Reviews (page 5 of 8)
1979 remains undefeated. Nothing on this list has sounded like this. It's more like indie or alt rock than punk, at least compared to the contemporay punk artists around the same year. At times it's really unpolished, which I can see upsetting many people. But I think the general creativity and mixing of sounds is worth the experiment. Funk, ska, raggae, rock, there's plenty of all of this around. Instant Hit, New Town, and I Heard It Through the Grapevine are all great, but Typical Girls is the clear best song here. Kind of has a piano similar to the Neu! album, but then it changes into something that sounds a lot like Fiona Apple. Pretty neat, and I enjoyed this a lot.
Álbum de post-punk setentero de enorme influencia, que con su actitud desafiante y letras feministas y anticapitalistas dio forma al movimiento riot grrrl. Aunque técnicamente sea mediocre en el mejor de los casos, me ha gustado mucho su estilo experimental con influencias ska mezcladas con esas armonías vocales disonantes, que a veces me recuerdan a The Specials (por ejemplo en "So Tough"). Y ese vibrato vocal a lo Dead Kennedys también mola bastante. En general, un álbum muy experimental y bien ejecutado, aunque no sea la cosa más melódica del mundo. Me ha gustado mucho, sobre todo puesto en contexto. Y esa versión de "I Heard It Through the Grapevine" es un locurón.
This is fun! Fun-weird. I probably wouldn't listen to it a lot, but it's a unique sound.
First half was weird in unentertaining way, second half picked up a bit and had a couple stand out tracks. As an album it felt weak, would not want to listen to the whole thing again. Favorite songs were: Typical Girls I Heard It Through the Grapevine 4/10
Kinda love this. The 'tude, the German accent, and the raggae influened punk come together in way that agrees just fine with my tastes.
I didn't really need to hear this one. 2 stars because while I didn't care for it, I didn't actively hate it.
2.5 - a bit too discordant in a way that doesn't quite work for me
1.The first song is very bad i dont like it at all no rhytm just random jibberign excepthe guitar is quite funky 2.this song was also quite odd i dint like it not much to say 3. listened to whole thing absolute ass
These ladies need a shower. But their hair is perfect.
Sometimes the vibe of a record and aura of its performers elevate the material; this is one of those times.
Nice example of an early punk band turning to new wave music and nailing it.
Not very tuneful.
bjork coded
I love me some classic punk rock
2.5
Perhaps they should have “cut” all these tracks from the ones they decided to keep. I can’t imagine what the album would have sounded like then. This was horrible. Honorable mention for “Heard it though the Grapevine”, at least that was a little interesting.
Talk about an album cover not aligning with the style of a band. As this played out, I was convinced this was the soundtrack to a bad stage play with the petulant character Veruca Salt from the original Willy Wonka singing.
I wish we would have put a 1000% tariff on this to prevent me from hearing it. I kept expecting to hear a song I knew, which never came until that annoying version of Heard It Through the Grapevine. Dislike.
Interesting at first but this got old real fast. This is essentially show tunes right? Like all I could think is the Lost Boys singing this in a performance of Peter Pan. Oh or in Matilda! This sounded very much like a tune from Matilda with all the kids running down the school hall. It’s the singers voice and all the other vocals, shouting and sounds. I’m sure you love this if that’s your cup of tea. Not really for me.
10/10 band name and album cover, 4/10 album. 2.25/5
Nah, too much shit punk on this list
I have no idea what's being said or anything, I'm sure its influence is great but the music just didn't gel
Punky
Girl punk. Good. I would listen again.
Maybe it’s because I didn’t sleep well but this got on my nerves real quick. Apparently this was really influential, but that doesn’t mean I have to like it or that it is necessarily good.
An album that I happen to hold in very high esteem has an album cover with a large purple border surrounding a landscape image in the lower half of the album cover. This one could be promising (I am an ultra srs critic with ultra srs, objective reviews btw) The vocals are a very strange inbetween for me. They're at a crossroads between being pleasing and being obnoxious. Same goes for the instrumentals. There are moments that are competent and polished (the guitars on Adventures Close To Home) and other moments that are annoying just as regularly (the spoon-tossing on Newtown). Strangely, the songs on the album that lean more into the reggae/dub influence are a better listen to me than some of the more punky tunes. A lot less screaming and a lot more time for me to pause and catch my breath. The album held my attention for the entirety of it's runtime and I respect the ambition, which are the chief reasons for why I am giving this album with a gracious 3/5. This album also beautifully, poetically ended at the exact moment where I was beginning to feel fed up of it. I applaud these mud-caked vixens for reading my brainwaves and conveniently ending things on a good note. Almost 50 years after the release of the album, no less.
Just couldn’t get in to it…I gave it a few listens but just wasn’t for me
Gekrijs, na 2 min uitgezet
"wow, look at them!" "yeah, but, listen to them..."
Sorry girls it’s not for me
What's next, Gash by The Incisions? I liked this
Nice music!
Love this album a lot but since im writing publicly i have to mention that the album art is racist. Thank you
Purty cool man
Len wanted to start a female punk band in 74. He couldn’t ever quite grasp the fact that it wouldn’t work with him in the band. Glad to see the girls went on to do some magic work. 4.3
Jest w tym coś świeżego. Miałam wrażenie jakbym słuchała zblazowanych nastolatek, które nie mają co ze żoną zrobić po lekcjach, więc sobie grają. W końcu coś, co jest jakieś. Nie wiem czy dobre, ale wyraziste. Aż chce się o tym pisać. Miałam dać 6.5/10 równane w dół, ale właśnie ze względu na to, że zapada w pamięć zawyżę. Chociaż punkiem bym tego nie nazwała, za dużo popowych naleciałości.
Just not really for me. There were times when the tracks would get catchy, but I'm just not into this vocal style.
Important, ok. But is it good? 2/5
Favorite Track: Typical Girls
1/5 kansi kamala, laulanta kamalaa, en halua kuulla tätä uudelleen.
Disjointed singing style is off putting. I appreciate the subject matter they're singing about but it feels too erratic for my taste.
This was certainly an interesting listen, and I enjoyed this kind of punk-raggae. I'd never heard of this band before. Overall a good 4 star record
The grooves are all reggae-influenced. I suppose this might be pre-horns ska? It's actually a fun listen because of the grooves. I can't say I loved this album enough to give it 4 stars outright, but it was definitely the most listenable of the punk albums we've had so far. I could go 3.5 stars and round up to 4 for the site.
That was a disappointment.
This is just cool. I don't get the hate; it's so different from anything else I've ever heard, in a good way. I could go for a whole album of the sound from their cover of I Heard It Through The Grapevine, which has a great groove and is such an intriguing take on the original. I listened to this twice already.
