Seventh Tree by Goldfrapp

Seventh Tree

Goldfrapp

3.08
Rating
22839
Votes
1
5%
2
20%
3
44%
4
25%
5
6%
Distribution

Reviews (page 5 of 8)

The guitar work is really peaceful and the vocals are phenomenal. The orchestral accompaniment also does a great job of adding to the arrangement without over stepping it's place. The effects thrown in are interesting and add depth to the songs without being distracting. I think there is beauty in simplicity and this is a great example of that. The drums on Road to Somewhere felt a bit unnecessary and didn't fit in my opinion. I think the song would have been better without the drums, or at least a very simplified version of them.

Goldfrapp! An iced coffee drink? A journey through the British countryside wearing Björk’s goose dress? Or a reason to consume edibles before noon? I don’t know. I didn’t hate it—even though track one (“Clowns”) had me ready to fake a power outage just to get out of listening. And yet... A&E crept in and made me feel something suspiciously adjacent to "liking." There’s something sweet and strange buried beneath the pastoral fog. Not quite a banger, but not a snoozer either. File under: “Albums to play while you pet a moss-covered rock and reevaluate your life.”

Cool, ainsi que cool.

Disappointing and underwhelming. From what I’d seen of Alison Goldfrapp before I was expecting something dramatic and dynamic but no, it was actually kind of dull. Second listen on the headphones started more promisingly but then it tails off in sameness. If Florence and the Machine are not on this list they should be. London Grammar are better too. I’m getting quite jaded with this tbh but on I trundle

This runs a little pop for me. But it’s really nice, upbeat, not annoying.

Nice chill and dreamy record with a few moments that made me stop working and check the song because it was good. The second half of Little Bird is an example of one of those moments. It picks up tempo and goes a lot more electronic. It was really cool. Most of the moments on this record are chill but kinda forgettable.

This was not what I was expecting, but I really enjoyed this! Very 2000s indie, which will always have a soft spot in my heart. It sounds like a lot of music that I listened to in high school. I enjoyed the building and flowing songs on this album, I didn't love the electronic pop songs as much. But overall I really liked this!

A pretty sound, but after listening to it, I cannot remember a single track, moment or lyric.

Seems I forgot to rate this one right after I listened to it, but I think I mildly enjoyed it all. The softer, more chill songs fit the groups sound the best of everything here. 6/10

# Album Name: Seventh Tree # Artist: Goldfrapp # Rating: 3/5 # Comments: Pretty mellow album all round. Not as good as their early bangers but still a good listen. Theres some good melodies and vocals, good stunes, but it just doesnt jump out at me. I dont think this needs to be on the list if im honest. # Top Tunes: clows / happiness / A&E / Houdini / # Would I listen to it again? Yes

Never heard of the band and it was a new experience. It’s not really my style but it’s easy to listen to and kinda fun.

Look- it's fine. But it's 100% one of the British bias albums on this list. I could see this album being played during an infomercial or at a mall department store makeup section. 4.25/10 (2.125/5)

This must be the second Goldfrapp album in a week! It's pretty drippy stuff.

Being honest, I like this Goldfrapp album because it’s not much like a Goldfrapp album. The duo of Allison Goldfrapp and Will Gregory, known for electronica, strip it back and go acoustic on this dreamy, whimsical, lush and very beautiful album. There’s more than a hint of Kate Bush in Goldfrapp’s voice. The choice to make a record like this, in defiance of expectations, is brave and they have the skill and creativity to pull it off.

I liked. Would re listen

Mellow, dreamy, electro/folk-infused sweetness

This is a cool one in the context of Goldfrapp's career but I'm not sure how important this is to the larger musical landscape. Regardless, Goldfrapp can do no wrong in my eyes. Nothing will beat Felt Mountain, that's one of my favorites of all time. I still enjoy all the songs on here, very consistent. It doesn't have the highs of some of the other albums. Rating: 4.6

nice version of music that could play in the back of a save the puppies add

Its fine, but not what I would normally be in to

I enjoyed the first couple songs the most. Pleasant sound and good production.

Pleasant to a fault, but happened to strike me at the right time (very late in the evening). Genuinely surprised it managed to produce a UK Top 10 single. Monster Love was a great closer. Can't see myself returning to it in a hurry, but who knows?

Liked this a lot.

I have never heard of Goldfrapp before this. It's chill. It's dreamy. It has nice singing (doesn't have that annoying "cursive" singing). But it's also a bit slow for me, only one upbeat track.

Ok. Pretty samey and forgettable.

zzzzzzz.

eat yourself and clowns I liked the best. the latter has a hook similar to a certain beatles song so couldn't get past that. liked the intimacy of the vocals on those songs too.

Pleasant listen but ultimately I don't think it was too memorable

I like this. Listened to a but from some of their newer albums which i didnt like as much, they got kore elctronic/poppy i feel? but i like this soft alt

Is this dream pop? I got bored.

This album kinda feels like it was made to be the soundtrack to a coming of age movie or something

Not as good as pilots

Jettsoning the synths in favor of fairytale imaginings, Goldfrapp hit upon a perfect formula that best showcases their singular approach. Certainly something to vibe to on a crispy, balmy day. Favorites: Clowns, Little Bird, Happiness, Road to Somewhere, Eat Yourself, A&E, Caravan Girl.

Kinda dull at first, like a pale imitation of soft 70s balads. Then I could hear the electonic keyboards blending with the vocal and I saw that there was a depth I didn't notice at first. Good. 3.5/5

NOT AGIAn!! its good

If I didn’t already have a female singer guilty pleasure (clue - the biggest star of the 2020’s) Goldfrapp might achieve that accolade. I made a mental note some years ago, probably as a result of hearing one of the tracks on this album, that I should investigate Goldfrapp later. Unfortunately never got around to it until a few months ago when I took a punt on one of her albums (Ohh La La) which I bought cheap from a charity shop. I didn’t like this as it was too dance oriented, but no damage done financially but it did make me wonder how that seed was planted in my brain years ago. Now thanks to the 1001 God’s serving up this album today, my musical relationship with Goldfrapp is now realised. What a surprisingly lovely album this is. Having no knowledge of her I had to resort to Wiki who describes this album as a more laid back ambient album (which I like) rather than her usual dance electronic music (which I don’t). Certainly moved me to buy the album on Music Magpie (£1.99 a bargain) The album cover is intriguing and looks like a still of Keira Knightley in Pirates of the Caribbean which was all the rage when this album was released. Not all treasure is silver and gold, mate - but could be this album! 4/5 11/4/25

I generally like atmospheric music, but this just annoyed the shit out of me. I'd much rather listen to Black Box Recorder.

