hard on for Jesus" hits good, great guitar.. why isn't the rest of the album like this Track 13 "Pete International Airport" is like the intro to one of those strange Pink Floyd or Faust songs.. I like noise so this one is ok Track 14 "The Creep Out" good start, love the slow picking guitar and the bass line fits perfect, creates a mood..then the drums kick in with a great steady beat.. yeah this is the best track of the whole album same for tracks \
This one was ok. Not bad, simply not a lot of it stood out. Key tracks: Not If You Were the Last Junkie on Earth
Like a poor man's Nirvana
Unremarkable I’m sure it’s ok the list for a good reason, but no idea what it is. For me a 2.5 which I’d tend to go with 3 for, but this could have been 25 minutes shorter and would have been a much better album. So it’s a 2. Learn some restraint. Just because you have a CD you don’t need to fill it.
Not good
Nice enough
Fav: Every Day Should Be A Holiday Least Fav: Pete International Airport Turns out the quality of their music came down too
Ik ging de Spotify synopsis van de band checken, gezien hun leuke naam. Daarinstaat dat The Dandy Warhols Amerika's antwoord is op Britpop. Dat leidt tot de diepste zucht van de dag(en dat zegt nogal wat) Ik heb hier spontaan weinig zin in, maar goed, we gaan het proberen zo objectief mogelijk toch een kans te geven! En ja, dit heeft echt britpop in koeienletters op het album geschreven, ik weet niet, kan er echt niets aan doen maar vind dit gewoon zulke saaie muziek. Altijd weer die zeikerige zanger, die een soort van fluisterzingt tegen je, het is allemaal vrijwel hetzelfde, wat is hier nu zo goed aan?? Ja nee, dit is voor mij het perfecte voorbeeld van een 3. Namelijk best wel prima. Nee, neem het terug. Dit is een 2, het duurt namelijk veeeeeeeeel te lang en veel te matig voor 3 sterren, god dit is hard werken hoor... FAVO: Not if you were the last junkie on earth, Every day should be a holiday
Day300 - this is the second time i’ve got an album by a one hit wonder and the one hits not even on the album
Alternative rock with a poppy feel. Not bad, but forgettable.
Ja helemaal niks
---
I have a bias here because when I was a teen this band was described to me like they were special and smart and sophisticated, & then their music sounded like a whole lot of lazy nothing. Like yeah ok there's these big dumb grunge bands but have you heard the Dandy Warhols they're so underappreciated. guy steadily strums a guitar and something forgettable plays behind it. then the guy sings something forgettable. wow! bet Nirvana wished they could write songs like that! The soundtrack to pseudointellectual pontification. Almost 1 star. not quite. music: hated. (⌐■_■)
The Bandy Borehols (this band is boring)
Listening was thinking it was a different period from 1997 when it was released... was ok, 'Green' and 'Orange' ended up being the two best tracks in my opinion.
I enjoyed the first half of the album, but I felt like the second half got a bit more experimental and I was happy when I saw that the I'd reached the final song of the album.
Pop Brian Jonestown Massacre
I could never keep this band, who I did not listen to, straight in my mind from the Lemonheads, because you know Evan Dando and Dandy Warhols share a few letters. Sometimes, it's just enough of of a semantic stake to separate a band from your psyche. Speaking of PSY...starting words, I do like the psychedelic and shoegaze elements to the music and appreciate the confidence of a 7 min opener. This is like a 3 star record, but unfortunately for it in retrospect, they made it in an era where an hour and six minutes of music was thought desirable. This is not a way to gain fans. We're not left wanting more. But rather we got too much. This record is easily 20 mins too long. Cut some of the weaker tracks and save for b-sides or other things. Please! Rounding the rating down for poor 1990s decision-making. I contend that if just the 3 least good songs were cut it'd have doubled many people's enjoyment.
It's fine, we can forget this
Oh no. Really? Ok, one last chance Dandy Warhols. First track - decent background noise, I'm not high enough to get lost in it. Two - Boys Better - why does this remind me of Neil Young? Tolerable, borderline likeable. Track three - filler at best. Track four - hypnotic, melodic. Interesting? Jury is out. Five - That junkie song. OMG. *Skip* Six - That holiday song. Back in the 90s, but not in a good way. Also skip. 7-9 Zoned out for a few minutes there. Probably an accurate reflection on the music. Something about green? All the rest...Blah blah blah. No one puts the good songs at the end of the album. These are not the deep cuts you are looking for. Thought I could like this at first, keeping an open mind but...NOT as cool as Kim Deal. Two stars.