Really cool and dynamic
4.4
The Good: Boobs!!! The Bad: They are kind of muddy… and there’s a slit... The Ugly: The injury that could give you, mud in a cut… not good, better call a doctor! It’s not bad. It’s not great. It’s just what it is… However, someone is going to have to answer me this: why do so many German singers of the female kind have the need to sing with such an aweful baritone? Just like what’s her face that joined Warhol’s crew; Nico. Anyway, to tell you the truth, I was kind of enjoying it as background music, so that’s worth something I guess. Call this one a line-drive straight down the middle, which will land us on first base and only allow us to think about stealing to second so we can fondle some muddy breasts… what? 2 1/2*
this is funky 4/5
I liked this spindly, ramshackle mix of punk and reggae a lot more than I thought I would. I’m not sure the Slits would take this as a compliment, but I found it oddly charming.
Absolutely loved this. Thinking about how liberally I should give out my 5s on this site, because this is absolutely stellar. Proto-riot grrrllll and every bit as good as the genre greats. Such energy. Love love love it.
This is going to get a 2 or worse but this is pretty influential - there's actually some hing here
This isn't really punk is it? It's more like a stripped-back, reggae-infused kind of thing. I'll be generous, and say some of the tracks are quite interesting in the setup (like Newtown) but it's mostly just boring and slow and weird. The groove on 'I Heard it Through the Grapevine' is really good, but then that's not officially on the album anyway.
Bouncy pop with lots of rhythm changes
Favorite tracks were... honestly most of it. The individual songs stand out, maybe because they’re shouted in your face. I quite liked 'FM' and 'Love Und Romance'. Good cover of 'Heard It Through The Grapevine' too. However, the album cover creeps me out.
This was fun! A nice change of pace from some of the other albums. It was bouncy and weird and put me in a good mood. Favorite tracks were Ping Pong Affair and I Heard It Through The Grapevine.
Enjoyed this a bit more on second listen. Still not all the way there with it, but perhaps I will be one day. 3/5
Strange punk band. Weird music.
Weirdly labeled as punk when it's just low quality reggae. I know a lot of that early British punk included a lot or reggae, but this is not that. This is just kind of crappy AND boring. A one two punch that kills this for me. Also, that cover sucks. So...
Not gonna lie, won't revisit. But interesting
British punk from the late 70s
Please make her stop! She cannot sing.
Muy influyente, al parecer, pero cuando tu mejor canción es un cover, pues no sé si deberías estar aquí.
It might be because I grew up south of Seattle during the riot grrrl era, so I've been listening to punk girl bands for a very long time, but I wasn't particularly impressed by anything on this album.
Another of those bands I'd heard of but never got around to listening to. My mistake. Classic British combo of Punk and Reggae, reflecting the strong West Indian culture of London at the time. Very musical underneath the punky vocals. Nothing simple about this, I've played a few times today and got more out of it each time. Extra star for the cover of I Heard it through the Grapevine. The CCR cover of this is just about my most hated cover song in the world, so appreciate this fresh take.
Killer opener, rest just aches a bit too much (except for the smashing „grapevine“ Cover)
Absolute classic! While punk/reggae/ska fusion wasn't exactly new at the time of its release, this album brought something truly unique beyond just the female vocals. The energy, that British accent, and the seamless blending of styles is great.
There is so much to like about this record: reggae/ska influenced guitar, quirky rhythms, choppy vocal delivery, feminist messages. Mostly the music. The only drawback to me is the Tiny Tim style hyper vibrato vocals from Ari Up.
It's been awhile since I listened to this. Was a really good listen. Typical Girls is a great stand out track. The bonus track cover of Grapevine really works.
It's a great album. Typical Girls is my favorite track on here, but there's a lot of great stuff. I loved the reggae/dub sounds on this album. I wish the production was a *touch* better than it is, it's pretty bad, but hey, it's punk (or post-punk if you want.) You can see how other bands I love, like Sleater-Kinney, were directly influenced by them. Very worthy of being on this list.
Interestingly weird
Weird weirder weirdest
It's been awhile since I let someone take a shit in my ear but here we are. There is literally nothing redeemable or good about this album. It is a statement on how to not make music
I want to like this more than I do because I know it is important to the history of punk rock and the predecessor to the riot girl movement but it just doesn’t so a lot for me. I think it is the reggae sounds. I’m not much of a fan of reggae and Ari’s singing style is very much inspired by that.
Punk's anyone can do it approach, some ska/reggae/glam rock sounds, some cool uncoventional guitar parts, some classic robotic funk post punk bass playing, and an off kilter detatched sing-songy vocal delivery for some cutting dark lyrics. Cool as hell.
Landed this on a ROUGH day. Not into it physically, not into it mentally, and certainly feeling an emotional vice. I really needed SOMETHING other than this abomination. Messy, raw, and all over the place. It's punk, but like, barely holding itself together. Feels like someone found a lost B-52s demo, spilled beer on it, then recorded over it with a busted mic. It’s also kind of exhausting. Like watching a drunk friend try to tell a story that keeps going in circles. Spins: 1 Playlist Additions: - Heard It Through The Grapevine
I kind of liked the beat. I understand the hate, though.
Very peculiar punk, not my pair of shoes.
I do like crunchy punk girl groups, refreshing in a way. Not my go to for sure, but interesting nonetheless.
I don't know, this was just... slightly melodic noise? It had some punkiness to it that I sometimes liked, and that 80's German edge that was kinda cool, but musically I just found it very thin and was glad when it was over. Sorry, one star.
The obvious reggae influence makes this more interesting than a typical punk release, but not better.
I’ve listened to this a few times here and there over the years, and it’s hard for me to get into it. I can see how it’s influential and you can hear them in some newer all female and female-led bands. It sounds good and is an interesting listen, but not one that compels me to come back often. I can’t help but wonder how much the album cover has influenced its renown..
Terrible!!!!
An okay album but no real standout songs.
Gear: ZMF Bokeh Artwork: 🍒🌹🟪 Production: 🥩😊👌 Music: 👩🎤✂️🔮 Rating: 🍇🍇🍇/5
I cannot believe they were TEENAGERS and in the late 70s no less when they recorded this…….so incredible, and inventively produced!
3.3
Excellent
Honestly, what’s not to like here? Woman led early punk band that obviously inspired the Riot Grrrl era and beyond.
i’ve always loved their cover of “i heard it from the grapevine” but this album wasn’t that great but i definitely liked some parts :D and i think the album art fits well w/ the music
Musically, this doesn't catch me so much, but even before read the wikipedia page, it's quite obvious that I was listening to something important for punk history.