Somewhat interesting as background music while working, but that’s not much of a recommendation. I’m feeling generous, 1.5 rounded up to 2… I wouldn’t be mad if someone wanted to hear this, but doubtful I’ll revisit it on my own. I will say after reading about the artist I’m almost intrigued enough to look into some other albums, sounds like they have changed styles a few fines.

Awful - I think there was one complete song and the rest felt like either fragments of songs or demos that weren’t fleshed out yet.

Y'all can fuck right off with this. No thanks.

where's the tri[pp hop? sounds nice but i forgot about it

Middling mid-aughts Euro-relaxing pop.

Instrumentals are good, singing is good, wasn't really sure what to expect but songs just feel a bit nothing for me. Synth stuff is cool and I like the way that some songs build with drums. Favourite songs: clowns, happiness, road to somewhere, Cologne Cerrone Houdini. Overall around 6/10

A little folksier than their very first album which I prefer quite a bit. Nothing beats the sensuality of Ooh La La or the beat of Ride a White Horse.

Just not into this kind of stuff.

This sounds nothing like the Goldfrapp record my ma used to have in the car in her faltering middle-age. That double-pedalling is unexpected! I accidentally listened to The Seventh Tree by From Crisis to Collapse. But this Goldfrapp album doesn't sound like the Goldfrapp record my ma used to have in the car in her faltering middle-age either. That one had stomping glam beats. This doesn't really have anything like that: meandering dreampop with the odd flourish. I like Alison Goldfrapp's voice less on these ballads than on the earlier bangers, but neither is interesting or necessary. 2 There is very little worth saying about this album. In its gush of mellotron, backwards guitar, McCartneyish basslines, plonky Penny Lane piano, and dramatic strings it recalls 66-67 Beatles less than early noughties Oasis. Who else would combine all those elements with melodies as lumbering as Free Bird, Happiness or Some People? To be fair to Goldfrapp they do a much slicker line in turd-polishing than Oasis and they have that breathy ASMR vocal going for them. 1.5/5

Incredibly adequate.

Truly gorgeous ! Kate Bush is all over this album

I enjoyed the album. Some of the songs are a bit too much alike, but overall the album kept my interest with each track.

I'm slightly embarrassed to admit that I kinda like this album. So very sultry and sweet. Maybe it was this lovely afternoon on the porch, watching Turkey Buzzards floating in the warm gentle breeze above the bluff over the river. Two beautiful foxes approach thru the tall grass, tentative in their search for seed under the bird feeders. They watch me as I watch them. Deciding that I'm no threat, nor fleet on my feet, they relax and settle in to munch what they can find. Two tan siblings, almost identical. Seventh Tree plays quietly to my foxes in the lawn. A fine afternoon.

2- Stars (4/15)

Great late night listening. I could've listened to another hour of this

This was fine, I listened to it and it was pleasant enough. Not really sure about the name “Goldfrapp” but ok

Boring and pretty, like me!

i was inexcusably bored

Love the beatles influence coning througj

This is a soothing sweet nothing to me.

Quite pleasant but entirely unremarkable. Given how this list works I anticipate there will be 2-3 more from these folk, which I will address with opportune scorn.

My initial listen wasn't all that positive. The album felt a bit like a derivative Kate Bush, which basically put me in the mental position of "why?" i.e. why would I listen to this record when I have better, more original, amazing records to listen to, like the records Kate Bush made? I left the album on repeat while I was doing other things, and ultimately, the record started to stand on its own. I still don't think of this record as some amazing thing everyone needs to experience, but conversely, it's got moments, and clearly the people involved have talent.

First track was OK, gentle melody, though the silly, affected voice annoyed me. After that, nothing caught my attention except the bizarre lyrics.

Listens: 3 Stand out tracks: Happiness, Road to Somewhere. Happiness sounds suspiciously like a Beatles song, but I couldn't find a track with that title. Some comments on YTM suggested that Paul McCartney would be jealous or ... Whatever. Regardless, the song is enjoyable. Road to Somewhere on the other hand sounds like it could be a wound down version or cover version of an Audioslave track. Also great.

First-time listen for me. It's all nice and pleasant enough. No idea though why anyone would consider this essential listening. Also, after two or three songs this kind of soft, whisper-y singing starts to be kind of annoying.

This is a lovely, fairy-like album; it has inspired me to check out more of the artist's work. This kind of dreamy electronic music is very appealing to me. I'm definitely coming back for more. Favorite track: "Caravan Girl"

Uninspiring pop. Vocal with no power what so ever.

It was more dream pop than I was expecting. I remember Goldfrapp having a couple of singles with relative success in the UK, but they came from earlier albums and were a bit more upbeat. It was pleasant, if a little easy to ignore at times.

I liked this a lot more than Felt Mountain. I liked the rock-folkiness of this a lot more than the chanteuse vibes of the last one. Overall a nice listen with a lot of bright spots.

I've listened to them a bit but mostly their more dancey stuff. This is a really cool change of pace. I love the use of acoustic instruments. Folktronica is a tough genre to avoid cliche and I think they nailed it.

I was pleasantly surprised by this

Good musicians not my style

Good background music.

So apparently I like Goldfrapp. Huh.

A lovely, dreamy little album. The full impact of this album is felt in contrast to Goldfrapp's other dancier, electronic music. For those unfamiliar, "Seventh Tree" on its own doesn't really show their versatility particularly well. Not that people can't still enjoy it, but it possibly doesn't stand out quite as much to non-fans. The music definitely hits a certain kind of mood when you may be craving calm, optimism, connection to nature, and a slight sense of wonder. My only criticism is that the songs don't really stick with you after listening. It would be a great album to return to occasionally, but it's unfortunately easily forgettable without any prompting.

I think this is a high 4 rounded up to a 5, very little rounding needed, but just listen to how much more is going on with the production, performance and songwriting compared to all the 3 star English punk on here. I can completely sympathise with people who complain English music is over represented on the list, but to me Goldfrapp more than earns at least one slot on here. Incidentally, this was taken off later revisions of the list but personally it does more for me than Felt Montain... and where's Black Cherry at?

Soft och skönt album men inte särskilt bra. Märkligt då jag gav ett annat album med Goldfrapp en femma för en tid sedan.

sounds like something you hear in a gap store, speaking of which are those things even around? fuck im old.

Maybe it's because I'm used to listening to hour long doom metal songs, but the consistent themes of this album didn't bug me as much as it did others. I found reading about the members of this band more interesting than the album itself. One of the first thoughts I had was "well, the strings are nice." Turns out the guy who arranged the strings for this also did it for Bjork, so no wonder I liked it. 7th Tree uses a lot of ideas that were beat to death in the following years. Reminiscent of Stomp Clap music. Overall though, I liked it more than I didn't.

Enjoyed this

The best songs are not ballads, but the album is mostly ballads.