Not the worst album…….and not the best. It was Ok.
Some ok tunes here and there. But mostly shite. And about song 13... I mean omg. I am busy with ICLR or I would have wrote an essay about how shite of piece of shite it was.
The Dandy Warhols were one of the bands in college that everyone at the radio station told me to listen to. I got into them for a little while and a few of us saw them in concert. They put on a good show but I don't have great memories of that concert. Everyone seemed to know the songs better than I did and I began to feel left out and bored. Then some people in the crowd started passing around a joint and this 60-year-old in front of me took a hit and briefly fainted on me. He snapped out of it right away but he looked disoriented and dazed. I couldn’t wait for the show to be over and to leave. The only song I know on this album is “Not If You Were the Last Junkie On Earth.” It’s a catchy song but the lyrics hit me now as kind of obnoxious. That smug attitude is an issue I have with the band in general. A lot of their music sounds as if they know they’re cool. A bunch of these songs are meandering and druggy. They drag down the rest of the album, which is otherwise fun and upbeat. Some enjoyable stuff here too but nothing I feel any real connection to.
I feel like there's an incredible amount of songs about heroin in rock music; it seems like it's been a ubiquitous part of the history of the genre and it will probably continue to be so for the foreseeable future. When I look at the lyrics for those types of songs, there usually is some kind of poetic take on the drug, with comparisons to love or relationships or vivid descriptions of the high being sung about in a subtle and artistic way. Like see the lyrics here on one of my favorite songs by The Stranglers, "Golden Brown", they sing: "Golden brown, texture like sun Lays me down, with my mind she runs Throughout the night, no need to fight Never a frown with golden brown Every time, just like the last On her ship, tied to the mast To distant lands, takes both my hands Never a frown with golden brown" Or in another one of my favorite songs, "So Come Back, I Am Waiting" by Okkervil River: "A black sheep boy revolves Over canyons and waterfalls A black sheep boy dissolves In syringe or in shower stall He says there's plenty of time to make you mine tonight He says there's plenty of time to make you mine He says there's plenty of ways to know you're not dying All right Hell there's plenty of light still left in your eyes" These are all beautiful and poignant lyrics and have stuck with me for these reasons. I've spent the last few years of my life as a songwriter thinking a lot about bluntness, and the spectrum of lyrics being too "on the nose" and blunt, or on the opposite end with lyrics being too overly poetic or superfluous. With that topic lingering in my head for a while now it was funny for me to hear a song like "Not If You Were The Last Junkie On Earth" with a chorus like: "Heroin is so passe, hey Heroin is so passe, hey So passe nowadays You never thought you'd get addicted just be cooler in an obvious way I could say, shouldn't you have got a couple piercings and decided maybe that you were gay." To me these lyrics are a little bit less about heroin itself and more about a person, but I find it funny to think about where on that spectrum of lyrical approach this song would live compared to the two that I previously mentioned. Not only that, but to think of a visual for that spectrum and how many songs there are about the drug and how many of the songs live on the "on-the-nose" side of the graph compared to the amount that is on the "poetic" side. It's not a bad thing to me, but it is definitely surprising to hear a chorus that is so blunt. It's funny in an approachable way. Not just to focus on one song, but I feel like this was probably the best representation for the record as it has a staggeringly high amount of song plays compared to the rest (16million, with most others being between 300k-7million as per Spotify). The rest of the record was just OK to me and didn't stand out much.
I just couldn’t get into this album at all. The vibes were a lot more mellow and low compared to a song of theirs I like bohemian like you.
I don't remember them being more than a popular name to mention in the 90's. No hits from what I recall. The intro song, and all of these to one extent, are long and repetitive with so much sound and no breaks - it's too much, and there's no time to relax and enjoy the music. Heavy on keys, heavy on guitars, repetitive lyrics, added noise - it's an onslaught and I was drowning after the 2nd song, then "Minnesoter" came on and it was shorter with breaks and structure and playfulness not expressed on the earlier tracks. Then "Orange" hit and it's a slow, very 90's song with beauty and chill. "Not If You Were The Last Junkie On Earth" got some minor airplay, it's a good pop song. Best song by far is "Every Day Should Be A Holiday". Repetition is the key word for this band & this album. Feels there are a lot of "filler" songs. Not Top 1001 caliber by any means but not bad.
