Dig Me Out

Not bad. Good instrumentals and decent vocal work. No particular standout tracks for me though.

This is cool as fuck. It sounds like Alanis Morisette spent her teenage years getting stoned with Chris Cornell whilst listening to Joan Jett and Janis Joplin albums. Proper intense, raw as can be and so easy to enjoy. Hell-fucking-yes!!

A solid bop!

Good energy but I don't like the voice and delivery.

Post Punk Girlie rock band

Cutsie for the sake of being cute, is this for real?

Good music and songs. They do however all kind of blend over the course of the whole album. Needs something to really mix it up.

It does indeed shred. No complaints. Quick blast.

Alright

​Dig Me Out succeeds because it weaponizes personal pain, social frustration, and creative ambition into something life-affirming. It manages to balance raw, jagged punk edges with sophisticated, hook-laden indie pop melodies. It is thrilling from start to finish—impassioned, uncompromising, and timeless.

I found this one interesting especially as I'd never heard of the band or their work before. My first listen was early in the morning and I didn't find it enjoyable mainly because the vocals were a bit too chaotic. I tried again from the top later on with an open mind and... again the vocals were throwing me off. The ~music~ was actually good from the composition and lyrics to hooks and melodies, etc. However, the lead vocal sound is super whipped and forced and not tailored well around the lead's vocal strengths. Maybe that's the point?

2.85

I hadn’t heard of Sleater-Kinney before, but I’m very glad that I have now. It gave me big Plumtree vibes, but maybe more punky and less poppy. I didn’t realise until looking at the cover art now that they also seem to be a three piece female trio, so the parallels extend further than I realised. This music is raw and certainly not overproduced, and is very much a style that I miss these days. You won’t find any autotune or perfect metronomic tempos here, and it's so much better off for it.

I was pleasantly surprised to learn that this album, made by two women rockers, is on the Rolling Stones top 500 albums. Honestly the guitar work is impressive and they sound like a precursor to Paramore. I’m sure they were an inspiration to women everywhere. Not sure if I personally would listen again, but I see the appeal.

I've somehow managed to never listen to Sleater-Kinney. I've driven by the exit on I-5 many, many times, but I've never heard the band. I am weirdly just a tiny bit too old for this to have spoken to me. If I were just a couple of years younger, I probably would have loved this. Music is great. Vocals are...yikes. The songs all sound the same after a bit. I wish there was more variation/range/something in the lead singer's voice. I'll go with a generous 3 stars, especially since we need more women rocking out on this list.

This was OK, but nothing stuck out to me.

Simply didn’t like, especially the vocals.

I can see the appeal.

Reminds me of CK. I didn't hate this album.

This one is okay. I like this band in theory, more than I do in reality. It can be a challenge to get into this. The music is pretty solid, though.

Definitely not for me. Found the voice shrill. Some parts I could see myself listening to.

Noisy. Vocals are quite shrill and grating. Repetitive instrumentals and lyrics.

A bit too much going on here and I didn’t care for it. 2.5/5

A little too noisy for me. 2.5

Female empowerment.

Lot of yelling, musically not my taste

Guitars and instrumentals great, for some reason they feel different to early 90s stuff, a bit more expansive, which is great. vocals are a bit abrasive at times, but thats not really a problem, as they work really well with the heavy instrumentals. Its also not really a vocal style which I've heard. She also can 'conventionally' sing very well as well. The backing vocals are also great. Favourite songs: all but heart factory and it's enough. Overall around 7/10

Slaps from front to back

Not my personal favourite SK album, but I know it is for many. Their first great album and the start of their golden age. Mostly bangers and Janet really completed their sound. (A real shame Carrie and Corin fucked her over many years later and fans decided to blame St Vincent instead, but 95-05 was a helluva run.)

This is a fine album. Raw uncompromising with great vocals, chiming guitars and drumming that provides energy and propulsion. From the opening track you know these ladies mean business and there is little let up the whole way through. Too many hi lights to mention but Dig Me Out and Words + Guitars are particular standouts. 4.5 stars

Fantastic.

Brutalmente autenticas

decent, voice is a bit annoying

3/5

Riffs good riffs

Not terrible but I’m just not really a fan of female vocals.

energetic, garage bank punk feminist vibes

For the genre it represents, it is a great album.

https://tenor.com/view/dude-fuck-yes-spongebob-gif-6177768983096005846

Bring back garage bands fr

can't let gang know i fw this + Dig Me Out, One More Hour, Jenny

Need to be listened again. 3.6

Not for me

It’s okay, need to be in the mood for it though.

>>> the Beatles Fuck yes. This rules

Feminine prowess Proudly gutted and displayed, Fiercely rooted punk

Really liked this. Great energy here.

Not for me!

Yelling over the loud simple chord changes doesn’t make you a good singer.

Phenomenal, energetic, underrated

I'm always on the lookout for more female rock bands. This is a great addition to the collection. Good muscle behind them, and a powerful voice. I dig thism

дослушала и слава богу

why did st. vincent destroy sleater-kinney why annie

LADIES AND GENTLEMEN THIS ALBUM INVENTED PUNK MUSIC!! ONE OF THE FEW LPS FROM THIS LIST SO FAR THAT I OWN!!! FUCK THE RAMONES AND THE CRO-MAGS LISTEN TO THIS INSTEAD

I can only listen to Sleater-Kinney when my wife isn't home. She "hates the voices". I love her, but sometimes she has atrocious taste in music.

if you're into this kind of grungey indie-rock just go listen to Mudhoney, or something else better

It was fine, nothing really grabbed my attention much.

Dig me some Sleater-Kinney. High-energy dissonant guitar hooks battling with the vocals for the spotlight of attention. And no bass, because fuck bass, that's why. 'Turn It On' is such a good hype song, and oh yeah (x3), someone should tell Karen O about this group. I think she might enjoy their work.

Totally forgot just how great Sleater-Kinney is. Phenomenal record - energetic guitars, insisting vocals and attitude for days. Oh yeah and the bass? No need! You think Spice Girls was the feminist group of the 90’s? Think again.

Interesting. never heard of this group before. I love finding new stuff to listen to.