This reminds me a lot of the new Beth Gibbons (Portishead) album that came out last year, just not as interesting. She has a nice voice, but some of the songs are just a little lacking. High 3.

Some of this is nice. None of this is great.

An interesting change of direction for Goldfrapp, but I can't say I like it better than their catchy synth pop stuff. It's fine, kinda bland as far as ethereal dream pop goes though IMHO.

I'd forgotten how good this album is

I remember liking this when it came out, I think the breathy vocals on pop song were not as overly common place. An interesting departure from their usual style, enjoyable all the same 4*

Second Goldfrapp album I've heard on this list.. I don't think it really needed both tbh although they are pleasant. Fine enough while it's playing, mellow and atmospheric electronica which is very Cocteau Twins-esque. Not particularly memorable though I was probably in the mood for something melancholic this morning so I'll give it 3 just about, rather than 2

Нежненько, мелодично, понравилось как девочка поёт.

2 sterne

This album was ok but it sort of reminded me of St. Vincent without the rocking guitar and I spent the time wishing I was listening to St. Vincent instead. Not sure how or why this is in any way innovative or belongs on the list, but it's decent I guess

Just not in the mood

Enjoyable. Atmospheric in the sense that it sounds great while you're doing stuff. I'll listen again.

I had no idea what to expect with this one. Track one - I'm initially skeptical. "What am I listening to?" (but I'm not skipping ahead). Track two - OK, I'm softening and still listening Track three - this is kind of a bop and has a really fun video Track four on - this album is really growing on me! I loved the vocals, especially when she would move into her upper register. The background vocals (her too?) were a perfect blend. I loved the strings and the orchestrations and I loved the overall vibe. This album was a grower for me, the more I listened the more it grew on me. More often than not I can't wait for most of the albums in this project to be over. For this one I was disappointed that it was over. A very pleasant surprise!

Goldfrapp's *Seventh Tree*, released in 2008, marked a dramatic departure from the duo's previous albums, *Black Cherry* and *Supernature*. Known for their glam-pop and electronic dance soundscapes, Goldfrapp shifted toward a more introspective, pastoral, and folktronica style. This album is a deeply atmospheric work that combines acoustic instrumentation with ethereal vocals, exploring themes of nature, introspection, and surrealism. Below is an in-depth review of the album's lyrics, music, production, themes, and influence, along with its pros and cons. ## **Lyrics** The lyrical content of *Seventh Tree* is poetic and introspective, often drawing on surreal imagery and personal reflection. Alison Goldfrapp weaves themes of nature, paganism, and human vulnerability into the songs. For instance: - **"Clowns"** critiques societal obsession with plastic surgery in a whimsical yet melancholic manner: "Only clowns would play with those balloons." - **"A&E"** juxtaposes heartbreak with the sterile environment of a hospital ward, creating a poignant narrative about emotional recovery. - **"Happiness"** explores the darker side of the pursuit of joy, hinting at cultish overtones beneath its upbeat exterior. - **"Cologne Cerrone Houdini"** employs cryptic lyrics to evoke a dreamlike atmosphere. The lyrics are less direct than in Goldfrapp's earlier work, leaning heavily on metaphor and abstraction. While this adds depth and intrigue for some listeners, others may find them overly opaque or difficult to connect with. ## **Music** Musically, *Seventh Tree* is lush and organic. It abandons the electronic beats and glam influences of previous albums in favor of acoustic guitars, strings, harpsichords, and subtle electronic textures. The sound is influenced by artists such as Nick Drake, Kate Bush, and the Cocteau Twins. Highlights include: - **"Clowns"**: A gentle opener featuring acoustic guitar and soft harmonies that evoke a serene summer day. - **"Little Bird"**: Swirling psychedelia with layered vocals and dreamy instrumentation. - **"Happiness"**: A deceptively cheerful track with bouncy rhythms reminiscent of 1960s pop. - **"A&E"**: A standout track blending melancholy strings with an infectious melody. - **"Caravan Girl"**: An upbeat ode to escapism with euphoric energy. The arrangements are intricate yet understated. Will Gregory’s production complements Alison’s vocals perfectly, creating a cohesive sonic landscape that feels both intimate and expansive. ## **Production** The production on *Seventh Tree* is immaculate. Goldfrapp recorded the album in a rural setting, which is reflected in its earthy tones and naturalistic soundscapes. The use of analog instruments alongside subtle electronic elements gives the album a timeless quality. The mixing emphasizes warmth and clarity, allowing each instrument to shine without overpowering the others. However, some critics have argued that the production occasionally veers into "coffee table music" territory—pleasant but lacking edge or risk. ## **Themes** Thematically, *Seventh Tree* delves into: - **Nature and Paganism**: Many tracks are imbued with references to the English countryside and pagan rituals. This connection to nature provides a grounding element throughout the album. - **Surrealism**: Inspired by surreal children's literature and folklore (e.g., *The Wicker Man*), the album often feels like stepping into a dreamlike world. - **Introspection**: The lyrics frequently explore personal emotions such as heartbreak (*A&E*) or existential musings (*Eat Yourself*). - **Escapism**: Songs like "Caravan Girl" celebrate freedom and breaking away from societal constraints. This thematic shift from hedonistic glam-pop to reflective folktronica was bold but polarizing for fans accustomed to Goldfrapp's earlier work. ## **Influence** *Seventh Tree* was critically acclaimed for its bravery in reinventing Goldfrapp’s sound. It demonstrated their versatility as artists capable of moving beyond genre constraints. The album influenced subsequent folktronica acts by showing how electronic music could integrate acoustic elements seamlessly. However, its commercial impact was more subdued compared to *Supernature*, reflecting its niche appeal. ## **Pros** 1. **Artistic Evolution**: Goldfrapp’s willingness to take risks paid off creatively. The album showcases their ability to reinvent themselves while maintaining their core artistry. 2. **Lush Production**: The organic instrumentation and meticulous arrangements create an immersive listening experience. 3. **Standout Tracks**: Songs like "A&E," "Happiness," and "Caravan Girl" are memorable both musically and lyrically. 4. **Cohesive Atmosphere**: The pastoral aesthetic ties the album together thematically and sonically. 5. **Critical Acclaim**: Many critics praised it as one of Goldfrapp’s most accomplished works since their debut album *Felt Mountain*. ## **Cons** 1. **Pacing Issues**: Some tracks can feel slow or meandering ("Some People," "Eat Yourself"), which might test listeners’ patience. 2. **Ambiguity in Lyrics**: While poetic, the abstract nature of some lyrics may alienate those seeking more direct storytelling. 3. **Polarizing Style Shift**: Fans of Goldfrapp’s earlier electronic dance sound may find this folk-inspired direction less engaging. 4. **Limited Commercial Appeal**: Despite critical success, the subdued tone made it less accessible for mainstream audiences compared to their previous albums. ## **Conclusion** *Seventh Tree* is an ambitious and beautifully crafted album that highlights Goldfrapp’s versatility as musicians. Its introspective lyrics, lush production, and thematic depth make it a standout entry in their discography. However, its slower pace and abstract approach may not appeal to all listeners. For those willing to embrace its pastoral charm and subtle complexities, *Seventh Tree* offers a rewarding listening experience that stands as a testament to Goldfrapp’s artistic integrity.