Reviews had me thinking this would be better.
These kinds of albums can change my life or make me rue the fact that 1999 record store employees in throuples exist. This first two minutes is on the rue side but then it kicks in a little bit. Riff is good and the droning vocals work for me. Pretty cool so far. Did this have to be 6 minutes?? Each minute is another feather in your anti establishment cap. Next comes the feminist anthem. Honestly a great droning rock song. Fun and repetitive in a good way. Roll on Dandy. Minnesoter? I hardly know er. Man. That’s an original joke. Anyway. I love the sound of this thing. Vocals aren’t an extreme focus but they really work as an attitude and aren’t heavily pretentious. Concise, fun, Good. “Orange is the new Beck” is why I wanted this song to sound like Beck. But so far it sounds like Prison Tycoon menu music. Oh no. Here come the pretentious vocals. I like the laid back yet weird tone though. And prison tycoon WAS sick. You did it again you crazy teens. And you’re not Beck. Listen, it’s been five tracks, you don’t love me. You love the IDEA of me. Yeah this one sucked. Weird but not in a cool way. Heroin IS out of style. Get with the wave of the future; hospital grade fentanyl. This song appears on the top played songs on their profile, meaning it’ll probably be bad as the general music listening audience enjoys garbage. This one is not great. The radio hit. High school movie beginning song for sure. Every day should be a holiday. These weirdos are speaking my language. Did avril Lavigne rip this off for that one song? Some of the weird scrunchy synths are a poor choice. This one is more interesting than the last two, but we have strayed from the first 4 tracks. Good morning?? He he, more like BAD morning. Yeah this one not great. What happened to the cool vocals. The deep voice makes me cringe and it simply sounds worse. Without these vocals, this song is kind of nice and trance-y. Noooo don’t do a suicide ballad. What was that?? I hated that. Come on. It wasn’t as pretty as it thought it was. Orange and then Green?? What is this, preschool?? I know like at least 5 colours. You can’t fool me. But yeah this one is another lull. What was shaping up to be an interesting album has devolved into pretension and some nerd in a brimmed beanie crooning the word “sexually” too close to the mic. Get outta here. Drums? People are alive?? This has to ironic. Return to the sound I enjoyed far more. Power pop. Pretty ok. It’s not my favourite but the paddles have been applied to my chest. Kim deal must be pretty cool. I’m glad we brought the instruments back out for one final rip. I was really hoping this would be more clear in making fun of adults who believe in grown up Santa Claus and use it to shape their lives in any way, but it’s just a not great pop-rock song. Kind of like the weird wah stuff going on at times and the title is funny, but meh. PETE international airport is a funny name. Fuck you Charles De Gaulle and JFK. My buddy Pete needs a whole terminal named after him. Although, if I did have a buddy Pete and if he was worthy of being the namesake for my new international airport, I would probably do a better tribute than uninteresting ambient. The Creep Out is NINE minutes long. I wish it was creepier. But it sure is plodding! And boring! Listen, I am still building the rating scale. One or two good songs does not a three make. This puppy was in 2.5 territory and after this parade of mediocrity towards the end it’s a 2. I understand that many bands need context, but I don’t need to know that the session musician who played the digeridoo had an ironic love of doo wop singles. None of it is palpable. There is no clear attitude or statement throughout much of this. HIGHLIGHTS: Boys Better, Minnesoter, Orange.
Not really remarkable, kind of a shoegaze/Nirvana type thing
It wasn't horrible but I just could not get into it. Felt repetitive and flat.
meh.
Shit
Didn't like it at first but started to really enjoy it half way in.... Then I lost interest towards the end.
Very dull... inoffensive though but don't see any real point in this.
Gear: DCA ÆON 2 Noire Artwork: 😕😦🤢 Mix: 🤷♂️🥱😴 Musik: 🤔🙄😬 Wertung: 💈💈(💈)/5
Meh
Favourites were 'Be-In' and 'Whipping Tree', I wish the whole album sounded like them
This one was quite a slog to get through.