I don't like the lead singer's voice. I think the main problem, the one that so many other reviewers are finding it difficult to pin down, is the extremely rapid vibrato she tries to squeeze into every note. It's... well, irritating. The melodies are also extremely basic, so there's little to make you want to sing along. But if I imagine the music without that shrieky-sounding wavering (and just a normal, high, clear vocal), coupled with some more interesting chords and melodies, it's great. Everything else about the music is straightforward, aggressive, invigorating. Nothing particularly special for its time, considering it sounds like punk releases from 20 years earlier, but it's perfectly good as punk goes. The improved production (compared to the 70s) is also a welcome addition. But if you have one bad omnipresent element, it lowers the quality of the entire album. The top-rated reviewer here seems to suspect that any dislike of the lead singer's voice in Sleater-Kinney is a result of sexism. I doubt that, mostly because there are countless male punk singers that are just as bad or worse. I've given my fair share of 1's and 2's to punk albums on account of a singer ruining a record. Dig Me Out is no different. I will also add that there's not much of an "album experience" here. No ups and downs, no changes in mood to bring the listener along on a journey. It's kind of emotionally monotonous, even if that emotion is a pretty darn exciting one. We need some ballads up in this joint. 2/5 Key tracks: Dig Me Out, One More Hour, Jenny

The Brits who run this project definitely don’t give enough respect to the ladies but I’m glad they included Sleater-Kinney. Such a great 90’s rock record here that holds up with great energy all the way thru. Dig Me Out is a great opener and Words and Guitar is an excellent display of vocal strength. This rips. 4 stars

This was really fun to listen to! I’m not a big riot grrl fan, simply because I was too young. I live in Washington, so it’s always exciting to listen to an album that resonates based on place. It’s real rock n roll in a way that reminds me of being a kid all wet in the rain. Carrie Brownstein’s backup vocals were a joy for me. Also loved the drummer. Not necessarily a daily listen, but I think I do want to return to it.

As someone who prefers female rock groups, somehow Sleater-Kinney slipped through my radar back in the 90’s. I only have heard The Center Won’t Hold, which I thought was fine. Still I was kind of hype because this was the 90’s, my favorite decade in rock… Yet I just didn’t really get into this album at all, and came away feeling meh on it. Probably like a 2.5 out of 5

Bit waily for me

Quintessential post-grunge punk rock album by a rockin’ trio. Tucker’s and Brownstein’s vocals play off one another well. I wish I got into them during their 90s run. It wasn’t until Sleater-Kinney opened during Pearl Jam’s Riot Act tour when I started to take notice. 7.5/10

I thought I wouldn't like this, but I enjoyed the warbling and the discord for the most part.

these gals fuckin rock

Really cool punk album, the duel guitars is sick and although the vocals border that annoying line they fit really well with the music. It gets less consistant towards the end of this record but it was still pretty damn good

The vocals took a full star away

Feels like singer is just screaming all the time

A solid album, though the tracks kind of blended together. There wasn't a ton of variety so nothing really jumped out but the energy and performances were mostly good. I think Carrie has a very strong voice but it became kind of grating throughout the runtime. I really liked Things You Say.

I liked the rythms but it's too screamy for me

8/10 I'm pretty sympathetic to riot grrl music, so this works for me. No, it isn't the most nuanced album, but it is bold and has a raw and undeniably enjoyable energy. Will be listening again. For others, mileage may vary, depending on personal limits for (reasonably toneless) shout-singing and punk generally. Best track: "Heart Factory", "Dance Song' 97“

# Album Name: Coat of many colours # Artist: Dolly Parton # Rating: 3/5 # Comments: Bang average. Just OK. # Top Tunes: No idea # Would I listen to it again? No

Think this more stands for Riot Grrrl bands than this album, it’s alright but not even my favourite Sleater-Kinney - none of the songs really stand out

Pretty good. Not something I would normally listen to, but I liked this.

WORDS AND GUITAR AAaaaAAoooAAAOOooAA

Ok indie rock! hard and tough jams!

Good noise!

Feminine indie punk rock! Sign me up. Certainly an album worth further exploration. Fave: Buy Her Candy

Awww yeah, this slaps - post-punky indie rock. I've listened to the odd Sleater-Kinney album here and there, including this one, but never spent enough time with them to get familiar. I should remedy that! Fave tracks - "One More Hour", "Words and Guitar", "Things You Say" - I like the tracks where the backing vocals are doing something different from the main vocals - great effect!

her voice is very indie

A little too screamy for me, but it definitely had some kind of appeal that I really can't put my finger on. 3.5 stars

Girl rock

cooler sound aber nothing outstanding to me leider

Favorite Track: Turn Me On

[3.5]

Really like Sleater-Kinney, they're so consistent and fun and energetic!! This one's a classic and when I threw it on today, it went down so easy!

Cool band! Didn't realize how long they have been making music!

always really liked Sleater-Kinney! they are super fun and consistent...

I've loved this album since I first heard it. And though I've heard it a bunch of times now, I kind of came to this one way after the fact. Granted I was little when it came out but I didn't really even discover it until the past few years. It's such a good blend of punk and pop rock. I get that the vocals may not be to everyone's liking but, to me, that's where a lot of the charm of the album comes from. And I'm a sucker for a female vocalist. It may not be my favorite album on this list, but for what it is it's fantastic and I play it a lot. 5/5

Good late 1990s punk-rock album, though the vocals weren't my favorite.

Pretty good

Ok don’t think I was in the right mood for this one so I’ll give it another listen on another day.

The vocals on this are absolutely grating.

Good album. But not really my jam. The dissonant vocals with the intense vibrato on them were odd sounding to me.

I liked One More Hour quite a lot. A very angry and energetic record with good melodies. Little Babies is good too. I was surprised by It's Enough, I didn't know Wet Leg interpolated them! I quite liked this one! Overall 3.5/4 but I am likely to revisit.

The songs are pretty cool, although a little repetitive. I couldn't get passed the warbling. Sorry.

Meh

A new discovery for me - which surprises me as back in 97 this would have been right up my street so am surprised it passed me by. Really enjoyed the discovery - will defn listen again. Strong 4.

Dig Me Out I think I would have really liked this when it came out. It’s fun and punchy with a nice punky energy, and there are some good hooks and songs, especially when the lead lines go a bit droning and dissonant. However, and although it does have a point of difference, it does get a bit too generic 90s US alt rock adjacent at times for me. Dig Me Out is a good example of the whole album; fun, great attack, energetic spirit, nice guitar lines, brief and to the point, confident and charming but perhaps lacking a bit of swing or rhythmic variation or some kind of je ne sais quoi to make it really good. Turn it On is probably my stand out, the almost Indian guitar licks give it a pleasingly different texture. Words and Guitar and It’s Enough are also very good, the lead lines giving a similarly nice tone, and the change of pace of Jenny is nice too. Overall it's one of those albums where, despite the appealing energy and overall brevity, you start to feel the limitations of the guitar, bass and drums format. That doesn’t make it bad, there are some very good tracks, and I would listen again in the right mood, but it doesn’t quite get above being decent, making it a solid to high 3. ⛏️⛏️⛏️ Playlist submission: Turn it On

I found this an energetic romp through some garage rock, often peppered with nice guitar riffs. But ultimately much if it is all rather average - with no discernible reason this would ever be on the 1001 albums to listen to ahead of death. There were several real enjoyable standouts. It's plum in the middle threes.