The ‘wrong’ Goldfrapp album…

По мнению А: 4/5 По мнению С: 4/5 ИТОГОВАЯ ОЦЕНКА: 4/5 (14.02.2025)

It’s fine. Alison Goldfrapp’s voice is excellent, but the music is just a bit meh. It starts to get more interesting towards the end when it drifts away from the folky-type stylings, but nothing remarkable.

This is the dreamy, ethereal, atmospheric kind of music that sounds really pleasant while you're listening to it. But it's also the kind of music where it does slightly merge together at times and you forget what each song sounded like by the time the album is finished. That's not to say it's bad, but this type of music doesn't really lend itself to catchy melodies and singalong choruses. I just know that I really like what I'm listening to. The airy vocals match the carefree laid back music perfectly. I'd describe it as folk vibes combined with electronic pop. Bearing in mind I only get time for one, maybe two listens if I'm lucky enough to find the time (I carved out another 45 minutes to give it another listen today), it may seem strange I'm going to give it top marks considering what I've just written, but this album was an absolute delight to sit through and I know for a fact that the more familiar it becomes to me, the more I'd enjoy it.

Not offensive. Just not memorable either.

Śmialiśmy się z okładki, a to jest całkiem przyjemny krążek. Przy pierwszym utworze zastanawiałem się, czy to ja mam wylew, czy wokalistka ma jakiś speech impairment i cała wartość albumu to jej przełamywanie ograniczeń i śpiewanie mimo tego, że siedzi pół-sparaliżowana. Ale to jednak tylko taka konwencja. Dobrze się bawiłem i przyjemnie grało w tle. Nie jest to muzyka, w którą się jakąś szczególnie zagłębiałem, ale dobrze mi było mając ją na słuchawkach. Solidne 3,5, może nawet wrócę raz na jakiś czas (o ile nie zapomnę o tym albumie pod falą 1000 innych).

This is how I imagine frappucino or hapiness taste like. I wouldn't take it away from someone else but it just doesn't sit well with me.

This is how frappucino or happiness taste like. It's good af. Mocne 4

Better than I expected but I could easily name 100 albums not on this list that should be ahead of this.

I've heard of Goldfrapp, but I don't think I'd really heard anything by them before, and certainly not from this album. I imagined something much older and more lively than what this album had to offer--I think one of the reviews cited in the Wikipedia entry who mentioned Kate Bush and the Cocteau Twins was pretty spot on, albeit with slightly more of a pop-orientation than either of them. (Sadly, try as I might I couldn't find an online version of the 2010 edition of the "1001 Albums" book that was the only edition to feature this album; probably not a good sign that it was pulled not long after it was added (and the Internet Archive's 1010 edition was revised in 2011 and 2013 and thus didn't even have that entry...).) I'm afraid to admit that the only track that even mildly caught my interest was "Cologne Cerrone Houdini". I had high hopes that I might enjoy the five videos of their singles from the album, but if anything the videos largely made the songs even less engaging; these are my notes: "Clowns" (creepy, too ethereal), "Happiness" (quirky and fun, poor guy must have been exhausted hopping throughout), "Road to somewhere" (boring, too ethereal), "A&E" (quirky, kind of fun, but not a great song), and "Caravan girl" (OK but nothing all that interesting; I suspect the title would be received a lot worse if it was American-phrased "trailer girl"...).

Album starts with "Clowns," a dreamy lilting sound with an ethereal voice singing unclear words. I looked up the lyrics while listening and realized to my horror that she's singing about fake breasts. Discordant like that awful version of My Humps that Alanis Morissette did but that might have been a joke and this isn't. "Happiness" is better but not good enough to make up for that. The rest of the album lilts along in its sweet way, making much of airy stuff.

This is a good album overall, and I like Alison Goldfrapp's voice. However after two listens, the only songdms which stuck with me we're Happiness and A&E, both of which I knew already.

I don’t know, an ethereal Sheryl Crow? Not digging the music enough to pay attention to the lyrics.

Of course the completely unknown 3rd album from Goldfrapp is on the list. I fully believe that Dimery hadn’t even heard 1001 albums when he made this list. Jesus Christ

Good album to end the day. Lullabies to go to sleep. Not being negative here , it put me to sleep.

Annoying as fuck

Ethereal, airy, laid back, vague, cozy, chill. The instrumentals are clearly in the spotlight, while the vocals and lyrics take on a background role. All the songs blur into one another. In the end, you have an album that feels like the cool breeze of an air conditioning on a hot summer's day. Not a rollercoaster ride, but at the right moment, with the right mood, exactly what you need. 3.5/5

Lovely voice. Some very nice sounds. Definitely a 2010s indie movie credits vibe.

I wasnt familiar with Goldfrapp going in to this album. It has some interesting moments combining folksy vibes with electronic pop, but ultimately it didnt capture my attention. Overall- probably 2.5/5, definitely not a 3

Blind going into this. Thought it might be some flavor of "landfill indie" given the time-frame. It was not. A fresh update on psychedelic pop music. Top notch production, a real studio album. Sounds expensive. Tasteful use of synths. A real depth to the sonic landscapes rolling behind the singers lovely melodic vocals. This presaged the current pop trend of having little "rock" influence, with fairly sparse guitar. The bass and instrumentation is sometimes inspired by Air and other soundscapers. There is sometimes a hint of Radiohead, but only the barest whiff. Maybe some Fiona Apple. This is one of those albums that I could see really being a "grower". The layers really lend themselves to relistens. I don't know if it's too edgeless and non-offensive for me in the long run, probably not. Songs like A&E lean a little too far into the uplifting "I could picture this in a commercial". But In the end, I love vibey shit and this is a very vibey album.