“Oh, I know this one!” I said to myself as I looked at this album cover. “These are those sisters that can’t play their instruments!” Then I started listing to it and was all, “ok, the drummer and bass player are keeping time. The guitar is in tune. Vocals are weird, but in an artistic way. And this whole thing has been recorded and produced really well. No wait… I was thinking of the Shaggs” So I had to go down the rabbit hole on this one. Turns out the singer is John Lydon’s stepdaughter which partially explains HOW this album got made. I also learned that music critics love this album. I also learned that Kurt Cobain loved this album. Personally, I can’t imagine a scenario in which I would want to give this another listen.
Genuinely one of the worst albums I've ever listened to. Borderline incomprehensible, shrill, and hardly even rhythmically in-time. The CCR cover is honestly insulting, and most of the "songs" barely qualify as such. Might be the first album in this project I contemplated not finishing because of how unappealing it was to listen to
I want to support women but this was very annoying!
It’s kind of shit. It’s early punk, which I generally don’t like anyway. Why is this on the list? It’s all women, which is a change of pace, but it’s still early punk, so the ceiling is pretty limited. I will say that it seems to lean more into the bouncy ska-type punk than the angry aggressive noise-pop punk. Whatever. It stinks.
First? 2,5/5 Again? 1,5/5
An album can be influential, and not be required listening. Sometimes these things can just be written about. This is one of those times, as this is terrible all around, from the instrumentation to the vocals. It was just bad.
Sounds like a bad high school project 1/5
Very experimental, cool as an idea but in practice it just did not resonate with me. Shotty musicianship and melodic negligence turned this album into a blended slurry of sounds that made me dizzy. Some aspects of nu-wave and ska additions were nice.
I understand this is cult and i can see why. Smash the patriachy, punk for women, ska for punks! Problem is, its not really very good.
Just so insanely talented, those changes in key and rhythm are crazy. And not quite post-punk, something more interesting that's jazz and reggae-influenced. Their cover of "Heard it on the Grapevine" is amazing as well.
Really entertaining album.
1.5 barely
I was hoping for a little more from this album, but it didn’t quite click with me.
Textbook English post-punk. Haters are annoyed by this for various reasons, mainly because they think it's about them. Which it is. Offbeat, inventive, often difficult, Cut is easy to dismiss at first listen. It's really not intended to be easily digested. You have to accept this fact into your heart. It'smeant tochallenge the status quo, whther it be in Love, music, family, government, capitalism, pick your poison. It elegantly opposes musical conventions. This attitude doesn't go down easy. But like contemporaries Gang of Four, PiL, possibly Crass (!), The Slits do the courageous work of tearing down the establishment. I said courageous and I meant it. Easy for snot-nosed punks to fly in the face of expectations. Now women are doing it, and that's probably what's bothering you. Take some time for self-reflection. Also Bjork sounds like Ari Up.
Have you ever wanted to listen to bad music? Then this album is perfect for you! In my opinion, I hated this album because it's too much of an old timey album. Another reason why I don't like this album Is because I don't like the instruments that are used in it. They just don't sound good with the lyrics and the singers voice in my opinion. I would not recommend this album to someone else because I don't like it at all and I feel like someone else wouldn't like it either.
Slits = vaginas
K. I read that this band had a lot of cultural impact for female punk. I didn't like annnnnny of it.
Love this album, it's a classic and fresh at the same time.
Instant Hit Shoplifting Typical Girls I Heard It Through the Grapevine
Stripped back, raw, a bit ragged and often brilliant. There's nowhere to hide, and it's not all killer, but I enjoy it all. I know 'Heard it through the grapevine' wasn't technically on the album ... but it's truly one of my favourite cover versions of all time.
It's great to hear people being creative with sound. It illuminates how much unimaginitive imitation we spend our lives listening to. The problem here is that, ironically, like pop music, there's no substance - it's all about the sound. I appreciate that the woman at the center is committed to avoiding conventions, but she doesn't seem to be interesting, clever, or musical enough to replace those conventions with anything worth listening to.
We’ve spun this four times now; peeling back the layers there’s a strong, strong argument emerging for it being the most influential of the post-punk records of the late 70s. It still feels the freshest too. The drums tick and roll and batter; the bass wonders, punchdrunk and charismatic; the guitars can’t stay still, maybe they don’t want to be guitars anymore?; the voice somersaults, careens – gymnastically controlled, poised, enjoying itself, solidifying its dimensions while forming them into an archetype. This is a record I hadn’t realised I should say so many thanks to. It’s also perfect for a day that’s too hot to be in a house that’s without aircon – yet still pretty much feels like paradise. Fitful sometimes just fits.
I dont really get it, I wasn't even sure the genre I was listening to through a lot of this. Is this like pre-ska girl punk? Dub-Jazz? I like her voice at parts but there's a lot of stuff that feel out of time. There's moments in this album that I dig, track 5,6&7 makes sense to me and some of it gets groovy, but there's lots of just artsy weirdo shit that I can't really figure out.
This is fantastic. Not something I’d put on for everyday listening and obviously not perfect so I won’t give it 5. But oh man. There is so much music history in this band if you do a little dive. Shoplifiting is probably my favorite. It’s so fun. That scream and warble in her voice and that kind of skipping beat. Very punk. Very cool.
This was almost unlistenable. There’s noisy bands, and then there’s bands that just make noise. I didn’t care for these ladies at all. Seemed like a sort of Talking Heads knock off, but without the creativity, charm, or talent. I only listened to half. Perhaps the second half was better, but I don’t know. I don’t want to know. Quite frankly it’s a half an album I could do without.
Not a fan of the vocals...not a fan of the instrumentation. The only good thing was the provocative album cover, and I could only see a 1" by 1" version of it on Spotify. Seems like anything classified as post-punk just means "Yea, the music IS shit....but they paved the way for all these other bands." Would prefer to never hear this again.
Awful.
Wanted to like it, but it was a little raw for my tastes....Not garbage, just very unpolished.
It's like a way way worse the police copycat band with allot more vocal experimental outburst and worse instrumentation. And way more Jamaican impersonations than needed
An artist and album I know nothing about going in. Surprisingly fun to listen to. Punk, ska, layered ideas with a lot going on. Discordant at times, but I’m feeling it. This is at least a 3 for me, maybe a low 4.
I appreciate what they were doing and all, but this was a chore. The thing that really puts me over the edge is that weird feathering in her voice. I hate that. Great cover, though
Really fun album, I like the fusion of punk and reggae.
4/5
Very much not my cup of tea. Instrumentals that were all over, and vocal work that was even more all over. There was a moment where I felt it was a bit of a decent listen, but overall just not worth the experience.