Late riot grrrl. Some echoes of their voice in Sister Wives

I think it's hard to argue that this isn't the greatest riot grrrl album of all time. The energy and the passion displayed on this project are just unbeatable.

too rowdy for me

Somehow skipped this when it came out. It's raucous and brilliant.

Fine. A little monotonous

I really like it but some songs just didn’t resonate that well with me. But it’s a strong 4.

I thought I was going to like this but I REALLY disliked it. I just kept thinking it’s not melodic at all and I need a melody. Would give a 1 but I already feel like a bad riot grrly as it is.

not so much my cup of tea..

3.5

Meh

Listened Before? N Interesting. Noisy. Chicks. Those are the three words I have for this one. It was fine. Probably needs some more polish but that would probably ruin it. Maybe the perfect hipster album? Added to Library? N Songs added to playlist: Heart Factory

Nice, quick, energetic album.

Great instrumentals but the vocal performance is…not good.

Not poorly done but not great and not my style. If this is mandatory listening I missed something in my listen.

Been kind of looking forward to hearing this. Always heard the name and saw articles in magazines back then but never really heard the music. The first track did nothing for me. Some okay melodies and a couple hooks. Overall, very of it's time, not too much to write home about.

We all wish we could be half as cool as Sleater-Kinney. Also, lots of "i DoN't LiKe ScReEcHy WiMmEn". Just, wow.

My suspicion is that Sleater-Kinney would be amazing to see live. As a recording I only mildly enjoyed it. But I doubt I’ll return to this anytime soon. 3/5

3.5/10

I've finally listened to a Sleater-Kinney album! I keep meaning to and somehow just never have. I really hear the Bikini Kill influence and am not surprised that I really dig this album, pun definitely intended.

Liked this album. Just got a good sound to it

pretty good, nice grungey sound

guitar-rock band.. Favorite track: jenny other picks: dig me out, turn it on, words and guitar

Angry punk girls. Vocals too quivery and not very musical - lots of yelling. Almost borderline tolerable. A healthy portion of fuzz, so there's that.

Raw and intense. Lors of yelling and not sure I like the tremolo but otherwise excellent 3.8

There's an interesting post punk/new wave blend to what I would consider straight indie rock. The singing is intense. The playing is firey. It feels like what sex-bobomb wanted to be. or what cloud nothings is embodying now. Really loud. Really in your face. Cool record.

Turn it on

«Девчачий панк» — обычно звучит как приговор. Не потому что девочки в такое не умеют в принципе, а потому что "хулиганская" музыка от них и соответствующие образы, чаще всего выглядят фальшиво, наигранно и чужеродно, как лошадь в валенках. Но тут вместо неловких ужимок и картонного бунта — искренний яростный крик, рвущий воздух. Эти девчонки не пытаются копировать парней-панков, они яркие, самобытные и самодостаточные. Настоящие пантеры в боевой раскраске, которые прорубают себе дорогу сквозь джунгли стереотипов. Мощные, гремящие гитары, ударные, пульсирующие как вена на лбу. В каждой песне — протест, в каждой строке — вызов устоям. Это настоящий бунтарский альбом, в котором есть место и ярости, и злобе, и решимости. Пластинка по большей части о том, как выживать в мире, в котором тебя все пытаются заткнуть. Вряд ли подойдёт для фонового прослушивания.

Didn’t finish it. Not for me.

I feel entirely uncultured when I first realized that one of the lead guitars and vocalists in Sleater-Kinney was the same person that duos Fred Astaire on Portlandia, only to then realize I'm uncultured even more so for knowing Carrie Brownstein as "the person that duos Fred Astaire on Portlandia." The album itself lies among similar outfits from the time into this Riot Grrrl bubble, in which I feel I'm kind of starting to get a feel for. Songs that make you want to speed down a highway and overthrow someone or something, but tend to have the slight issue of variation. It's a good time, with solid tracks throughout and a lot of raw emotion pouring from the vocals and those scratchy guitars, and I even enjoy when they real it back a tad and make something more pop-y, a la Little Babies, but you definitely get your fill pretty quickly, and in turn the middle portion can live you spacing out for mere moments only to realize three tracks have passed you by. It is effectively noisy, but constantly runs the risk of just becoming noise for the listener. Luckily, I think I was just enough in the mood for this to get into it a little bit, especially with those great opening tracks, and I found myself looking at this rather fondly by the end. It is definitely repetitive, but I think it carries (hehe) itself just long enough for an extremely heavy ending track to effectively close out what is a solid bit of the 90s alternative canon. Oddly, the Kinks homage fits rather well, and I couldn't tell you why.

Grunge alt rock with terrible female vocalist

I don't care for the lead singer's vocals at all.

Great songs, but I couldn't help it but feel a bit disappointed on the overall album. The high points of this one are still miles above some other punk albums though.

I think this album would grow on me more if I listened again and again. First pass through it had a cool punk sound. I didn’t have particular tracks that really stood out to me but overall I enjoyed it. No complaints, not blown away. Might try it again down the road. 3

at first glance, i was super excited for this. all girl punk bands have been my jam lately and I was super eager for this. however, it just kinda fell flat for me. i understand that it was supposed to be punky, but the guitars came across as grating and it just didn't really pull me in.

Quintessential 2 star here.

I feel like there are a lot of influences on this band and other artists they’ve influenced themselves, I just can’t put my finger on it. Great mix of rock, punk, and grunge. The lyrics are very topical for the era they came out in and are still relevant today. Overall, a solid album.

This is a tough one. Every song has a glimpse of greatness, but overall I didn't really like any of it. The vocals are definitely the biggest drawback for me.

Fun music, annoying vocals

that voice is horrific

No album has spoken to the queer experience of bisexual women like Dig Me Out. I’ve loved Sleater-Kinney since college, a decade before I even came out. Their songs hit me on so many levels– lyrically, sonically, emotionally, historically, aesthetically. While I think you could make an argument in favor of The Woods or The Hot Rock or even Call the Doctor, this was my gateway, and if you’re going to listen to one, it’s this. Potentially a Top 10 album of all time for me.

Great album brimming with fun and energy.

Very good!

This definitely warrants classic status. It’s poppy where it needs to be, angular and dissonant throughout. The emotions are raw on this album and Corin Tucker has a unique and effective voice.