Second album by Alice Goldfrapp on the list, and I think it helped me to make up my mind if I even like this band/singer. The answer is no, Seventh Tree is super lofi, chilled music, that just slowly drains your energy and brings you down, regardless of the initial mood. I didn't get the atmosphere of this record, it sounded to pessimistic for me. It's not a bad album by any means, but it's just wildly out of my comfort zone.

laiskuuden leiriin liittyivät.. 8 vuotta sitten tehtiin historiaa.. viheltely, theremin kombo. ja nyt ollan tässä, missä? Voi olla että minulle estetään pääsy Kuwaitiin tämän jälkeen mutta pakko sanoa: HAISTA PASKA MISHAL AL-AHMAD Al-JABER AL-SABAH HAISTA VITUUUUUUU!!!!!! PASKIN EMIIRI KOSKAAN!!!!! VITUN PASKAA!!! KOKO LAFKA MENI AIVAN VINOON KUN NAWAF AL-AHMAD Al-JABER AL-SABAH KUOLI.... Please god i ask u: if we sacrifice Mishal Al-Ahmad Al-Jaber Al-Sabah will you please give us Nawaf Al-Ahmad Al-Jaber Al-Sabah back 🙏🙏🙏🙏 en paljoa ole pyytänyt allahilta vielä.. mutta olen valmist muuttamaan tapojani eat yourself

We enjoyed this a lot, actually. Very chill, was the perfect backdrop for getting some work done. We will be listening to this one again.

Nice easy listening

Whimsical. Thoroughly enjoyed it!

Seventh Tree starts off with slower-paced songs and then moves towards the faster songs towards the middle. Interesting sequencing choice. I found this to be a pleasant album, though I think it suffers from the need to put more post-2000's albums in revised versions of this book. I will be interested to hear the other Goldfrapp album in this book. This was a lot less dance-y and club atmosphere-like than I expected. I enjoyed Little Bird and Happiness sounds like something that would have come from a late 60's or early 70's group. It had that vibe to it and was probably my favorite song on here. There is a Scottish band called Texas that have a similar sound to a few of the tracks on Seventh Tree. Goldfrapp is a bit more mellow but Road to Somewhere had a very strong vibe of Texas. These songs here fade in and out of my memory, which isn't a criticism other than to say this isn't necessarily a memorable album.

A fine background listen, no more.

It’s okay. Tried once or twice to listen to the lyrics, but most of the time they are buried under strings and reverb I couldn’t make them out. Album works better as background sounds to whatever else you are doing.

If I really concentrated on a song there was always something there - but it was so easy to zone out and just let the music filter by. Blame this over-stimulated existence. Overall I liked it.

Seventh Tree just felt so flat for me. I really enjoyed the psych-pop sound they brought on the second half of Little Bird but otherwise it was just a meh album. I’m more frustrated because I can hear what they are capable of and they just bored me for the most part. 3 stars

Not for me

Dit voelt een beetje als muziek die op de achtergrond speelt in de H&M, aggressief pleasende muziek. Niemand zal dit haten, maar ik kan me niet echt voorstellen dat er die-hard fans van deze mensen zijn. Het is allemaal prima, ik kan niet echt een nummer benoemen of wat er dan bijzonder aan was. Ik heb 3 nummers als FAVO gemarkeerd, en die waren erg mooi. Denk ik? Geen idee eigenlijk. Ik ga nog even een veel te goedkoop, maar matig geproduceerd t-shirt kopen FAVO: Happiness, A&E, Cologne Cerrone Houdini

Beautiful album and so peaceful...

I’d give that, say, a little over three out of five. It wasn’t incredibly interesting vocally or production wise, but I suppose I was entertained throughout. However, there could’ve been more. Definitely could’ve been more. 3/5

Did I already listen to one Goldfrapp record on this list? Or was that on my own time? I look forward to more of this confusion as the daily album list goes on. Anyways, super pretty opening song. Mystical and peaceful guitar ballad. Turns out most of the record is like that! There’s a right amount of whimsy and vulnerability in here. “Eat Yourself” is probably my highlight, but if you need to skip to something more energetic then try “Caravan Girl.” Something so nice about this time/style of music - this, Florence + The Machine, Temper Trap, Yeah Yeah Yeahs, etc. - it was all very cathartic pop/alternative music.

Fun dreamy pop. A pleasant listen on a cold walk.

Ugh. Take all the things that make Port his head awesome and take them away and then you would have this album. I can't give it just one star because it was calm enough and chill enough that it was tolerable.

Awful. Terrible. No good. Even the first song being about boobs couldn't salvage it.

Pleasant enough of a listen albeit a bit too ethereal for me. But I couldn't really tell the tracks apart and they were forgotten as soon as they were finished.

Nice dreamy synth pop album with near unintelligible lyrics. Listened to it again with the lyrics up and Clowns is about big ole fake titties?? That really adds some starrage for me, what a vibe. But seriously, A&E is incredibly beautiful, Caravan Girl is lovely too and the rest is a nice vibe.

To me this was much much better than the previous Goldfrapp album. Very relaxing.

Beautiful and ethereal but not all that exciting. No real standout songs anywhere on the album as they all pretty much just blend into one another and none of them really have any sort of climax.

Big pop tunes, with a hint of menace, lovely strings and use of space

I’m already intrigued from the start. Fantastic stuff.

I was somewhat familiar with Goldfrapp’s earlier, more pop-oriented work, so this was a bit of a surprise. Many of these are essentially folk songs with synth pop or krautrock flourishes. And her vocals are perfect for this. A solid record.

Definitely a beautiful album from a talented artist with a beautiful voice. Very quiet and mellow music with a depth of emotion. I wish she would do more tempo changes as in Caravan Girl which reminds me of the best of Metric. 3.5 stars

Really properly brilliant

Allison es una diosa!!

Other reviewers summed this up perfectly- nice to listen to but samey and forgetful. Even so I didn't dislike it.

Delightful and cool and collected. A sonic hug 4

4/5. A very chill and relaxing album, doesn't overstay it's welcome in each song as it moves from quiet ambience to electronic ballad. To be fair, it is hard to tell one from the other so it feels like one long song, akin to other quieter electronic groups I've heard. It can be bad or good depending on the actual quality of the music and this album does it well. No masterpiece because of this continuous flow but still a good one front to back. Best Song: Road To Somewhere, Caravan Girl, A&E

It's kinda airy fairy and doesn't really go anywhere, it's pretty much ambient to the point of nothingness, it's deffo not bad....but it's just a bit forgettable

This album immediately took me back to the period of my youth when dad was obsessed with Johanna newsom and cat power. The opening track was a song that was always intertwined with the music of that time. A beautiful trip down memory lane

Solid album. I enjoy this type of laid back music. The vocals match it perfectly. Nice way to slide into the weekend.

This is pretty nice, I really like the lush production and atmosphere. There's a kind of familiarity to the style, although I think that's because I'm sure my mum used to play Goldfrapp in the car when I was little. It is kind of reminiscent of Cocteau Twins too My main issue is probably the pacing. The vibe stays pretty consistent throughout so it does sometimes feel like it's coasting a little bit, but I think the energy picking up a little bit towards the end and the runtime prevent that from being a dealbreaker. Alison Goldfrapp's airier vocals on tracks like Eat Yourself aren't my favourite either, although she does show quite a good, versatile range across the album so it doesn't bother me too much 3.5, pretty good Highlights: Happiness, Road to Somewhere

I enjoyed that.