Right off the bat, this album kind of reminds me of Animal Collective. Would this be considered avant Garde reggae punk? I'm digging the weird nature of it honestly. There's also a band I listen to with a female vocalist that sounds just like one of the vocalists of the slits and I cannot figure it out for the life of me. It's driving me crazy.
What a rad and bold record. There is no way that this would have been any sort of mainstream when it came out, and I love that they just didn't give a shit. Not only is the subject matter and intensity of the lyrics bold, but I really love how it's a ska-punk album. They're fusing those genres so elegantly and they do it without the obvious instruments (brass and keys.) I have so much respect for this band and what they did for punk and really all alternative / indie / underground music. Super cool.
Pioneers and feminist punk rock that lead the way for a lot pf other wonan in rock and punk music history. Still sounds fresh and diferent. Must listen everyone
It was different, I'll give it that. Different in a good way even.
There's some interesting beats and song structures here, but they're all ruined a bit as soo as they open their mouths and start wailing.
## In-Depth Review of *Cut* by The Slits The Slits' debut album, *Cut*, released on September 7, 1979, is a seminal work in the punk and post-punk landscape. Its unique blend of punk energy and reggae rhythms, combined with provocative lyrics and a raw production style, has left an indelible mark on music history. This review delves into the album's lyrics, music, production, themes, and influence, while also examining its pros and cons. ****Lyrics**** The lyrics of *Cut* are a striking mix of political commentary, personal reflection, and biting social critique. The opening track, "Instant Hit," addresses heroin addiction through the lens of its impact on loved ones rather than the addict themselves. This perspective offers a fresh take on a common subject in punk music, contrasting with the often self-indulgent narratives typical of the genre. "Typical Girls" stands out as a feminist anthem that challenges societal expectations of femininity. Lines such as *“Typical girls stand by their man”* highlight the restrictive gender roles imposed on women. The song's catchy chorus juxtaposes its serious message with an infectious melody, making it both a rallying cry and a pop hit. Other tracks like "Shoplifting" and "Newtown" explore themes of rebellion and urban life. The former captures the anarchic spirit of punk with its fast tempo and raw energy, while the latter incorporates sound effects like shaking matchboxes to evoke drug culture in a gritty yet playful manner. Overall, the lyrics are characterized by their irreverence and wit, addressing issues such as commercialism, gender roles, and addiction with an unapologetic tone that resonates even today. ****Music**** Musically, *Cut* is an innovative fusion of punk rock and reggae influences. The Slits' sound is defined by Viv Albertine's unconventional guitar work, which often serves more as a percussive instrument than a melodic one. Tracks like "Instant Hit" feature rhythmic guitar strumming that complements Tessa Pollitt's prominent bass lines and Budgie's dynamic drumming. The production by Dennis Bovell plays a crucial role in shaping the album's sound. Bovell's background in reggae allows him to blend genres seamlessly while maintaining a raw edge. The album features heavy bass tones and intricate layers of sound that invite repeated listens to uncover hidden details. The incorporation of dub techniques adds depth to tracks like "Spend, Spend, Spend," where echo effects and reverb create an immersive listening experience. This experimentation with sound marked *Cut* as one of the first punk albums to embrace reggae fully, paving the way for future post-punk acts. ****Production**** Recorded at Ridge Farm Studios in West Sussex, *Cut* was produced under conditions that allowed for creative freedom. The Slits were given control over their music and artwork—a rarity for female artists at the time. Bovell's approach was collaborative; he guided the band without stifling their creativity. This balance resulted in an album that feels both polished and raw. Despite their self-proclaimed lack of technical skill as musicians, the band’s energy and authenticity shine through. The production captures their youthful exuberance while also showcasing their willingness to experiment with unconventional sounds and structures. ****Themes**** Thematically, *Cut* is rich with commentary on gender politics, societal norms, and personal identity. The Slits challenge traditional notions of femininity through songs like "Typical Girls," which critiques how women are often expected to conform to societal standards. Tracks such as "Shoplifting" reflect a broader sense of rebellion against consumer culture. The album’s exploration of urban life—highlighted in songs like "Newtown"—captures the gritty reality of late-1970s London while also incorporating humor and irony. The fearless approach to taboo subjects such as addiction and sexuality makes *Cut* not just an album but a cultural statement that resonates across generations. ****Influence**** *Cut* has had a profound impact on subsequent generations of musicians. Its unique sound has inspired countless artists across various genres, from punk to indie rock. Bands like Nirvana have cited The Slits as influential figures in their development as musicians. The album is frequently mentioned in discussions about feminist contributions to music; it paved the way for female artists seeking to express themselves authentically within male-dominated genres. Its legacy can be seen in the works of later bands such as Sleater-Kinney and Bikini Kill. Critics have consistently recognized *Cut* as one of the greatest albums ever made. It has appeared on numerous lists celebrating influential records and continues to be studied for its innovative approach to music-making. ## Pros and Cons ### Pros - **Innovative Sound**: The fusion of punk rock with reggae elements creates a unique listening experience. - **Provocative Lyrics**: Addresses important social issues with wit and irreverence. - **Cultural Impact**: Pioneered female representation in punk music and influenced numerous artists. - **Creative Freedom**: The band's control over production allowed for authentic expression. - **Timeless Themes**: Issues addressed remain relevant today. ### Cons - **Technical Limitations**: Some listeners may find the musicianship lacking compared to more technically proficient bands. - **Production Quality**: While rawness contributes to its charm, some may view it as unpolished or uneven. - **Niche Appeal**: Its unique sound may not resonate with all audiences accustomed to mainstream music styles. In conclusion, *Cut* by The Slits is not only a landmark album within punk history but also a bold statement on gender politics and societal norms. Its innovative soundscapes paired with incisive lyrics ensure that it remains relevant decades after its release. While it may not appeal universally due to its rawness or technical limitations, its cultural significance cannot be overstated—it stands as a testament to the power of artistic expression in challenging societal expectations.
I can see why some people don't like this music. As with lots of albums here, there is a context. The Slits were breaking new ground. This isn't what female bands had done before, and it happened in a time in UK (at least) where such rebellion was seen as a male domain. Many popular female uk bands either directly or indirectly attribute their success to ground laid by the Slits. Is it 'good' music? No. Is it meant to be? No. It was meant to challenge the system, and open new doors...and it succeeded at that. A good album? No. An important and influential one? Yes!
Nothing mind blowing but an easy listen to glide through. Angsty chick punk pup essentially.