Feminine Indie. First 3/5 Again? 3/5

о а вот и райот герлс, ну ничего такие прям, драйвучие

Not a fan of this album but mad respect

angry girls with guitars...kinda good tho

RAH

Cooler than I was expecting. Great punky energy. Enjoyed it a good deal. Could grow on me more with another listen.

This album just didn’t click with me. The shouty, abrasive vocal style was a significant barrier—I found it so off-putting that it overshadowed any potential enjoyment of the music itself. That said, I can appreciate and respect the energy and message the band brings to their work. While it’s not for me, I understand why others might connect with it on a deeper level. Score: 2/5

Decent guitar work. Very vibrato vocalist, to the point where it was sheep-like. 1997...at that point lots of other similar grunge albums out doing similar things, arguable w better writing so not sure why this one was on list compared to similar others from the era. Still liked it all things considered.

It seems I am continuing in the direction of female-lead 90s alternative rock. Which I am in now way opposing. In this list, which is very predominantly composed of male solo artists or male-fronted bands or bands with all male members, it’s important to highlight that women are present in the music industry too. It’s why I like Björk so much. She’s possibly one of the most creative and influential female artists of all time, and she shows up multiple times. Sleater-Kinney sounds vaguely familiar to me, but I can’t pinpoint exactly what from. The last time I heard anything like this was with Le Tigre, which fits into a similar Riot Grrrl category. Except instead of dance-punk, this is a pretty standard late 90s indie rock affair, with some more intense punk stuff mixed in. And I love to see this kind of music. A group of women coming together and throwing all of that stereotypical, patriarchal timid and girly shit for something more in your face is awesome. Because you get cool bands like this, or Kittie. I’m not sure why there is still this perception in the industry that women can’t play instruments as well as men can. Or that they shouldn’t advocate for themselves through their music like men have done for decades, but it’s music like this which proves the power of those things. I understand that I’m not really the right person to speak on this subject, because I am a man. So this message can definitely be interpreted as me patronizing, which is understandable. Plus I know better than anyone that I don’t probably listen to enough female artists in my day-to-day life as I could be. But I wanted to use this review to highlights these thoughts I was having, and also say this album kicks ass. Rating: 7/10

Good Rock record

Je suis vraiment partagé pour cet album. D'un côté l'instrumentation est excellente, une très bonne intensité, un message assez clair, mais les voix sont vraiment dures à aimer. Au point ou ça m'énnervait vraiment et j'avais hâte que l'album finisse. En même temps j'imaginerais mal un autre sytle vocal puisqu'il va tellement bien avec le son global. Il faudrait que je redonne une chance à cet album. 5/10

Not a fan of the vocals

Not offensive, a few decent songs. Largely uninspiring

I liked this and might revisit

Now I have a headache.

I didn't feel much listening to this. Just a little bit too nosy to stay in the background.

A raucous bouncy punk album with a consistent vibe and feel. Know who Sleater-Kinney want to be after listening. Vocals don’t connect, but like the spirit and soul.

Somehow missed the whole Riot grrrl thing. The vocals on a lot of these tracks are just a little too shrill for my taste but I love “Buy Her Candy” and “Things You Say” …

Dig Me Out One More Hour Little Babies

Crazy to think this is the lady from Portlandia. She rips!

I really like people who love Sleater-Kinney, but I’m not sure I love Sleater-Kinney. Maybe I need a few more listens.

Definitely worth a relisten. Quite a lot of samey sounding songs. Good find.

Beautiful, exquisite, righteous anger. This has always been my favorite of their work, and though maybe just a bit repetitive and relentless, its energy has dimmed none in the intervening years.

Catch me in a different mood and I'm yours! Es isch schwirig de tages-mood vode qualität vom album z trenne. Hüt morge am halbi 8i hani mi gfrögt, was das wider für gechotze isch wo mer da als musig verchauft wird, denn am namittag am 2 (bi mim erste kaffii nach 6 stunde im Spitalbett chille und en shot rapsöl als zmorge dörfe gnüsse) hani denn gfunde das mir die musig scho bizli pässle chönt aber immerno chli ahsträngend und jetzt, am 12i nacheme bierli findi d musig rächt lüpfig und lustig. Macht en solide durchschnitt vo drü aldi spüelmaschine im extra-wuche-sale für nur 199.99 anstatt 499.99 CHF schlahn jetzt zue de sonderpriis gilt nur für hüt limmitierts ahgebot wenns weg sind sinds weg 199.99 CHF unschlagbare priis let's fucking go

Wehaa 90/00er female rock. Es amerikaneret mir wieder zimli eis hindere. Aber das mal nöd mega negativ per se. Meh so slightly ufmüpfig, halt so American pie vibes. E eskalativi homeparty vum eine rich-college-dude wird gschmisse. Red cups und bier sind omnipresent. Vill good vibes, bar usugerndi zunge & biz drama inklusive. Aber au e geili skaterbowl gsehni zu dem sound. Do a kickflip. Das wär für mich ideale konzert sound, biz rebelisch, vlt grad na bar lüüt go ahpöble und eis zwei moltov cocktails go verteile. One more hour isch doch e rechte banger track. Three more stars for dig me out. Passend zur wiehnachtsziit han ich e neui theorie: de albumname isch us de perspektive vum ne tannebaum gschriebe.

ich bin leider kein angsty teen meh aber och doch die ganz zit während em lose alli türe bi mir ih de wg zuegschletzt und mini mitbewohnerinne wölle ahschreie au wennsmer nöd so guet gfalle hett isches doch en vibe props ad girls vo sleater-kinney au absolut tolle bandname tbh 3x slay-ter

herzlichi gratulation zu 50 albene mini liebe 🍾 d’sleater und d’kinney hend mit ihrem usgrabalbum konstant unterhalte und sind de erwartige demnach grecht worde, isch jetzt aber nüt woni mine zuekünftige grosschind binere gmeinsame tasse warmi schoggi wird devo verzelle 3.5 zerschmetterti gitarre meinerseits

Not for me

This is a consistent masterpiece from the beginning. If you hate it because you feel like your angry teenage screaming at you, well it did a perfect job playing with your bias. There is enough adult message and musical ingenuity on this to fill out twenty contemporary indie records. This was a beginning, but unfortunately hardly ever anyone really followed the options presented. (I admit listening to them live at the times they toured with Pearl Jam was a challenge, to say the least)

Loved that

Pretty seminal feminist punk record from the 90s Olympia scene. Succinct and on point.

Not my style but good

Mid to high threes, a very good SK album

I was previously familiar with Carrie Brownstein from her work on the show Portlandia, but little did I know she was also in this key indie rock rock band. Her dramatic vocal delivery gives many of these songs their raw power, along with driving riffs that have the same impact as many early punk rock records.