It was enjoyable to discover who Goldfrapp is through this project, and I found this and Felt Mountain to be solid listens. I still don’t understand how they have two albums on this list and a band like Weezer has zero, but I think it’s a result of British band bias.

Not in my edition of the book! 2008. 3 stars. Not her best work - see Black Cherry for that - but it's still fine. Gorgeous voice and atmospheric strings, but a lot of the songs do blend into each other. Bonus point for "A&E" which is the best overdose song ever.

Is het een zangeres of juist een duo producers dat een stem heeft ingehuurd, vraag je je af. Kennelijk beide. Het klinkt allemaal bijzonder prettig in ieder geval, een warme stem, warme arrangementen, een lekker traag tempo, wat trippy electronische accentjes ertussendoor.

Vraag ik kort geleden om meer moderne elektronische muziek in de updates van de 1001. Krijg ik deze schijf voorgeschoteld. Volgens internet een elektronische productie. Dat is precies het probleem. Dit is niet meer elektronisch dat een gemiddeld plaatje uit de hitparade. Het is een staaltje hokjes denken. Goldfrapp heeft eerder elektronisch werk afgeleverd, dus dan is dit nú ook het belangrijkste element. Hadden ze het uitgebracht onder haar voornaam Alison, dan was die associatie er waarschijnlijk niet en was dit in het hokje pop-zangeressen beland. En zo straalt (ook) deze lijst uit dat ze met hun tijd mee blijven gaan, maar is dat niet terecht. Als ik het dan vergelijk met andere rustige popzangeressen, dan vind ik het wel fijner om te luisteren. Het is muziek waar goed bij te werken is. Het totaalplaatje biedt een duidelijke sfeer waarbij vooral de combinatie zang en muziek versterkend zijn. Zet ik het nog eens op? Dan verdient het 4 sterren. Ik weet het eigenlijk nog niet. Maar een 3,5 is afgerond ook een 4.

Goldfrapp klinkt voor mij als een naam die ik ken. Ik vraag me altijd wel af welk(e) nummer(s) ik dan ken. En dan kan ik vervolgens niets opnoemen. Ik had gehoopt na dit album dat er iets bekends in voor zou komen, maar voorlopig tast ik nog steeds in het duister. Ik denk dat ik ze verwar met iets van Moloko ofzo, ik moet heel hard graven, of was er niet een band die er qua naam meer op lijkt? Ik google wat, kom op music-map.com, die een schitterende cloud geeft met allerlei namen. Kosheen, Morcheeba. Ik kan op dat soort sites verdwalen, maar ik vind eigenlijk niet echt wat ik zoek, al staat Goldfrapp hier dus wel overal tussen. Ik verwar ze denk ik ook niet met Goldband, al kan ik daar wel nummers van opnoemen tegenwoordig. Zwaar overschatte muziek is dit overigens, al geloof ik best dat ze er een aardig feestje van kunnen maken op het podium. Een feestje is dit album van Goldfrapp niet. Althans niet qua sfeer, want het is allemaal zeer traag en ingetogen. Daarom niet minder mooi, als je er zin in hebt. Ik krijg referenties naar Taylor Swifts rustige albums, zoals Folklore en Evermore. Sinds mijn Taylor-periode, ken ik de titels van deze albums zowaar uit mijn hoofd, al heb ik ze voor de zekerheid nog wel even nagezocht. Toch nog maar even verder zoeken naar andere muziek van Goldfrapp. Er zit zo op het eerste gehoor best wat verschil tussen de albums van Goldfrapp. Er komen wel wat nummers vaag bekend voor en die zitten wel meer in de hoek van de electropop. Die nummers zijn ook wat bombastischer, wat meer extravert. Terwijl dit album dus juist vrij ingetogen is. De elektronische invloeden zijn er uiteraard wel, maar meer om een sfeervol geluid neer te zetten. Ik vind het al bij al best ok, misschien dat ik dit juist ook wel beter kan waarderen dan de bombastische electropop. Maar zoals ik ook al eerder zei, je moet er wel zin in hebben. Dat geldt ook voor die electropop natuurlijk. Ik kon het nu aardig hebben, maar meer dan een vergeetbare 3 zal het niet worden.

I don’t know whether I hate this or absolutely love this record. I can’t deny how pleasant the music sounds to my ears though, very soothing

if this list makes me listen to goldfrapp again I’m out

I knew a couple of Goldfrapp songs going into this, neither of which are on this album. This album was a shock (in a good way) as I was expecting electronic dance music. I really like the dreamy, ethereal sound they have here. Surprised that Happiness was a single as I feel it's one of the weaker songs on the album, although I guess being a little more upbeat it's closer to their dance sound. The biggest problem this album has is a lack of hooks, ear worms, anything that will get stuck in your mind and lead you back for another listen.

It's not rubbish but it never feels like it really gets going

Slow burn, I didn't like this initially and found it boring but was able to keep listening over. Stand out track Monster Love and Little Bird

The first track is fantastic and I enjoyed some others, but overall it wasn’t strong enough to bump up to 4 stars. I will say a lot of these songs sounded like they could have been on the Twilight soundtrack and I mean that in a good way.

Not bad.

бахти тъпото. е да имаш крайни мнения. иначе не ми много хареса албумът

I almost wish this had been worse because it's less offensive to me that an album try something out there and miss than it is to be technically sound but dead boring, like this.

There was probably more going on than I had the bandwidth to pick up yesterday. It was all pleasant. But it kind of felt like background music to me

This is a lovely album, good songs and great production. Nice work on the synths.

This is easy to hate, but I was convinced by the folky dream-pop. Nothing new, but incredibly pleasant.

First of all - there’s really no need for two Goldfrapp albums on this list. I’ll scream if there happens to be a third later on. Not as boring and generic as the other Goldfrapp on here. There is definitely a lot to enjoy here, but I really hate the static noise every time the vocals appear on the quieter songs. Is it an aesthetic choice? Is it a mistake? I sure hope it’s the latter. It’s a low three, but I feel like a two is too harsh.

Not awful but I don't know why this is mandatory listening. It sounds nice to listen to but the second it's done I couldn't tell you anything about it. If you told me this was built by a robot and looped forever I'd believe it.

Nothing stuck with me. The melodies are well constructed, but forgettable. The vocals feel repetitive quickly.

sublimely beautiful. Incredibly harmonious and uplifting.