Respective. Got too annoying.
Pretty bland stuff
Not for me
Ok album.
It would be easy to imagine that an album starting up with the faux warm-up of an orchestra pit would be a load of pretentious bilge. Fortunately, it skirts around pretentiousness while managing to keep the bilge. There are precisely two good tracks in here and the rest is entirely forgotten.
I going to resist just throwing at 1 at this because i guess it's somewhat competent, but man do I hate these hour long alt rock albums that have no variety whatsoever. Complete snoozer, glad it's over.
Didn’t connect with this one other than Not if You Were the Last Junkie on Earth. All the other tracks had a meandering shoe gaze vibe of no tension/resolution. Singing wasn’t for me. 2/5
Ei häirinnyt muttei kyllä kaapannut mukansakaan 2/5
A little whacky and interesting song styles. Overall didn't hit me hard.
They had a couple of catchy tunes (over a few albums, anyway), but overall it's pretty bland. Less annoying than Britpop, but just the American version of it. Generally unoffensive, but also uninspired. Easy-ish listening, but little to find exciting. Although it's a neat way to get all sorts of random music I probably wouldn't otherwise listen to, this website kind of sucks, as it tries to force me to get a new album every day. Unfortunately, I don't alweays have time to do this, so I would rather than it let me update my new album when I'm ready.
Tengi ekki við neitt þarna. Frekar boring.
Barely tolerable
I Love You stunk, but the singles are fun. Yea the weird bits are weird, but not something I'm interested in.
woof. i like bohemian like you but otherwise never really listened to the dandy warhols. i think their band name is kinda dumb and this album is worse. lots of long, boring tracks, particularly the last two tracks on this album. those two tracks last FIFTEEN MINUTES and are just droning/repetitive sound effects, feedback, and nothing else. absolutely devoid of any substance. not to mention the song i love you, which fills up an entire screen of the spotify lyrics with just "i love you" over and over. top-tier songwriting, folks. i did like that there was a song about Kim Deal from the Pixies next to a song called Hard On for Jesus, but that's basically where my praise of this album ends. i did not need to listen to this before i die. favorites: not if you were the last junkie on earth, every day should be a holiday
Listened Before? N Meh. Decent background music. Feels hip but not really my style. Added to Library? N Songs added to playlist: Every Day Should Be A Holiday
Didn't do much for me. None of it is particularly bad, but just felt a bit watered down and unimportant. 2.5/5
A lot of sounds and quite weird, sometimes even trippy, but I guess there is an audience for this album. Overall, didn't enjoy it that much, but instead had a neutral feeling about it, apart from the bits where it was just monotonous background music - then it was negative.
Rock alternativo leeeeento y aburrido. Un 2.
Yet another album in this very dated washy wavy Britpop grunge genre. I can picture the guy who made this list and I don't like him.
Good generic rock music. If I hadn’t already listened to 150 albums on this list I probably wouldn’t have realized there is nothing remarkable about the Dandy Warhols
I tried listening to this band and album about 15 years ago. I just don't get it. Nothing really special about it but their sound is pretty annoying to me.
Just completely lost the run of itself in the second half, much like I will do in life
Wrong side of a 3 by some margin.