This was an enjoyable enough record of fizzy riot grrrl punk rock songs. Not a lot more to say about it.

Neat

Better than most of the other punk albums so far!

OK punk album, easy to listen to

Punk in which the singer can actually sing? Well this is something I haven't heard before! If she could turn off the tremolo in her voice, I would have given this the missing star.

I listened to this three times, so that’s a good sign. It’s pretty solid without being outstanding. Some nice rock tunes, with some decent riffs. I’d probably listen again if it popped up as a recommendation.

I went from enjoying this to not enjoying this multiple times during the album. I love the vibe of female punk vocals but at times also found it unpleasing to my ears.

I like the vibe, but the vocals are just too shriek-y.

Overall: 10/10 Perfection. Sleater-Kinney were the first "all girl" punk band I ever listened to and they showed me that not any can women rock out, but they often do it harder and better than the men. This is actually my 3rd favourite album by them which shows just how amazing their entire discography is (I would have at least added The Woods to this list). Corrin's incredible vocals, Carrie's creative and interesting lead work and Janet Weiss's pounding, infectious rhythms make this one of the greatest statements in rock/punk history. I can't say enough good things about how much this album and band mean to me. Fav Song: Dig Me Out Least Fav Song: Not What You Want

Who? American Riot Grrrl (Underground Feminist Punk Rock) band from the 1990s. Unlike a lot of punk bands, this group can play. I guess it was cutting-edge in its day.

Nothing really here

Decent album, but I never was into the riot grrrl scene. If I had been, this would have been a definite 5 star.

Never heard of this beat combo so wondering if they never made any impact here in UK. I Paused here whilst I consulted the internet for any major UK references. Not much at all apart from reading Half Man Half Biscuit name checked them in a song of theirs. So that’s an interesting fact and probably the best thing I can say about this album. I’ve heard the likes of this album so many times done by artists a lot more musically competent. 1/5 3/12/24

Dig Me Out is the only Sleater-Kinney CD I actually own, simply because it's their best album. It's the sweet spot in their (now long) discography. Their first two releases the band was still raw and unfocused, but had a punk energy and spirit that gained the band attention and post-Dig Me Out, the band lost some of that punk spirit and their sound became more homogenized. Dig Me Out has some great songs and the guitar work from Carrie Brownstein is underrated, but my only issue is Corin's shrieky vocal style, which at times makes it a difficult listen. Add to the fact the band doesn't have a bass player, so their sound is even more treble-pitched, with a lack of low end. Fortunately, the debut of a (real good) drummer, Janet Weiss really benefits the band, which results in a tighter sound, yet maximizes the punk sound more effectively. I like this album a lot, it was an important record that propelled them beyond just the riot-grrrl scene and made more people take notice. I give it 4 stars for the music and a bonus 1 star for the terrific album cover art homage to the Kinks Kontroversy cover, which I consider one of the finest.

I think I like "All Hands on the Bad One" more, but this is still good.

Painful.

Gear: Moondrop Variations Artwork: 🎸👩‍🎤👩‍🎤👩‍🎤 Production (2014 Remaster): 😑🙂👌 Music: 🎸👩‍🎤🔥💔✊📱🌪️🌈 Rating: 🌪️🌪️🌪️/5

One of the singers had an Alanis Morissett vibe but in a screachy way. It was not an enjoyable album for me.

Raw, powerful, 90's essential.

Would have been a 4 if the vocals were less shrieky

Excellent missed this first time around and well worth a listen

Fucking awesome energy. Brilliant, catchy songwriting, and while sometimes the voice can be a bit grating, fix your EQ... A banging album that is too much overlooked - at least among people I talk to

Hieno ääni laulajalla. Olisin toivonut häpeilemättömämpiä koukkuja, tarttuvuutta kuten kakkosbiisissä.

Tämä ei lakkaa räjähtämästä: bändi repii simplistisyydestä kaiken mahdollisen monimutkaisuuden irti, ja keskinkertaisemmatkin kappaleet pelastuvat yks kaks esiin pamahtavalla melodialla tai riffillä. Kuuntelin kerran, kuuntelin heti toisen kerran, kuuntelisin lisää.

Good solid indie rock

It's a pass from me. It wasn't entirely without merit, I made it through the whole album so there must be some musicality in there. The vocals were pretty awful. It just sounded like one long track, there was no discernible difference - to me at least.

Heard of them but never explored. I liked! 90’s punky girls. Great memories of being one.

Day314 - i’ve tried a few times over the years to get into sleater-kinney even though they haven’t clicked with me yet ill keep trying

Chunky, great listen and probably 3.5 stars but it's enjoyable but not earth shaking so 3 it is.

Neh

I was an angry young man in the 90’s who had a brief tolerance for abrasive screechy music. But I was always a soft boy at heart. I had liked poppy-nice-sounding-with-maybe-a-little-bit-of-rock-&-roll music up until that point in my life and I’ve liked poppy-nice-sounding-with-maybe-a-little-bit-of-rock-&-roll music since then. But if you made loud angry abrasive rock in the 90’s, you might have caught me at just the right time and nostalgia may make it to where I still enjoy your music a bit even now when I’m old and soft as tissue paper. See Youth, Sonic. But I did not listen to Sleater-Kinney in the 90’s and have zero nostalgia for this and therefore it is very much not my jam. It’s too loud, too angry, too harsh and too screechy. Sleater-Kinney would go on to make an album in 2015 that I liked some of the tracks off of, especially the slow quiet one. But this album isn’t really doing it for me.

I liked it, but it's not something I could listen to an entire album regularly.

not my cup of tea unfortunately :/

This is a pretty good album. I like female bands, and these ladies do not disappoint. I have never listened to this before, so I gave it two listens before rating it. The vocals are a little grating but okay, and the musicianship is very good. I am going to check out their catalog.

I'm all for riot girl, I just don't think this album is really enjoyable to listen to.

The vocals dig me under my imaginery grave

I missed out on Sleater-Kinney in the 90’s (somehow it wasn’t listened to a bunch in the frat house) but have started listening to them as they’ve been putting out new albums. Gotta say I’m a fan.

After the Woods....their beat

Dig Me Out is the third studio album by Sleater-Kinney, originally released in 1997. This one rocks! They have such a heavy sound, truly a power trio. Heavy garage rock vibes from this. It is apparent that was the vibe they were going for, I mean check out the Kinks-inspired cover! This is super raw yet has great production. I guess it's raw in the emotional sense. Would love to have caught them live during this era.