🎧This is not what I was expecting from a Goldfrapp album and I liked it quite a bit. Favorite track: Clowns

I really enjoyed the ethereal, electronic vibes of this album

Strangely enjoyable - even if it's a bit dreamily wispy-sounding. A bit repetitive, not a lot of variety in their soundscape. But not bad at all.

Man this one was slow and melancholy to me. Not bad, but not someone I would listen to on purpose.

It's not even Goldfrapps best album, How did it get on this list?

soothing and hypnotic. you could fall asleep to most of this album, but in a good way.

Light and airy. Not my thing but I kinda liked it.

electropop

As enjoyable as it is, "Seventh Tree" is like a dream: you listen to it, like it, and then forget about it. And even though the production is wonderful and the lyrics seem interesting, that's still not enough to make anyone interested. But the album isn't terrible, Alison Goldfrapp brings beautiful vocals to the table and the concept seems to bring something good, which makes the album worth listening to.

I liked this one. It's probably an odd choice to use words like floaty or shiny to describe music, but both seem to fit this in my mind.

ethereal, lovely so far added little bird to one of my playlists, really digging the wave it's taking me on this is a tour de force. every song is powerful and feels unique while tied together brilliantly. i'm really enjoying - eat yourself is beautiful A&E feels like a turning point to be quite energetic in a way, but the lyrics are chilling. the whole song gives me frisson up and down my body, which is always a good thing in a track each song manages to surprise me. the strings on houdini are so deliberately jarring, in the best way, that it sets the song apart. the vocals just slap.

The dreamy of the dream-pop can verge on too dreamy for me, but they somehow ground it just enough to keep me listening. Things can get psychy and eerie out of nowhere, another nice touch. It helps to have an angelic voice keeping things engaging.

Let me get this right - the debut album, Felt Mountain contained Lovely Head and Humans. Black Cherry had Strict Machine and Black Cherry. Supernature had Number One and Ooh La La. But none of these albums were picked even though they were well acclaimed and danceable and groundbreaking at the time. Alison Goldfrapp certainly mustered a lot of traction. But for this project, they went with the fourth album, which is a little bit folky but otherwise blander than the previous albums. Apparently Alison was going for the pagan look and sound here. The cover reminded me of a 1970s film à la Barry Lyndon. Any of those other albums I think it would’ve been a straight 4. The fact that I have to listen to A&E on the morning that I have to call the paramedics out to my mother is maybe apposite but not fun. Happiness I guess is the antidote to that. A good song but not half as danceable as earlier Goldfrapp.

I love Goldfrapp. I don't listen to them enough. Alison has a wonderful voice.

This was really nice. Although unfamiliar with it, I heard lots of melodies that sounded familiar. I'm more at a 3.5, but its sheer beauty pushes it up to a 4. I was a bit skeptical based on the album cover. What is that about?

I listened to this and enjoyed it, but nothing really stuck with me (apart from the mesmerizing second song). I had a hard time grabbing onto the identity of this album, but I could chalk it up to my state of mind. I'd definitely give this another spin.

This fell a little flat for me, which I thought was unusual because this genre is right up my alley.

Bit of a mood album. Good to listen to on a Sunday morning or on a rainy day. Very chill and understated. Won't listen to it all the time but might revisit on the right day. Decent.

Very sweet, too sweet. Despite that, it wont really stick with you.

This is my 200th album. What a big milestone for me. The album itself was alright, not too bad. It reminded me of Coldplay's "Ghost Stories". Looks like I'll be getting more interesting albums from now on. 3 stars for "Seventh Tree".

Very chill but pleasant!

O.K. but over all a bit too lame for my taste and often I find her high voice hard to stand. favourite: "Caravan Girl" 2,5

Turns out I had a goldfrapp song in my library beforehand (ooh la la). Nothing like the music here though. I did enjoy it though.

Meh. I did not mind this but I won't come back to this.

Some gorgeous pop, electronic, and folk fusions presented here. This is my introduction to Goldfrapp, and while at first, I couldn't figure out what direction their sound was going in, I got a better feel for it as the album started to wrap up. They certainly sound like a lot of their contemporaries from the late 2000s indie scene, but I do find many aspects of this have aged really well, especially when it comes to the vocals. I loved the sweetness of tracks like 'Happiness' and especially 'A&E', a pop marvel that'll remain in my rotation for the foreseeable future. 'Cologne Cerrone Houdini' gave subtle trip-hop vibes with those string hits, and, alongside 'Eat Yourself', had Alison sounding a lot like Beth Gibbons to me. 'Caravan Girl' may have my favorite production on here, with it really amplifying those art-pop and electronic fusion sounds, even adding a bit of distortion. A great little pop experience, and one that's ahead of its time in many ways.

Of all the sleeping music I've heard, this album is at the bottom. I seriously do not understand or care for it.

Happiness // Some People //

soft and wistful and not really drawing me in or pushing me away... happiness was fun

I really enjoyed listening to this album. The mellow vibe and the vocals were captivating.

Not her best work. And Goldfrapp sucks, so…

The music is really good - it reminds me of some of the more whimsical moments from The Beatles. "Happiness" was a highlight, and I'll probably revisit down the line.

сначала было очень скучно и неотличимо. за день в принципе привыкла и наверно надо будет потом ещё послушать, вроде приятная

Seriously, two albums from this duo on consecutive days?! I'm still sleeping from yesterday's set! Seriously, though, this is music with a range so narrow an anorexic pencil wouldn't fit. Not annoying, just all the same - and much too wispy and soft for me.

Very moody and clean produced, beautiful singing … happiness is nice but most singles don’t stand out but I can def see a use and enjoyment out of album replay

Soft, easy songs to listen to. Not particularly memorable but I do want to listen to it again.

If st vincent played piano not guitar, it would sound like this

Very mellow

4 - very serene and a calm sort of view

Heartfelt, atmospheric, and soft electronic textures and acoustic instruments. Cool little pop piece.

Perfectly pleasant Kate Bush/Beatles riffs. Nothing more substantial than that. I imagine driving around with this CD in my car in 2008 as background music. That kind of thing

This was good. Another early 2000's album I've never heard of but liked right off the bat. Something about it reminded me of MGMT at times, but much more mellow. 3.5/5

Liked this alright. I expected more electronic and less folk, but I liked what I got. 3.25/5

Yh meh it’s all just a tad samey, the penultimate track was good tho

Rólegheit og ljúfmeti en skilur samt ekki mikið eftir. Þetta er fín matartónlist eða svona bakgrunnur á meðan ég væri að púsla eða eitthvað álíka en ég held samt að ég muni ekki muna eftir þessari plötu og velja eitthvað annað í staðinn.

Really enjoyed this. I've an untapped soft spot for goldfrapp I think

Songs like "A&E" and "Caravan Girl" have some character here, but it's not so much the rule as the exception.

