Listening statistics & highlights
Tap a bar to see the albums behind it
Tap a bar to see the albums behind it
| Album | You | Global | Diff |
|---|---|---|---|
|
Spy Vs. Spy: The Music Of Ornette Coleman
John Zorn
|
5 | 2.26 | +2.74 |
|
Black Metal
Venom
|
5 | 2.47 | +2.53 |
|
GI
Germs
|
5 | 2.54 | +2.46 |
|
Phaedra
Tangerine Dream
|
5 | 2.73 | +2.27 |
|
Guitar Town
Steve Earle
|
5 | 2.79 | +2.21 |
|
Roots
Sepultura
|
5 | 2.79 | +2.21 |
|
Southern Rock Opera
Drive-By Truckers
|
5 | 2.82 | +2.18 |
|
Gold
Ryan Adams
|
5 | 2.82 | +2.18 |
|
Slayed?
Slade
|
5 | 2.87 | +2.13 |
|
Grievous Angel
Gram Parsons
|
5 | 2.87 | +2.13 |
| Album | You | Global | Diff |
|---|---|---|---|
|
Cee-Lo Green... Is The Soul Machine
Cee Lo Green
|
1 | 2.65 | -1.65 |
|
A Grand Don't Come For Free
The Streets
|
1 | 2.63 | -1.63 |
Tap an artist to see their albums
| Artist | Albums | Average |
|---|---|---|
| Bob Dylan | 5 | 5 |
| Bruce Springsteen | 5 | 5 |
| Led Zeppelin | 4 | 5 |
| Talking Heads | 4 | 5 |
| Radiohead | 5 | 4.8 |
| Beatles | 6 | 4.67 |
| David Bowie | 7 | 4.57 |
| The Rolling Stones | 5 | 4.6 |
| Miles Davis | 4 | 4.75 |
| Creedence Clearwater Revival | 3 | 5 |
| Metallica | 3 | 5 |
| R.E.M. | 3 | 5 |
| Nirvana | 3 | 5 |
| Beastie Boys | 3 | 5 |
| Jimi Hendrix | 3 | 5 |
| Nick Cave & The Bad Seeds | 5 | 4.4 |
| U2 | 4 | 4.5 |
| The Doors | 3 | 4.67 |
| Public Enemy | 3 | 4.67 |
| Pink Floyd | 3 | 4.67 |
| Neil Young | 3 | 4.67 |
| Van Morrison | 3 | 4.67 |
| Black Sabbath | 3 | 4.67 |
| The Stooges | 3 | 4.67 |
| Johnny Cash | 3 | 4.67 |
| Yes | 2 | 5 |
| The Cure | 2 | 5 |
| Megadeth | 2 | 5 |
| Rush | 2 | 5 |
| Willie Nelson | 2 | 5 |
| Deep Purple | 2 | 5 |
| Van Halen | 2 | 5 |
| Neil Young & Crazy Horse | 2 | 5 |
| Aretha Franklin | 2 | 5 |
| Adele | 2 | 5 |
| The Clash | 2 | 5 |
| Iron Maiden | 2 | 5 |
| Green Day | 2 | 5 |
| AC/DC | 2 | 5 |
| Hole | 2 | 5 |
| Tom Waits | 4 | 4.25 |
| The Who | 4 | 4.25 |
| Prince | 3 | 4.33 |
| Nick Drake | 3 | 4.33 |
| Marvin Gaye | 3 | 4.33 |
| The White Stripes | 3 | 4.33 |
| Aerosmith | 3 | 4.33 |
| Frank Sinatra | 3 | 4.33 |
| Björk | 3 | 4.33 |
| Beck | 3 | 4.33 |
| The Beach Boys | 3 | 4.33 |
This was very unique, and kind of awesome. The only way it is that, though, is knowing that Zorn and friends went in to record a jazz album as if it was a hardcore album. Otherwise, this is just a bunch of noise.
This album could literally be Wouldn’t It Be Nice and God Only Knows, and it would STILL be a 5 star, perfect album. The other songs are just a cherry on top.
This was very unique, and kind of awesome. The only way it is that, though, is knowing that Zorn and friends went in to record a jazz album as if it was a hardcore album. Otherwise, this is just a bunch of noise.
Great groove, but not my kind of genre. Overall a good listen though! Excellent merge of jazz and funk
Despite Kanye’s obvious problems (which will be different depending on when you’re reading this), My Beautiful Dark Twisted Fantasy has some phenomenal beats, samples, and writing. It’s hard to argue that songs like “Power” and “All of the Lights” aren’t catchy and enjoyable for even people that don’t like rap/hip-hop, and while the second half of the album suffers a little from being less sonically memorable, the writing is still pretty great, and this album will really stand as a testament to Kanye’s talent for making music (and that’s all I’ve got to say about that).
Probably one of the greatest Christmas albums ever made, but therein is the problem, it's a Christmas album. There's only about a 1 month period you're going to listen to it (also, Phil Spector's message on the last track has NOT aged well). But, the recordings are iconic, the talent is amazing, and it's not truly Christmas season until you hear Darlene Love belting out Christmas (Baby Please Come Home).
At Fillmore East is a great album, but the Deluxe Version with the full concert(s) is the true perfect album that everyone should hear before they die.
Didn’t think I’d like this, but it’s surprisingly peaceful.
There’s some great songs in here, but this is WAY too long with way too many not-great songs.
The quintessential example of Billy Corgan’s smugness and brilliance, Mellon Collie and the Infinite Sadness is like The White Album. It’s too long for its own good, and for every good song, there’s 2-4 meh-songs. Of course, those “good” songs are actually GREAT songs which helps make up some of the shortcomings.
This is really like a 3 star album, in my opinion, but Faith is a solid 5-star song, and Father Figure is like a 4, so it balances it out.
Look, Vol. 4 isn’t a bad album. It just followed three of the greatest albums ever made in a row.
It sucks that Ryan Adams is such a terrible person, and kind of crazy now, because his older solo and Whiskeytown stuff are just amazing.
If anything, this album clearly demonstrates how Madonna has some insight into where music and culture are going before they get there.
Once again, it’s a shame Ryan Adams is kind of an terrible person, because his early albums and Whiskeytown are so great.
This album could literally be Wouldn’t It Be Nice and God Only Knows, and it would STILL be a 5 star, perfect album. The other songs are just a cherry on top.
It's one of those weird situations where everything The Psychedelic Furs does is amazing and cool and is somehow three different genres of music all at the same time, but Richard Butler's voice just feels so out of place and almost comical at times. But his voice is also one of the defining features of the band's sound. I can't bring myself to give this a full 5 because of this weird clash, but it's still so iconic I have to give it a 4 (really, a 4.5 would be better).
Kind of a let down. I was expecting/hoping for more beats and energy, but it was very low key. Still good though.
Average rating: 4.03 (0.82 above global average).
Album origins are grouped into three buckets: US, UK, and everything else. “Other” means the artists you rate highest are from outside the US and UK.