2.5
This may be the one review where I fully admit my experience of the music is colored by the baggage I bring to it. But of all the bands out there, the Dandy Warhols is probably the one I find most guilty of carrying cachets which overshadow the music. It started with DIG! *the* seminal indie-rock documentary of the 00s, a time where the flexibility of shooting digital video tore open the concept of a documentary while also exposing the cracks and shortcomings of unlimited access and endless footage. Even though that film casts the Warhols as the steady-hand career musicians and the Brian Jonestown Massacre as the sloppy also-rans who were too brilliant to hold it together and break through, I walked away liking the Massacre more, both as an entity and in their output. Initially engaging with their music at that point, in the mid-00s, the throwback sound of the Dandy's wasn't very novel, and in fact had aged into a relic of its own time: energetic space-rock whose verve is deflated by its disaffected lyrics and self-aware posturing; it's squarely a 90s thing. I was doing a lot of library shuffling at the time, so any concept of an entire Dandy Warhols album establishing a vibe was demolished. BRMC did this specific sound better, and the Massacre does the 70s throwback with a lot more attention and affection. Fast-forward a few years and I've moved to Portland. These guys are local heroes in the sense that you can't escape their name on every other venue marquee and their lead singer helped torpedo water fluoridation in PDX about a decade ago. Courtney's letter about fluoridation is still on the band's website; it's a masterwork of \"I read somewhere\" conspiracy-mongering and a certain strain of the \"you can't tell me how to live my life\" libertarianism which overwhelms Portland's political discourse and hamstrings the leftist haven which outsiders assume it to be. So, now, the music: it's fine. There's certainly a spacey vibe here, and the texture is more important than any specific riff, rhythm, or lyric. This is the kind of band that sings about heroin being \"so passe\" on a song with a keyboard riff that declares \"I know a guy who knows a guy who lived with a heroin junky.\" In a previous review (of the Rolling Stones' debut) I asserted an album would not have made the list of not for the achievements of their later albums; their place in 1001 albums was decided by the cachet of their name. The Dandy Warhols have done them one better, entirely building their cachet off reminders of better, more interesting groups by naming themselves after an iconic artist and naming songs things like \"Lou Weed\" or \"Danzig With Myself.\" Strip away the references, and nothing remains.
Hmm. The final track was interesting. 1 additional star for that.
This album felt like it dragged on for 2 hours, not just 1! Nothing that was stand out amazing
Abgefahren sphärischer Space Rock.
I've heard of this band for so long it's interesting finally trying them out. I know they're indie staples. And after listening I wasn't a huge fan. A bit of shoegaze alt rock.
Sometimes there are very good moments, but I have not enjoyed!
I feel like I should know these guys, but I didn't. Some sort of combination of hippie rock and to a bunch of other stuff. It was good for a short time but the album overstayed its welcome.
This was fine but nothing special. It didn’t even include the Veronica Mars theme song…
They sound like all those brit pop bands, but more boring. On drugs or very tired. Best song by very far: not if you were the last junkie on earth.
Kinda generic, not too memorable, late 90s soft-ish rock
2.5. Inoffensive, bland, okay, overlong, likely won’t listen to this again. It’s fine. I’m surprised to learn it’s from 1996 since to me it has a very early 2000s rock sound. Probably influential. Probably why it’s on this list. Good for them.
Just vanilla britpop. Heroine might be passe, but so is this album. Next please.
J'ai tout detesté de cet album, jusqu'au nom du groupe. J'ai en plus eu le malheur d'écouter des chansons plusieurs fois la faute à un Spotify des plus incontrolables. Un très mauvais moment de passé. Je vous rapelle que si vous voulez échanger sur le baragouinage brésilien ou la congolaiserie, nous sommes joignables à l'adresse mail suivante: robertestleperedemikeladd@gmx.com
Not too bad! It's clearly derivative of other 90s space rock / shoegaze bands like Spiritualized or Ride. Synths like in "Cool as Kim Deal" evoke 60s psychedelia you see in bands like Flaming Lips. It's very long, and the songs aren't sure whether they want to be pop or background ambiance. Be-In 3/5: decent alt rock opener with busy space synths; terrible 1st minute, generic but decent after; way too long of an opener, but it is catchy Boys Better 4/5: awesome transition from "Be-In"; very catchy and groovy; an excellent space rock dance track Minnesoter 3/5: groovy and trippy with silly effects and cool vocals, but repetitive and doesn't travel far Orange 2/5: boring, long, and repetitive slowcore, but the distortion was pretty cool I Love You 2/5: cool premise but same as above, except a little catchier Last Junkie on Earth 3/5: very catchy indie rock, but it is repetitive and lacks diversity, like a summertime bop Every Day Should Be a Holiday 3/5: you start to hear the same effects and techniques re-used over and over; it's decent and catchy but generic shoegaze Good Morning 3/5: slow, deep, and groovy, with some post-grunge tint; repetitive and long Whipping Tree 3/5: some nice ethereal ambient that serves more to the album than standalone Green 1/5: generic shoegaze; I hate this Cool as Kim Deal 2/5: it's a summertime surf rock song; pretty catchy and energetic but generic and lame Hard On For Jesus 2/5: fast-paced and busy; nice shoegaze background and electronic solo but otherwise forgettable Pete International Airport 2/5: awkwardly paced after such a loud song; it's an ok space rock track but so boring and long in the context of the album The Creep Out 2/5: kinda cool effects and better than the previous was still way too long and uninteresting Average is 2.5. Track order is ok. The opener works, the closers kinda work, but there are many awkward choices. Wayyyy too long. So many re-used ideas. The instrumentals are pretty tame and chill, which bore me compared to other bands of their style at the time. Very little to remember by, but there were a couple bops.