Very nice, light and dreamy vocals

Was hoping for some electronic music instead i got some very middle of the road, little bit dull, background music.

forgettamusic whenever a line repeats i want to shout at the song "YOU DIDN'T EARN THIS!!"

Yes, good.

It's fine. A nice gentle morning listen.

Its ok. I really like Happiness. Cute sound. Boring in some parts but nothing outright bad or offensive. Happiness has replay potential but I doubt I’ll ever peep this project again.

Pretty good

It ain’t for me

3.5… overall I enjoyed it. Really liked Little Bird.

Memories …

General impression: quite nice Detailed review: This is a lovely little indie-pop record. Having never listened to Goldfrapp, but understanding in context that they’re more of a synth-pop band, I didn’t expect this to be so measured and sophisticated. I liked the quieter songs better, like “Eat Yourself.” Liked the poppier tracks less, like “Happiness.” I may return to this at some point, though admittedly I’m not in a rush to. It’s just kind of a nice, breezy thing. Deeper thoughts (context): I have none. Score: 3.2 Number of albums left to review: 959 Number of albums from the list I’d consider “must-listens”: 24 Albums from the list I won't include in mine: 18 (including this one)

It’s not terrible, just a bit meh.

Lalala! Lala!

I liked about half of these songs, and didn’t for the others, preferring the less electronic selections. I won’t be listening to it again.

Dreamy and quite atmospheric, but most of the time the songs fade into the background. Best song: Happiness Worst song: Clowns

3☆/5 11.05.2024

Late Bush.

kinda boring when people tell you about their dream

I love Goldfrapp so this is an instant like for me. The music just speaks to me unlike other albums in the similar genre.

Not terrible, for a minute I thought it was gonna be a Cocteau Twins clone. Ultimately fairly forgettable though.

- it's funny to me that no one mentions neo-psychedelia when reviewing this record cause it's so trippy ..... -

Little bird is as if the Beatles recorded today. It’s fantastic

This was a great pick today, as it introduced me to an artist that is right up my alley in music style. While the description of the album said it was an electronic duo, it came off more as a singer-songwriter album with Alison’s singing than it did electronic. I was completely hooked from start to finish and immediately went to seek out other albums to check out later. When I get stuck with bad albums as the daily picks, it’s ones like this that make me happy I do this challenge.

really good. 3.5

I had a good time with this catchy, slightly ethereal tree.

Promising ideas in places and a beautiful voice, but ultimately falls short and is boring as a result. Too bad.

I liked this far more than I expected to A warm hug of an album

Day295 - i read electonic and was ready to hate it but this is more folk and it’s pretty good

muy bueno e original, medio midsommar

che, muy bueno eh

A nice dream pop album by Goldfrapp - it's one of those albums where I find the second half more engaging and overall better than the first half. It works quite well as an album though individually the songs aren't too memorable.

Its calming and relaxed. But these songs dont feel unique after listening to the whole album. Still a solid album. 3.0/5.0

wannabe Cocteau Twins but still pretty good

Kinda sounds like diet Bjork with more synths. Not always my vibe, but there are a few quality songs here. Best song: Happiness

I enjoyed that way more than I expected. Very chill listen, pleasant throughout but no big standout tracks either

Ethereal sound. Pretty, but didn’t hook me.

I am surprised to rate this as a solid 4. Dreamy introspection works for me here and I even enjoyed the uptempo electropop more than I would have thought. Hail the British Empire.

Again a duo I never heard of.

Meh, no feelings there

Nice enough, got a bit samey but yeah good

Way better than their other album. Can't believe it's the same band

Neat stuff happening musically, don’t care as much for her vocals unfortunately

I enjoyed this listen. Soft melodies and groovy bass lines gave me a few euphoric listening experiences.

Happiness is a great track. The rest were decent but I think that’s three Goldfrapp albums we’ve had now and that’s probably enough.

I thought this was brilliant. Lush and ethereal at the same time

A bit samey but nice

Album 549 of 1001 Goldfrapp - Seventh Tree (2008) Rating : 2.75 / 5 Usually when I see an album described as "Electronica", I'm ready to swat it down as a waste of time. This one is Electronica/Pop and I do think it passes muster. The "pop" aspect peeks through and makes it an interesting album. Can't say it has anything that could come close to a hit but overall it is some nice dreamy, low key mood music. Something relaxing while you do your thing.

Clowns is very dull!! and on reflection I found the album to be very dull. I am not a fan of her voice at all. Favourite song: Little bird is a lovely song. Least favourite: The rest of the album. Album artwork: Cool cover

Intelligent pop. 'Clows' is naggngly an earwork and 'Happiness' more annoyingly catching. I'd put her in the same category as Christine and the Queens.

The great thing about this project is discovering an artist, that for whatever reason, had passed me by the first time around. I enjoyed this album. Goldfrapp has a voice that is a cross between Stevie Nicks and Enya. I think I’ll be listening to more of this in the future.

Was folkier than I expected. Not enough bangers for me, compared to some of her other albums.

Warbling by numbers.

Not bad but not great. Forgettable

ist mir zu "sirenenhaft"

A little too wispy for me. Like Florence and the Machine without the backbone

I wasn't concentrating on my first pass and it didnt grab my attention. A second go with headphones was much more profitable and revealed a floaty surface with a good number of layers with substance underneath. Lovely vocals, some good hooks and some nice orchestration and production. Nothing to blow the socks off but an interesting listen

Another artist I did not know but fell in love with! Would love to hear more!

This is stunningly beautiful. I had an idea of what it was going to sound like and it ticks all those boxes and provides more. Fantastic I'm between a 4 and a 5. I just really like it but realise it isn't the coolest album by the band or one that represents the band. But it's just a pleasant listen, a real pleasure for a Saturday night

Meh. Sleepy.

Nice and dreamy, could listen to this again during a quiet morning

Очень лёгкая и приятная музыка. Светлая и спокойная, хотя есть драйвовые треки. Считается электронной, но она воспринимается хорошей поп-музыкой с примесью инди.

Never heard of this band before. Very accessible with music with ethereal echoes of Kate Bush.

I found it boring. I don't even remember listening to any of the songs.

First time listening to Goldfrapp and I'm not sure what to think. My attention alternates between enjoying the prettiness of the songs and disinterest. I guess it's one of those artists where the songs are better experienced individually than as a collection. Good to know this exists out there in the world.

I had not heard of Goldfrapp before. I listened to this album a couple of times and then some of her other work at random. This album was good, but based on the sampling, I enjoyed some of her other stuff more. Still, there's clear talent here and I will be enjoying Goldfrapp in my music rotations in the future.

Had never heard of them. A bit too sweet and syrupy for my taste.