This album is terrible. There have been moments throughout this project that I've wondered what the thinking was for including an album, but this is utterly mind-boggling. Spend, Spend, Spend: I'm fairly certain there was a goat bleating in there somewhere Shoplifting: Just a lot of shrieking for what seemed like absolutely zero reason Everything else sounds like early Björk, except not in a good way. Typical Girls: Not typical, and more goat bleating. Or maybe this one was a sheep? This whole album was trash.
Very surprised by this album. In a vast contrast to the Peter Tosh album, this album sounds nothing like I would’ve expected. It was kinda ska and also punk. It had a lot of forgettable skips, but the 3-4 songs that stood out were great. Really enjoyed the vocals on their songs and my favorite thing was how random and silly the instrumentation is. There’s slide whistles mixed ska guitars, wild stuff. Big fan, definitely gunna check out their other albums.
AAAAAAAAAAAAAAAHHHHHHHHHHH
oh wow that is horrible, no thank you
3/4
Absolutely obsessed with this album cover, to begin with. I had no idea the Slits had anything to do with reggae, so the opener came as a big surprise- it's all pretty lofi as well as reggae-ish. I like that the singing is faintly accented, which makes sense after reading about Ari Up. A German obsessed with the Caribbean- no surprise the music is a bit odd. The whole experience of this record washed over me a bit on first listen, but going back and listening to it a second time I really enjoyed the kind of offbeat experience of it. Lyrically it's all quite fun, and there's something to like on almost every track: I like the chattering at the end of So Tough very much- there's something massively feminine about ending a song that way; Spend, Spend, Spend reads me for filth; Shoplifting is hilarious; Newtown is quite zombie apocalypse and I love the weird little sound effects against a low key twiddly guitar; Ping Pong Affair is fab from start to finish, a short story. Typical Girls actually has a melody and a fab Jools Hollandish piano line (it's a real song!) and it's a fairly basic feminist statement but probably wasn't in 1979. Heard it Through the Grapevine is silly in a wonderful way. Would very happily put this on again- I'm not rushing out to buy the vinyl but deffo a solid listen. 3.5 rounded to 4.
So I really went back and forth between giving this a 3 or 4 because I think overall the majority of songs are just a bit hilarious and punky but not ultimately not great. However, the tracks I liked I reallyyyy liked and definitely made me jealous of not being around for punk, especally with an all female line up. I love that they are all women and I believe they were one of the few and perhaps the first so for that, I am a fan. I also believe most of them didn't know how to play their instrument when they joined the band so again, funny and great. I think the influence of reggae is so so apparent in this record, and of course punk as a whole has a lot of reggae in it anyway but it's obvious The Slits were big fans and the merging of the two genres here is great and when it is done well it is great. I believe their producer or manager was also big in reggae so shows also where the influence came from and not to use this useless word too much shows it was authentic at least. Thinking of reggae and punk colliding in 1979 Ladbroke Grove sounds great to me. Regarding actually songs I like, I actually love how the album starts and love 'Instant Hit' and 'So Tough' - is this about a guy taking drugs and they not working for her when she takes them? And then for 'Spend, Spend, Spend' she's now addicted? I'd say, though, that the best track has to be 'Typical Girls' and I love how much it just makes me think in this track they are the punk Andrew Lloyd Webber - the punk Jellicle Cats, when the piano comes in to me it just sounds like that I really hope you agree. Why though does it end suddenly going into a weird Christmas track ditty?? I hope again you know what I mean. And although the lyrics to Typical Girls has been done before and will be done again, female angst I will also support and be glad women are shouting about it, especially in music, and maybe they were one of the first, so good on em.
Not at all what I was expecting haven't never listened to them before. More melodic and ska-like, when I was expecting the female version of Skid Row. Particularly liked the drumming. Glad to discover something new and exactly what I hoped would happen from doing this exercise
Really enjoyed this, against all the odds this just works for me - another surprisingly effective combination of punk and dub...
Very much of its moment. Some interesting reggae dub beats but the dissonant vocals wear thin quickly and lots of the tunes are rather rudimentary. Interesting Germanic influence though
Backyardigans vibe
I'll be real: artsy post-punk is definitely not my thing.
There’s absolutely nothing I enjoy about this record. It’s a disaster.
Interesting first album
I wanted to like it, but did not
Not as bad as I was expecting
Vähän artsyä punkkia, mikä yrittää olla taas "huonoa". Mutta tää ei ollut niin paha. Vähän jopa harvinainen kun tyttöbändi. Parhaat: Newtown, I Heard It Through Grapeline (cover?)
I knew I had listened to this album before, but couldn't remember anything about it for the life of me. Imagine my surprise when it's a reggae album (or reggae-tinged punk a la the Clash?). I tended to enjoy the dub-inspired songs more, but the songs tend to be simple to the point of being quaint. I generally enjoy the vibe, even if it is a little same-y, but I don't think this is all that essential of a listen.
This gets an extra star for being the first Punk-Reggae album I've ever heard of, but that doesn't make this anthing close to an enjoyable record. Spend, Spend, Spend might be the most unlistenable song I've ever heard. Each song has an interesting idea but leaves such a rotten taste in my mouth, sort of like British Food. I'll give them credit for their cover of I Heard It Through The Grapevine, it's actually sort of good.
Interesting mix of punk and reggae. Vocals reminded me of Siouxsie and the Banshees, but might be just a case of “British woman”. Nothing too incredible, but it was fun. Favorite songs were Shoplifting, Typical Girls, and I Heard It Through The Grapevine.
Oof, I really tried - but I just couldn't get into this. Halfway I just wanted to be done with this album. 'Heard Through the Grapevine' is the sole hit on this album that I thought was above average, but the rest is just slop that only redeems itself through the lyrics. I can definitely see how it is influential, though.
Harsh but at the same time groundbreaking. I find it hard to listen to but considering the circumstances, good on you slits for making this.
Liked the cover of heard it through the grapevine
Punk
Always liked the Grapevine cover, but the rest of the album isn't much.
I’m on vacation from work, so I’ll be uncharacteristically brief: This is very good.
Ugggg, horrible. Had to stop listening after 5 minutes. Wretched.
typical...
I liked this sound! Sort of punk, sort of ska, neat to listen to.
I was a bit skeptical of this, thinking it was going to be a hot mess. Turns out I was right, but in a good way!