5/5. Hell yeah, love this raw and straightforward punk album. I'm sure they would be great live, they just give that kind of energy. I've listened to some newer Sleater-Kinney before but this one has that missing amateur element some of the more polished albums lack. At first, I was thrown off by her vocals but just like David Byrne, it just matches perfectly after another listen. Back to back punk rock. I could pick out mistakes or songs that aren't perfect but this was just so good most of the time that it gets that perfect score. Best Song: One More Hour, Dig Me Out, Little Babies, Not What You Want

90's alt by ladies. Every song was solid, but the album lacked a transcendent hook. Still a very good listen

Full disclosure I love Sleater-Kinney. I get why this album was picked, it’s a good one and brought in the excellent Janet Weiss. But I think All Hands On the Bad One is the better album so I would have picked that if I could have only one

pretty decent, liked the singers voice

It's got words and guitar.

Musically a good album, but the singer sounds like a goat sometimes

very cool female fronted punk band. her voice kind of reminded me of belinda carlisle in weird way, so to me they almost sounded like a heavier version of the go-go’s.

It’s fine. Better than a lot of the shit I’ve been subjected to lately.

great tunes but that vocal style is a bit much for the long haul (see also dead kennedys)

just generic indie rock, wouldve fit in on the Garden State soundtrack or something like it. Just a little off-kilter and edgy enough to set it away from mainstream sound, but it kinda borders on annoying (Words and Guitar in particular), like being different for the sake of it.

I just don’t think I’m a big fan of this kind of indie rock. They’re all talented but it’s just not for me

I wanted so badly to like this - it's brash, confident, feminist, and extremely gay punk rock, and I have a huge crush on Carrie Brownstein (who I didn't realize was part of this band; I know her from Portlandia). But I just don't like any vocalist, male or female, shouting at me.

The vocals reminded me a bit of Debbie Harry, but more raw. "Little Babies" felt a bit too... simple. But otherwise, I dug pretty much most of it. I had heard of Sleater-Kinney before, but I never listened to them before. This album made me want to listen to them more, and that's a big thing. Really enjoyed it.

I've gone exploring Sleater-Kinney before because I didn't know of them at all in the 90's but Carrie Brownstein has been on a few best guitarist lists. She's good, maybe not oh my god check out this guitarist good, but a lot of fun to listen to. And I like how she and Corrin Tucker blend their guitars and vocals. While Tucker's desperate warbles sometimes are a bit much, I mostly enjoyed listening to her voice. Right fit for the 90's and 2000's rock. This is probably my favorite album of theirs - most consistent and/or least amount of clunkers. I listened to it a lot over the last 2 weeks; I like it even more. I can't give it a 5 but it's a very deserving 4. Favorite tracks were the title track (nice kickoff), One More Hour (infectious beat and great personal lyrics), Turn it On (high energy), Heart Factory (I don't know, something about the angry chorus), Little Babies (fun beat and great sarcastic lyrics), Buy Her Candy (something about the down tune and somber sound), Jenny (powerful and brooding, love the second half as Tucker sings more despairingly).

Hated it at 1st, but it really grows on you. Pretty solid imo. Would've really been into this when it originally came out & probably would've rated it higher.

FINALLY a good 90s album. I'm sure the reviews for this are going to be polarized. I'm in the camp that Corin Tucker's vocals are amazing but I get why they might not be for everybody. This album is a fantastic slab of indie-punk and somehow not even SK's best album. 4.5/5

I really just don't care for Sleater-Kinney, maybe I wasn't born early enough to find them as revolutionary as some people seem to think they are

A couple good songs

Angsty Brit pop-vibes. Brit thing may just be the singer's vocal fry but that's the feel I get an I'm not gonna Wiki it to see if I'm right or not. 3.5

A poor mans X-Ray specs!

3/5

I just can't get past the vocals. Everything else is fine, but it just sounds like a mosquito on the mic. Too much vibrato/dissonance and too constant for me.

My god, the woman from Portlandia dropped an absolute banger. I had never heard of Sleater-Kinney before, and had no clue the Portlandia actress did music, but she does and it's awesome. This is one of the most catchy punk albums that I've heard before. Their sound is so big (with only three people in the band), basically every song has some guitar riff that lodges its way in my head, the drums are super powerful (and I rarely notice the drums), the singer's voice is super unique. I've listened to this like 4 times in the last 24 hours, this is awesome. For some history, I guess Sleater-Kinney is considered to be part of the "riot grrrl" movement (which is a stupid name) but was a woman-led indie/punk rock movement on the west coast in the '90s. This album really does highlight how underrepresented woman-led bands are on this list. It's a pretty huge miss in my opinion, but it at least allows me to enjoy things like this when they come up. Also my favorite song on here is "One More Hour", which apparently is about two of the band members breaking up. Sad it didn't work out, but it's an awesome song. "Buy Her Candy" is another standout for me later in the album. I don't have much else to say about this, just one of those completely new albums to me that I really loved. I should watch Portlandia again. Favorite song: One More Hour Other: Dig Me In, Turn It On, The Drama You've Been Craving, Heart Factory, Words and Guitar, Little Babies, Not What You Want, Buy Her Candy, Dance Song '97, Jenny 10/9/24

Fun not going on the playlist tho

Pop rock, with warbly vocals, reminds me of B-52s rock lobster - which is ok in small doses, but is a bit much for an entire album

Fire

4.5 - never listened to this all the way through before... what a banger. Olympia ftw

Another alt album that’s just so so

Never fancied myself much of a riot grrrl so I'm not the target audience. I like the punky indie garage rock sound but the vocals were just too much after a few songs.

I have never heard of them before. I’d give them another listen for sure. Overall it was good. 3.5

Super fun rock

Wow! Never knew this existed! Really good stuff! Heavy riffs and lyrics with lots of bite!

This is a near 4 for me but I think these girls are capable of more. This also is not influential at all and quite behind the times. I liken it to Wire's Pink Flag and that is high praise

Once upon a time this band fucking rocked

Pretty nice sounding music however many songs have repetitive lyrics.

Not my favorite genre of music. To me it sounded same-y throughout, but there were fun songs on there like Dig Me Out and Heart Factory. That said I bet seeing them at a show when I was young would have rocked and I can see how this album is on here even if it's not my cup of tea.

This band is okay. Nothing too spectacular from my perspective. The vocals were not that strong.