Ei jääny erityisesti mieleen tämäkään
Hyvin brittipoppinen, ja kun meno on vauhdikkaampaa, on se oikein ilahduttavaa. Mitä ihmettä lopun hyristelyt kuitenkin olivat? Kaksi sisällötöntä biisiä latisti minusta tunnelman. Pudottavat kolmosesta kakkoseen… Muuten kuulosti siltä, että bändi ois kiva livenä.
Ovat tyyppejä, jotka eivät skippaa 60-luvun rock-levyjensä orientalistisia jameja, mutta tekevät riittävästi välttääkseen täyden monotonisuuden - kai. "Minnesoter" oli ainakin terävä idea, ja levyllä on jotain muutakin kopioidun oloista ja toimivaa.
was not impressed. felt liked it drag on.
There are a couple of genuinely great tunes on this album. Not If You Were the Last Junkie on Earth and Boys Better are absolute standouts and still sound sharp, catchy and full of attitude. When they hit that groove of fuzzy, slightly sleazy indie rock, it really works. The problem is the length. It is a long album, and there is a lot of material that feels like filler. Many of the tracks drift into a similar mid tempo haze, and after a while they start to blur together. The hooks are not always strong enough to justify the running time, and it loses momentum as it goes on. That said, listening to it did make me want to rewatch Dig. There is something undeniably cool about this era of the band and the whole scene around them. You can hear the ambition and the swagger, even if the album does not fully deliver on it. Favourite song: Not If You Were the Last Junkie on Earth Least favourite song: Hard to pick one, but several of the deeper cuts merge into one another Album artwork: Bold and very 90s, it captures the aesthetic of the band perfectly
eigentlich melodiös und abwechslungsreicher Rock - bis zum Flughafen .. dann ist dann aber auch mal gut. Mittelklasse.
Ein Album wo man sich fragt wann das Lied anfängt und schon jemand singt oder man einfach alles verpasst hat. Als Klangteppich ok.
not for me.
Nope
This album was pretty basic to me. Nothing was particularly good nor uniquely bad. Something about the mix is too washy for me. Hated the last couple instrumental tracks.
...The Dandy Warhols Come Down is the second album by American rock band The Dandy Warhols. This indie alternative rock (shoegaze) album was a second attempt at creating an acceptable record for their label Capitol. Their first try was "The Black Album" which was rejected, and later the songs were repurposed for a double album "Come On Feel the Dandy Warhols". On this second attempt, the band transitioned from a garage rock sound to a more pop-oriented sound that was classified as shoegaze. This album was deemed a success by critics who liked the hooks and the layered music. Commercially the album performed alright, but it was a bigger hit in Europe where it was certified gold in the UK. While some songs are great, overall I thought the tracks were too similar so they all seemed to meld together into one long droning musical number. My indifference to this album could also be due to the genre's likeness which is one of my least favorite as it's too "poppy". Decent album, but there's many other albums I would listen to again before this.
well, that's an album. ...the dandy warhols come down definitely has that alternative, brit-pop sound, though it is very amusing to me they are not british at all. toward the end of the album, it moved away and became more ethereal sounding. not bad, but sort of out of left field. i found the lyrics clever, but i don't think it was tough to save the album. "not if you were the last junkie on earth" was particularly amusing with its hook. "hard on for jesus" is, i believe, satirical. assuming i am correct, i've never heard a song going full throttle criticizing christians quite like this before.
This album didn’t get much of a foothold in my musical mountain. It was quite whiney and I kept wanting to hear the “good one” But it never came.
It was indie music and carried on for too long. Nothing about it was particularly good.
Slow first half, great middle track, falls off sharply.
Quite generic I thought. Not terrible.
It was fine, lost a star with the last few
Album didn't catch me at all, it has it's own moments, but nah. Only 2-/5
Boooooooooring.
Good Morning and Whipping Tree are good tracks but the rest is pretty bland alt rock that went on for a bit too long.