"Cut" is the debut studio album by English punk band the Slits. A very good description of the music is "a fusion of punk and reggae, also incorporating restless and offbeat art pop." The album was recorded at Ridge Farm Studios in Rusper, England, and produced by Dennis Bovell. The bandmembers included Ari Up (vocals), Viv Albertone (guitar) and Tessa Pollitt (bass). Budgie of Siouxsie and the Banshees was the drummer. Commercially, the album reached #30 in the UK. The album is also considered a keystone for any and all punk-based grrrl movements. "Instant Hit" begins with a reggae beat with the drums and guitar. Layered vocals by Ari. It's a cautionary tale about PiL's Keith Levine's drug use. A scratchy-sounding guitar opens "Spend, Sound, Spend." That guitar sound is throughout the album. Ari is looking at people's kitchens and seeing things she needs...an obvious poke at consumerism. "Shoplifting" features Ari is full-scream mode. With her German accent, she is a dead ringer for Björk. This song is faster; there's sparse post-punk guitar. Ari figures no one loses when she grabs something and runs, runs, runs. "Love und Romance" keeps the quick pace. Albertone has this nervous, anxiety-sounding guitar. Various piano keys. Ari's aims are on relationships and male's possessiveness of females. "Typical Girls" cycles around a traditional rock beat and a reggae beat. This Ari goes off on pre-set gender roles. This album is an interesting fusion or even split of post-punk and reggae. At times it reminded me of The Clash meeting Talking Heads with Björk as the lead singer. I'd actually like to see that. Ari's lyrics are definitely tongue-in-cheek as she goes after consumerism, relationships, men and gender roles. Honestly, it took me a few times through the album to really like it and I'm glad it happened. This is a unique album that should be worth most people's time especially those interested in that late 70's/early 80's post-punk and dub-reggae movements.
Classic post punk/dub mix. The album cover may be more famous than the music inside but that is unfair. Interesting, groovy and slightly weird - like all great albums should. Genuinely an album that should be listened to. Best Tracks: Shoplifting; Typical Girls, I Heard It Through The Grapevine
Not my favorite in the post-punk canon, but a classic for a reason. For being so young they sure could put together a song. A great listen, especially if you like ska/reggae inflected rock.
I really like British punk. Though it wasn't as good as the Clash.
I very much want to love this. I like the voices, the quirky beats, the instrumentation, and THAT COVER. But the songs don’t quite grab me. Plodding, not melodic. Heard it through the grapevine was a highlight. I still like this and perhaps with repeated listening it would grow on me.
I love it as much as the first time I heard it.
I feel like I’ve heard of The Slits before, but I’m not sure where from. Post punk generally seems to be quite hit and miss for me, but something about this felt more fun than a lot of other bands in this genre. It’s far from pristine in sound, and that really adds to the sound. The cover of I Heard It Through The Grapevine was really good, and they really made it their own which I liked (I didn’t realise this was a bonus track). Overall, it would be a stretch to say this is amazing, but I definitely enjoyed it.
More like Cut by The Sluts.
https://www.youtube.com/watch?v=31g0YE61PLQ
I didn’t like this one
Right up there with Gang of Four and PIL Flowers of Romance. The instrumentation is complex and aggressive I just am not as Enthralled with the vocals even though the lyrics are great.
They just make cool noises man. Drums and bass is really groovy and nice. The scream in the album is really cool too. Really like the version of I Heard it Through The Grapevine and Typical Girls.
I'm guessing they are pioneering in the field of punk, but I couldn't take to it. I couldn't call any of the songs memorable, some of the musicianship was above the average punk band, the vocals were a bit harsh on the ears. 2/5
4+
Shite all round
I don’t think I’ve fully appreciated how good and ground breaking this was at the time and still is.
Hmm ekki alveg minn bolli af te. Mér fannst söngkonan beita röddinni sinni soldið skringilega, sérstaklega í fyrri helmingnum af plötunni en seinni parturinn var alveg skemmtilegur. Held ég muni ekki hlusta aftur en ég skil að þessi plata hafi verið áhrifarík í þessari tónlistarstefnu.
wowsa þetta albúm er allt öðruvísi en nokkuð sem ég hef heyrt hvað kallar maður þessa stefnu? ég veit ekki en þetta er geggjað smá björklegt kannski Sæti gæinn í drive me crazy myndi definitely hlusta á þessa hljómsveit
Nice album!
Rating: 2/10 Interesting idea for an album (tribal punk), absolutely horrendous execution. The vocals are so bad they ruin the album, also could not stand the drumming on here.
“Cut” by The Slits has made a new category in my memory’s bombed-out music library, albums for which my primary pleasure is thinking about them rather than listening to them, though pleasures are found there too. Retrospectively I’m slotting last week’s “From Elvis in Memphis” into this category. Listening to this, the thought that “Cut” is a multimedia experience condensed onto disc emerged and stuck. There’s so much going on here - dub, punk, scathing irony and Dadaist manifesto disguised as nursery rhyme - that it extends beyond the sound, exists as a conceptual work as well as a record, a gallery of ideas I am strolling through now while I wonder what to write next. How about Ari Up’s sublimation of her paternal schlager roots? Her accent immediately did something funny to my brain; I’ve spent enough nights listening to freak music with nerds in Berlin to recognise that deep tendency to both mock and embrace the hard sentimental romanticism of schlager, the commitment to an awkward tune carried by pure feeling, language irrespective. Nico had it, so did Ariane Forster. Are The Slits the only band to apply the Beefheartian approach of throwing different songs into one to dub? The piano spree on “Love Und Romance” is maniacal. The guitar work is spidery and has that wobbly, UFO-like motion of weirdo surf rock. I need to hear more by Dennis Bovell; the effects and echo he puts around the band accentuates rather than overwhelms; he gets what they’re doing and enhances it. Riot grrl didn’t take enough from this record; those bands honoured the sound as a duty rather than a signal to absorb whatever excited them the most. This is serious and fun - I’d never listened to this assuming it wouldn’t carry catchy timbres or tunes, but both are abundant; this is a surprisingly polished work.
I *love* Viv Albertine, her books and "The Vermillion Border" so I'm naturally a huge fan of this. A totally different approach to punk; fresh DIY-dub without any Chuck Berry. Some great pop tunes on here ("Newtown". "Typical Girls", "..Grapevine.."), all quite unique sounds. Good to see this on here
I had no connection to or with this music
All of you people, HEAR ME OUT... 😈😈😈
Not that great overall, but I really started to dig the vocalist. The cover was my favorite track.
Cuatro, this is interesting good stuff. It’s music like this that makes this list interesting.
Heard it Through the Grapevine rips.
I’m really not a huge fan of this early artsy post punk. Good effort and creativity, just not for me.
This was trash
Eclectic, raw style
Not at all bad
Das Album hat mich leider nicht überzeugt. Die Mischung aus Punk und Reggae mag zwar innovativ sein, aber die Umsetzung lässt zu wünschen übrig. Die Songs wirken oft unausgereift und chaotisch, was den Hörgenuss trübt. Auch die Produktion klingt stellenweise roh und unfertig. Insgesamt fehlt es dem Album an Tiefe und musikalischer Raffinesse. Das war ein Satz mit x.
first listen its really bad. like yoko ono bad.