A bit too whiny and pitchy but I am not signed to a record like this band

It’s okay. I mean the lyrics are solid, the instruments sound good, like the punk overall feel but I am not a fan of her voice. It’s just too much, can’t understand what she’s saying, it doesn’t really sound good, just very eh for me. That’s my only big complaint for this album. I also don’t really feel like it does anything particularly awesome that makes me go wow so I don’t really know why it’s on this list but you know I’ve said that a lot so it is what it is.

musically this was a fun listen. but enjoying the album was way overshadowed by the vocals. just awful-way too much vibrato/pitchy. at least it was over fast.

vibe a hell of a lot with this one, reminded me of bikini kill.

it was ok, a bit samey

Nokkuð vel gert stelpurokk. Fíla sándið mjög mikið.

Early S-K like angry, young Indigo Girls. Liked the energy and feminism angle, felt like they were singing out of their range on all songs except Little Babies (which is the best song on the album.) They get better (2.7*s)

First all girl band album to make the list? Probably the only reason why too. I did not dig this. The lead's voice was super annoying and the instrumentals were amateur at best. Very skippable album from a music standpoint but maybe had an impact on young, female, aspiring rockers. Glad it was a quick one...let's press on...1.3.

Not familiar with Sleater Kinney but I liked what I heard. A handful of quick 2-3 minute pop punk songs with female vocals. By the end of the album it devolves a little and starts to get a little one-soundish, but it is a sound that works. Either way I give them credit for bringing something mostly unique and different to the table. One of my main takeaways was that I would like to see them live. I imagine they would put on a good show in a smaller venue. Solid entry. I'll likely check out more of S-K's stuff. 2.83 stars

I don't know why I'd have to listen to this album at all. There is nothing special about it.

It blends two things I already find hard to get into, indie rock and punk. It all sounds the same, there wasn't one standout song I would listen to again. It wasn't terrible.

I understand why this album is important. I understand why people dig it. It's just not for me and, as a white guy in his 40s, I'm pretty sure it's not meant to be.

Other than the shrieking and screaming, this has the potential to be good. Having seen them live as an opener for Wilco, unfortunately, confirms that potential is tucked firmly away out of reach.

Was not what I hoped it would be. It’s not a bad sounding alternative album but some sons. I’ve just had enough of her voice. Also, the music is nothing special so it gets old quick. 2/5.

I saw Sleater-Kinney twice this summer at festivals and they were fine. Same with this music. It's fine. A little better than average but nothing super amazing. However it is short which is always a plus. 3.5/5

Angst

### **Album Overview: "Dig Me Out" by Sleater-Kinney** "Dig Me Out," released in 1997, is the third studio album by the American rock band Sleater-Kinney. This album is often heralded as a defining moment in the Riot Grrrl movement and alternative rock of the 1990s. Known for its raw energy, distinctive sound, and powerful lyrics, "Dig Me Out" showcases the band's growth and maturity, featuring new drummer Janet Weiss, who added a fresh dynamic to the group's established chemistry. The album's combination of aggressive rock riffs, feminist themes, and emotional depth has made it a staple in indie rock, earning a place on several "best of" lists over the years. ### **Lyrics** The lyrics in "Dig Me Out" are a central aspect of its impact. The album explores themes of love, heartbreak, frustration, identity, and empowerment. Corin Tucker and Carrie Brownstein, the band's primary songwriters, craft lyrics that are direct, confrontational, and introspective. Tracks like the title song, "Dig Me Out," set the tone with themes of personal struggle and resilience. The lyrics convey a sense of digging oneself out of a painful situation, a metaphor for emotional turmoil. "One More Hour" delves into the complexities of a breakup, likely referencing Tucker and Brownstein's past romantic relationship, adding a personal and confessional layer to the album. Lines such as "I know I'm your only one / But I can say your name" express both longing and a sense of finality. Songs like "Words and Guitar" celebrate the freedom and power found in music, blending autobiographical elements with broader feminist themes. "Little Babies" critiques societal expectations placed on women, particularly around motherhood, while maintaining a playful, almost nursery-rhyme feel. The lyrics are often marked by their sense of urgency and defiance. There's a raw honesty in how they address both the personal and the political, weaving between heartbreak and empowerment. The band's ability to balance vulnerability with strength is a key element that resonates with listeners, making the album both relatable and cathartic. ### **Music** Musically, "Dig Me Out" is characterized by its jagged guitar riffs, energetic tempo, and dynamic interplay between Tucker and Brownstein's guitars. The absence of a bass guitar is notable, yet the sound never feels lacking; instead, the dual guitars create a thick, textured sound that fills the sonic space. The addition of Janet Weiss on drums is a significant evolution for the band. Weiss's drumming adds depth and complexity, providing a more grounded rhythm section that complements the frenetic energy of the guitars. The album opens with the title track, "Dig Me Out," which immediately sets the tone with a driving rhythm and discordant guitar work, reflecting the tension and urgency in the lyrics. "One More Hour" stands out with its infectious, repetitive riff and emotional intensity, combining raw emotion with a catchy melody. "Turn It On" and "Dance Song '97" are fast-paced tracks that showcase the band's punk influences, while "It's Enough" slows things down, revealing a more melodic side. The songs often shift between minimalist verses and explosive choruses, maintaining a high level of intensity throughout. The guitar work is angular and sharp, with frequent use of power chords and dissonant harmonies, creating a distinctive sound that sets Sleater-Kinney apart from their peers. Tucker's distinctive voice, characterized by a wavering vibrato, adds an extra layer of intensity and emotion, contrasting with Brownstein's more straightforward vocal style. ### **Production** "Dig Me Out" was produced by John Goodmanson, who played a pivotal role in capturing the band's raw energy while adding a layer of polish that distinguishes the album from its predecessors. The production is clean but not overly polished, maintaining the rough edges that give the music its raw, visceral quality. The guitar tones are crisp and sharp, with a slight overdrive that enhances the punk-rock aesthetic. Goodmanson's production emphasizes the interplay between the guitars and the dynamics within each song. The drums are given a prominent place in the mix, reflecting the importance of Janet Weiss's contribution. Vocals are clear and upfront, allowing the emotional weight of the lyrics to come through without being buried by the instrumentation. While the production is generally praised for its clarity and balance, some critics argue that it may lack a certain warmth or depth. The sharpness of the guitar tones and the bright, high-end-heavy mix can feel abrasive to some listeners, particularly during extended listening sessions. However, this approach aligns with the raw, confrontational nature of the music and lyrics, enhancing the album's overall impact. ### **Themes** "Dig Me Out" delves into themes of love, heartbreak, and personal empowerment, framed within a broader feminist context. The album's title itself suggests a struggle to overcome adversity, both on a personal and political level. Many of the songs address the challenges women face in both their personal lives and the broader societal context. The theme of love and loss is explored in depth, particularly in tracks like "One More Hour," which captures the emotional turmoil of a breakup. However, the album is not merely about vulnerability; it is also about strength and resilience. Songs like "Words and Guitar" and "Little Babies" are anthems of defiance and empowerment, celebrating the band's independence and challenging societal expectations. There's a strong undercurrent of feminist politics throughout the album, though it is never didactic or preachy. Instead, Sleater-Kinney presents these themes through personal narratives and direct, often visceral language, making the political deeply personal. The album's exploration of identity, autonomy, and resistance aligns it with the core values of the Riot Grrrl movement, while also transcending it, appealing to a broader audience. ### **Influence and Legacy** "Dig Me Out" is widely regarded as a landmark album in the indie rock and Riot Grrrl movements. It has influenced countless artists in the years since its release, not only for its sound but also for its approach to songwriting and its commitment to feminist ideals. The album's raw energy and emotive power helped to redefine what punk and indie rock could be, particularly for women in a male-dominated genre. Sleater-Kinney's influence is evident in the work of contemporary bands like The Gossip, Savages, and even more mainstream acts like Paramore. The band's commitment to authenticity and its ability to blend punk aggression with melodic sensibility paved the way for a new generation of musicians. "Dig Me Out" also helped to raise the profile of women in rock, proving that they could be just as fierce, innovative, and important as their male counterparts. The album's legacy is further cemented by its inclusion in numerous "best of" lists, including Rolling Stone's "500 Greatest Albums of All Time." It remains a touchstone for fans of punk, indie, and alternative music, and a testament to the power of music as a vehicle for personal and political expression. ### **Pros** 1. **Powerful Lyrics**: The lyrics are both personal and political, offering a raw, honest look at themes of love, heartbreak, identity, and empowerment. They are emotionally resonant and relatable. 2. **Distinctive Sound**: The album features a unique sound characterized by its angular guitar riffs, dynamic interplay, and lack of a bass guitar. This creates a sonic signature that sets it apart from other rock albums of the era. 3. **Strong Production**: The production by John Goodmanson captures the band's raw energy while adding clarity and balance. The mix emphasizes the dynamic interplay between the guitars and the importance of the drums. 4. **Feminist Themes**: The album's exploration of feminist themes through a personal lens makes it both timely and timeless, resonating with a wide audience beyond the Riot Grrrl movement. 5. **Influence and Legacy**: "Dig Me Out" has had a significant impact on indie and punk rock, influencing a range of artists and helping to redefine the role of women in rock music. ### **Cons** 1. **Abrasive Production for Some**: The bright, high-end-heavy mix and sharp guitar tones can be abrasive for some listeners, especially during extended listening sessions. 2. **Repetitiveness**: Some critics argue that the album's sonic palette can feel repetitive, with many songs featuring similar guitar tones and structures. This could limit its appeal to listeners who prefer more variation in their music. 3. **Limited Accessibility**: The band's confrontational style and Tucker's distinctive vocal delivery may not appeal to all listeners. Her vibrato and pitch can be polarizing, which may affect the album's broader accessibility. 4. **Niche Appeal**: Despite its influence, "Dig Me Out" remains somewhat niche, appealing primarily to fans of indie, punk, and Riot Grrrl. Those outside these genres may find it less compelling. ### **Conclusion** "Dig Me Out" by Sleater-Kinney is a seminal album that captures the raw emotion, energy, and defiance of the band at a critical moment in their career. Its powerful lyrics, distinctive sound, and exploration of feminist themes make it a standout work in the indie rock canon. While its abrasive production and confrontational style may not appeal to everyone, the album's influence and legacy are undeniable, solidifying its place as a landmark release in alternative music. The album's combination of personal and political themes continues to resonate, offering a blueprint for future generations of musicians looking to blend authenticity with artistry.