Enjoyed the atmospheric and psychedelic songs a lot more than the melodic ones. Too long for me. Needed to be cut down.
meh
Mediocre at best
me when im alone in my room strong start, first songs all ok aaaaand it took a left turn at orange. shit lags for 6 mins!! i love you and minnesoter are songs for ppl who've never felt the touch of a woman mid plateau in middle yea my thesis that this is music for bitch boys stands. evidence: whipping tree, green, and aforementioned virgin loser tracks tf are the last two songs, they get tired of words??? end note: by autistic virgins for autistic virgins
Typical 90s butt rock.
Drab, snoozy alt rock, don't get why this is on the list.
Vibe meio oasis mas meio chato
Not as good as I was hoping. Could have trimmed some time off
Very 90s. Not in the good way
This was a pain to get through. I didn’t enjoy it.
Abwechslungsreich, aber einfach nicht mehr Art von Rock. Recht langweilig.
More like the Blandy Warhols HEYOOOO GOTTEM
Starts off very mellow and slow, gains a little speed towards the end. Overall 3/5. There weren't any tracks that jumped out at me as particularly memorable or exciting. Compared to most of their other albums, 2/5.
That’s a solid 2 from me.
Dandy Warhols, From USA First Listen Genre: Alternative Rock, Space Rock, Shoegaze 1997 Singles: Not If You Were the Last Junkie on Earth, Every Day Should Be a Holiday, Boys Better Standouts: None Seems like an OK album. Nothing really stood out as great. Need to hear it again. 2.5 Rating:
Druggy album, pretty cool arrangements but boring songwriting and stale production. It's too crisp and I just don't really think it's anything to write home about. Plus they are major assholes. Maybe if I was high as fuck I would give it another star. Or I am missing it's merit. overall i just feel it's rather weak and bland.
Too long, too stoner, too much fuzzy, not enough quality. Didn't hate it but definitely didn't like it. It's so one-note.
Proper stoner music, this. Low-fi, fades into the background in lots of places - Not If You Were The Last Junkie On Earth is the one that sounds like the Dandy Warhols album I bought a few years later, and the track after keeps a bit of that energy. Rest is not really for me, reminds me a bit of the My Bloody Valentine album we had and not in a particularly good way. 2/5.
Surprisingly mediocre. Not a nad album, but I have no idea why it's on this list. Couple of standout tracks but a lot of it is dreary.
Unbelievably unremarkable
Bit disappointed with this. I remember liking ‘Not if you were..’ at the time but never listened to the album. High expectations not met.
Very 90s and not very good. I don't have a desire to listen to this one again.
Rock alternativo leeeeento y aburrido. Un 2.
I find it really unremarkable for its era. Had potential if they went weirder or were more distinct. Don’t love the vocals.
meh
A couple of songs are likeable but sound like post-punk leftovers. I might have stomached them better if they were released over a decade earlier. Fun name for the band. I’ll give them that.
Pacific Coast Britpop bookended with scuzzy jam is interesting enough, but Come Down gets notabl worse at it plays. The slab of middle material doesn't just separate the good stuff, it turns them into moats.
They stumble on their own cleverness.
Not my style of music.
Not impressed
Another obscure indie rock band from the 90's, great... The Dandy Warhol's music is like shitty rock music that caters to artsy hipsters (hence the band name). Their music is either OK, or complete garbage. There is nothing in between. Pete International Airport, and The Creep Show are just noise... Why?!? Also, the album opener, Be-In has 1:40 of basically silence for some reason. Overall, some weird bullshit today. The highs were high, but there was quite a bit of complete trash on this record. Also, the album kind of overstays its welcome at over an hr in runtime. Favourite songs: Not If You Were the Last Junkie On Earth, Every Day Should Be a Holiday, Minnesoter, Boys Better Least favourite songs: Orange, Be-In, I Love You, Whipping Tree, Pete International Airport, The Creep Out 2/5
Eh
According to the Wikipedia page, they wanted to be "distant" from the grunge movement happening in the 90s. Yeah, it could be better to keep out this idea and just follow the flow. Some people are talented enough to oppose some trends, but it's not the case here.
neither excited nor moved me. doesn't seem to excel in a single aspect of music i look for or appreciate, and every song is twice as long as is ought to be. just a smear of a musical experience. favorite song is probably The Creep Out: i feel like it was at least trying something kind of fun
1. be - 1 2. boyz - 0 3. minezotter - 1 4. orange - 2 5. love - 2 6. junkie - 1 7. holiday - 1 8. morning - 2 9. tree - 3 10. green - 2 11. kim - 1 12. hard - 0 13. pete - 1 14. creep - 1
Forgettable stuff. Not sure if its a tribute or a parody of the velvet underground but either way this is nonsense
1/5
Yuck. Not feeling it.