Definitely not punk. Loved it, so fun. The reggae influences are on top.
Punk and reggae, what's not to love? I'll tell you what's not to love: that God awful sound that masquerades as singing.
yikes
the cover was awful but the rest wasn't that bad, the accent adds to it
I thought I would enjoy it a lot more than I did. Awesome cover tho Rating: 2.7
Fun, but very one note
I can see how this is not everybody's cup of tea, but bad musicianship? Seems to me they achieve exactly what they set out to, and I personally find the result really fresh.
The band name reminds me of a band called the Slants that caused controversy for their band name because it was considered a slur. This album was ok though, kind of boring.
Listened to this album twice in the time it took me to fold my clothes..i think i need to do laundry more frequently. Was better the 2nd time around. Was good but nothing crazy. Can see a world where i listen to this more and enjoy it but for rn just good. 7/10
4/10 - The cover art is interesting to say the least. Sadly the music was good. It was just annoying.
It was fine I suppose. Parts of it felt like they were trying to capture the same vibe that the stuff the b52s were making at around the same time captured, but didn’t do it nearly as well. Fine album, will never listen again
Likte da ikkje
Interesting and with energy. I like this and the context but still probably on the three side of a 3.5 for me.
Þessi plata var eins of hópur af krökkum hefðu komist í hljóðfæri eldri systkina og svo óvart tekið upp plötu. Mér fannst hún ekkert spes en það var gaman að heyra I heard it through the grapevine í þeirra útgáfu. Það togar hana upp í 2 stjörnur
Stem niet zo aangenaam en geen fijne melodie.
It's bad. It's the type of album some snooty music critic would tell you that you just don't understand why it's perfect. The vocals are rough, the musicianship is rough, the mix is rough.
Unique for sure, not my favorite.
Couldn't get into it. 1/5
Nah. Not my thing really.
not my favorite, it just felt like a lot of noise. some songs were better than others.
tem umas muito boas, mas nem a influência gritante do skazinho da galera me pegou nesse. adventures close from home é bem boa, assim como i heard it through the gravepine, mas na minha perspectiva, só elas salvam. bem chato no geral.
entendo que pode ter sido crucial pro riot grrrl. mas num curto mto reggae e derivados não, daí fica difícil mas pô, tem umas boas, vai. "shoplifting" é bem boa.
I heard it through the grapvine er flott cover, restin rennur svolítið saman í pönksúpu sem mér finnst ekkert spes.
Album 574 of 1001 The Slits - Cut (1979) Rating : 2.75 / 5 I remember liking this a lot when I first listened through the playlist. As it is now album of the day, my enthusiasm for it has waned a bit. Still an interesting and fun album. Just not too much going on. A decent punk album to experience. Unique cover of "Heard it Through the Grapevine".
Before listening I was pretty worried I was going to hate this. Glad to say I was wrong. I don't necessarily love it either, but it's kind of catchy. It sort of reminds me of really early Police, if they were girls and recording in a garage. Also, the singer's style reminded me of Bjork a few times during the listen.
can't help saying the band name the way it's pronounced in \"Losing My Edge\" by LCD Soundsystem
The out of sync vocals are really off putting.
1. hit - 1 2. tough - 0 3. zpend - 0 4. zhop - 1 5. fm - 1 6. touun - 0 7. pong - 0 8. love - 1 9. girlz - 1 10. home - 0 11. grapevine - 1.5 12. romanze - 0
I was excited to see this album. This album is a fun pop punk album that spans all genres but focuses on reggae & ska. It’s fun and an easy listen. I will go there and say I think their version of heard it through the grapevine is the best cover I have ever heard. Favourite song: Heard it through the grapevine Least favourite: All songs are worth a listen Album artwork: Iconic cover
I don't understand what's happening here but I really like it.
just an ok punk album
Decent
been a while since an album has hit all the right beats for a one star. British debut from an overplayed genre with no accolades or reasons why it should be here beyond country of origin, and the album does its best to try to be ska or something but just comes off as annoying.
Enjoyed this one. Feel like I've heard of this band before but didn't know what to expect. Love a good all-girl punk band, they nail the sound pretty well, not to mention a few interesting deviations like "Liebe and Romanze," that was really cool. I think this project has helped me refine my palate for punk because I'm developing a taste for some of these acts. Also kudos for the Marvin Gaye cover! Favorite tracks: Spend Spend Spend, Shoplifting, Heard It Through the Grapevine, Liebe and Romanze. Album art: A classic, I've definitely seen this before. Cro-magnon woman? Bold if this is, in fact, the band. They're in loincloth hunter mode. The purple frame and text is good too. 3.5/5
Really not my vibe. Also, terrible 'I Heard It Through the Grapevine' cover.
Man, that was fun! That raw, distinctive sound morphed into something completely different on many occasions - I got a whiff of early B52s, early Elvis Costello and some ska, it's full of surprises, a great album. The Slits were were fearless and one of the first, if not the first all girl punk band. And Neneh Cherry is a back up vocalist on this record! I'll definitely be listening again.
I really needed this one to cleanse my palate. The combination of wood blocks, cymbals, and her whimsically frenetic voice was incredibly refreshing. It's playful, it's powerful, and, hands down, the best version of "I Heard It Through The Grapevine" I've ever heard
Cool punk reminds me of what maybe Bjork was listening to before she started the sugarcubes
So fun! Kinda quirky and eccentric punky, but the vibes are so so uplifting and put me in a good mood.
A shambling rush of feminist punk energy. For some reason, I never took much to this record when I was younger. Its style was just a bit too rudimentary to my ear. However, tastes change and suffice to say I love this album. The reactionary philistines on this website pan it for the very reasons that I love it, and culturally it was a massive stride forward for female voices in punk. Ari Up is sadly missed, a frenetic ball of righteous fury, but always tinged by a sharp sense of humour. No matter how competent you think they were on their instruments, The Slits were (and still are) a seminal group, and Cut is essential listening.
I think it says a lot that the only song I slightly liked was the cover of Grapevine.
This album was super cool, was not what I was expecting. The drumming was mind blowingly good and the songs were quirky
Cool album! Couldn’t find it in the book though…
Schlimm
Far more ska-ish than I was expecting it to be, and clearly there's a lot of reggae / dub influence going on. What there also is is an abundance of 70s bad punk vocal. It's not exactly sonorous, is it? That's being said, there's some groove to it that isn't objectionable, and I guess getting their tits oot for the album cover didn't do any harm to their chances. Many of the tracks are as stripped back as the band themselves, and that was very much the style at the time. I can see how they've influenced so many - but I think they've planted the seeds. Other people have cultivated.