Cool collection of songs, feels a bit repetitive by the end. It’s still good though!

I wanted to like it more than I actually do. Alas!

Surprisingly fun and well-made, but not something I imagine myself drifting towards.

nice vibes, but too much the same vibe all over the album

Not sure how I felt about this. Enjoyed bits, didn't care for other bits. Maybe need to listen to more from them to really make my mind up.

Bit grungy, bit lively, some strokes vibes, hard to nail down, but great

Liked some, not others

Powerful riot grrrl indie rock. The interplay of the vocals and guitars is awesome as on One More Hour. Also loved Little Babies. The rest of the album is really strong.

Levy alkaa kovalla poljennalla ja hiipuu edetessään. Kolmena eri päivänä kuunneltu ja aina sama lopputulos, fiilis lässähtää levyn edetessä. 2+

Meni joutavan puolelle. Ei jäänyt oikein mitään käteen, vaikka ihan kuunneltava levy kuitenkin

Love the energy. Love love love the guitars. Sometimes okay with the vocals.

Go Carrie!

I'm pretty familiar with Carrie Brownstein via "Portlandia", but never took much time to dig into Sleater-Kinney. The lack of bass guitar on this record is really noticeable, making it sound a lot more raw, and leaves a lot of space. Brownstein's voice takes a minute to get used to, with a ton of vibrato, but the passion behind it wins out in the end. Not anything I'd personally revisit, but nothing I overall hated. The latter half of the record is much stronger than the first half. Favorite tracks: "Turn It On", "Dance Song 97", "Not What You Want"

As is my norm with so many albums/bands on this list, the vocals were the weakest part for me. A little too raw/yodel-y. But goddamn, this album slaps and is so quintessentially 90s. 4/5

Pretty decent, but a bit too grating for me. I know I know - this is just what punk sounds like. But that's why I don't really like most punk. Some decent guitar stuff and the vocals are sometimes ok sometimes too much. Not for me but I can see why people would like this.

4.5

Riffs impeccables, chant impeccable, pas aussi bien que Le Tigre mais 5/5 quand même

You better wise up, Janet Weiss!

So tempted to go with a 4 on this. It's great, and ends with a cracker, either high 3 or 4 but it needs me giving it more attention in future

I really loved this. The guitar work, the duel vocals bouncing off each other, the powerful vibrato on the lead vocals all sound so good. I was hooked from start to finish but highlights were: One More Hour, Words and Guitar, Not What You Want.

Volume 683 of “I wish I liked this more”, but still really good. 3.5/5

Man, I wish Janet Weiss was still in Sleater Kinney. And I admit, the way she was treated has soured me a bit on the band. But this is still a great album. Aside from the music, I love an album cover that's a homage to another, like this.

Meh

I never heard them before and I am glad the generator introduced me. A bit lo fi for my tastes. I would love to hear this with better production to highlight the different parts of the music better. But that would probably be missing the point

2.9

kinda screechy

Punk rock.