Unfortunately every song on this album sounded like throw away indie trash apart from 2 songs in the middle Of the album that piqued a little interest- these been ‘Not if you were…’ and ‘every day should be a holiday’ It felt to me like the album was a band trying to jump On the Brit pop music takeover and they wanted to sound like oasis, unfortunately for them they fell flat completely. A terrible compilation of songs that in my opinion have no right of been in this collection. Fave track- ‘every day should be a holiday’ Worst track- could have been many but ‘good morning’ and ‘I love you’ really grated on me the most! 1.5/10
Dandy Warhols I actually listened to it and there's an hour I will never get back. What a load of generic indie shite. The Velvet Underground made some great records but have so much to beg forgiveness for when it comes to all the flacid white boy 3 chord rubbish it's 'inspired' For the first few tracks I'd barely noticed they'd even started it was so ponderously pointless. Finally with Not If You were the Last Junkie..... we finally got to something worth some attention. We then went into the horrendously outdated proto Jesus Jones guff of Every Day Should be a Holiday. Pete International Airport and its pseudo drone rubbish felt like a lifetime. If you really want to feel like your having some existential out of body experience then go listen to some Spacemen 3. Closed with the interminable Creep Out. Nah, just Fuck Off. 2/10
Meh
Do not waste your time.
About 10 minutes into the album I had to check which song it was up to and was surprised to discover I was on track 2. I would have believe 1 and I would have believe 4.
An hour was more time than I had. Not for me. ⭐
Pan sin sal, sangre de horchata, manos de mantequilla, un árbol de Navidad sin bolas, una barbacoa sin panceta...
pass
Cero interés
Oh god another one of this kind...
Britpop should have never left the Home Nations. 0.5/5
Not great
Not my thing
Whole lotta hogwalash
Bland, banal, overlong. Shoulda been Storm in Heaven by the Verve
I stopped listening during track two. Dirge-like and uninspired crap.
Tried to get all the way through. Got to Hard on for Jesus and gave up. There's just nothing there. I'd rather listen to clanker music.
This was so samey that to be honest at the end of my second listen I just came away feeling tired. Not for me at all.
15 minutes of fame that should never have happened.
This was very long. Wa-a-ay too long. Indie-by-numbers slop.
totally snoozed through this one. Never even knew the Dandy Warhol’s were a thing, and I still wish I didn’t.
Everything people think is bad about 90’s music is this album
I want my 3 hours back. I know the album is only a little over an hour. But bloody Hell, the droning and sameness of it all made it feel like it was 3 hours.
I couldn't get into this. The Dandy Warhols just sound so fake and inauthentic. Very generic. An American band regurgitating Britpop half a decade too late. BJM won the fight.
Plain indie : not very good at all, self-indulgent, derivative, and far too long. Just because there is room on the CD, that does not mean that the band should fill it up with thin gruel like the 6 minutes and 9 minutes of the last two tracks This would have been a better listening experience at half the length. It might even have got a second star.
This just came off as depressing boring sad stuff. They officially lost me at ‘I love you’ and then I just got annoyed at how much left there was. This dragged on and I didn’t enjoy.
Impressively boring.
Nah. I do not like this stoner-y, garage, mumble rock. Some of the lyrics (the ones that were there) left a bad taste in my mouth. Pass
Boring, mid indie for hipsters who dig too far for meaning in a song.
Not a good sign when, listening to the first track, you think to yourself: this just goes on and on...
Yet more American cr*p.
boring
Meh, too pop for me. I can understand the appeal but it’s just not for me
Just boring masturbatory shit
boring. couldn’t listen
So not my thing.
Pffff
Didn’t find this album that good
Jesus Christ get to the point! This record is 90% droning with nothing happening. What was the point of, "Pete international airport"? What the fuck?!?
Blaaaand