Overwhelming relief when it was over
Heard it through the grapevine is a really decent cover but the rest of this is very shit. Generous 2.
The Shits lol
This has a unique feel. The drums aren't the most complex but are very tight and caught my ear on every song. The singer has a great style to catch your attention. Good use of stereo to play around with noise and feel on this. Good one to have on the list
After my first listen I wasn't sure what I liked about this one, but there was something. On second listen I realized it sounds like the kids from the movie Oliver! (1968) got together to put out a reggae album. Great vocals.
I randomly listened to one song from this band in 2016. It's raw I suppose, not particularly my thing. I love punk, but I dislike reggae enough for this to be ruined haha. Currently at #3500 on my all time last.fm artists with 3 lifetime plays
Fun.
What an annoying album.
It's meh! Pretty edgy for it's time and that's all I'll say about it!
There's some interesting tracks on this. Never heard of them before so always cool to hear a new (old) punk group.
This wasn't terrible, but it was not good
Whoa, hey! Remarkably good. The Slits were not on my radar at all, but this album is an unmitigated triumph.
That's not my taste in musik
I actually like this Slits album quite a bit. As someone that was not "raised on Punk" and only likes the occasional punk band, I was not expecting to like this album. It reminds me a bit of The Clash and even The Police in that it is still kind of "new wavey" and eclectic and got the reggae influence.
Another one from the vault of “you really haven’t listened to that yet?” I think it’s telling that I knew of the album cover but none of the music therein. It sounds like I need to clean out my search engines. This was a lovely left-field two-tone/punk album. I very much enjoyed trying to decide where Neneh Cherry was screaming in the background. I especially liked where my listening algorithms took me after this album finished. That says something.
I like the cover on this album but I just don’t think it’s good enough to be on here. Not even close!
It was okay, but not my thing
2 some good fun songs , but wouldn’t listen to the whole album again
Not bad
What the hell did I just listen to? This is one of the best albums ever?
Alla i bandet måste ha gått sängvägen med författaren för att få tillhöra den här listan.
Muy bueno
6/10
Dogshit. This was terrible on all counts.
I'm surprised to say I kinda like this? It's not a love by any means, but I was grooving with it a lot more than I typically do with punk. Maybe I am getting an ear for it, or maybe I just like the more because it's a female punk band. Either way, a fun listen.
A bit of fun and very early female punk
It was alright. Weird fucking cover tho.
Maso
All Female talking heads. Meh.
Pretty good! This list has made me a big fan of post-punk and I think this might be the first and only mostly-female post-punk I've had?
There's better versions of this kind of thing out there
A surprisingly well-produced album of the early reggae-infused punk subgenre, popularized by bands like The Clash. This one is all about rhythm and vibes. Some really cool, interesting grooves and transitions here.
I added a star because they clearly influenced Le Tigre. The unpolished songs are a bit grating, tho
First two songs were really good but fell off after that
really not good
Sweet album cover - the rest was kinda unlistenable. Punk, ska without a good sound or songs.
Totally unfamiliar with this and thought it was an excellent record. Just a great place and time artifact for the post punk, dub, art pop scene from the time. Weird and angular in all the right ways. Loved this.
This is the kind of thing I want to see here. Super unique and inventive, but also has a unique place in music history. I love how forward thinking the feminism of this album is. The mix of reggae and punk is also super cool.
Wie schrecklich.
Think I’ve gotta go high 2. Somewhat interesting but kind of tough to listen to after a while.
Better than I expected. Leans much more to Ska than harsh punk. Probably won't listen again but if a song came on randomly, that would be fine with me.
The best part about this for me was the weird cover of “heard it through the grapevine”, otherwise not too much for me here. Just not my cup of tea.
An all girl punk band from the 70s who have a stripped back reggae influenced sound is way ahead of it's time. Shocked they aren't more wildly known though it seems they are on a lot of the top album lists so it's probably just my ignorance. All the songs sounded thrown together so it switched between working really well and not very good, but there were several songs that were great. Same with the vocals, sometimes I really liked them and others they grated. Not a perfect album by any means but definitely worth a listen, 3.5.
One the one hand, you can hear that it is different. Ambitious, the reggae style and influence is commendable. On the other hand, at times irritating and unfinished. Not for me. 2.5
I'm not really sure how this makes the list... Don't think I would call it punk either really. It has dub/ska sounding bass lines in parts which I like, but I find whatever they are on top not great at all mostly. The vocalists voice gets quite jarring too. Feel like it's trying to be a bit edgy. The cover of heard it through the grapevine wasn't bad, but no points for a cover. Got a feeling I've heard "typical girls" before but unsure where. Can't give it more than a 2
Pretty creative, as original as post punk can probably get.
Pretty good.
Love this. It's actually in my discos waitlist. They were real good.
Oh, man. This one is all over the place. Definitely not punk. But they're having such a good time. That comes out at every point on this album. Is it "great"? No. It's pretty forgettable. But it was an enjoyable ride during the listening.
This was horrible. They killed a great Marvin Gaye song. I’m done with the English early punk rockers on this list.
It just sounds like garbled vowels and occasional consonants due to annunciation problems but I think that might be in part due to me not being a big fan of the punk scene. If there was an option to vote for albums off the list, I would gladly use it on this because it’s just weird from beginning to end
Welp another “punk” British band that’s supposed to be glorious that is a total flop. The only reason this isn’t a 1 is cause the lyrics aren’t too bad although tbh I did fall asleep for about half the album cause it was that uninteresting and not entertaining at all. I don’t get what’s supposed to make them so special. Totally bleh and could’ve been just fine dying without ever having heard them.
WHY are they on here??? why? vocals-very weak, guess they can play instruments but that's about it
The best part about this album was the cover. Absolutely no musical talent, both singing and instrumental and the whole thing sounded like one long song. 2/10.
Looking at other ratings I wasn’t keeping my hopes up, but this was much better than I expected. Although it is categorized as punk it seemed much more island/reggae or ska (certainly for the first half). It was a fun listen and I enjoyed it, 3.5/5 but rating up as I don’t think this should average below 3
Why is this on the list... like really... Nothing special about it. It's bad. I get that it's raw but that doesn't mean it has to be shitty as well.
Sounds like something is missing. Like they forgot to add the salt. Unsalted music. There's better 70s girl punk out there, like X-Ray Spex or Siouxsie and the Banshees. Appreciate the boobs though.
Post-punk. Un megahit. Ni fu ni fa.
Son graciosas, pero no me ha gustado mucho ... Les daré un 3. Es como punk.