Adele's incredible vocal talent makes for a great album, and her singing would not be out of place in an opera.

This album got me FUNKED UP!

This album is absolutely great, and perfectly captures Prince's talent. It doesn't end as well as it starts, but it still ends better than 95% of albums out there.

Nyro manages to demonstrate an impressive lack of musical talent on this uninteresting, inartistic, inoffensive, and technically unimpressive album. It is certainly music, but Nyro does not have the actual musical abilities to make anything on the album sound good. I probably wouldn't be jumping to turn the music off if I heard this album again, but I definitely won't be listening to it again any time soon.

We wanna thank you all for makin' our lives just a little brighter here on We Love Radio!

Dylan is an great song writer, but sadly an awful singer. This album would easily be 4 or 5 stars if only someone else was singing.

This album would be a fantastic example of baroque pop, if only it was as good as it's trying to be. Every song in this album has good bones, but Walker's voice and singing abilities are plainly lacking.

Adele's incredible vocal talent makes for a great album, and her singing would not be out of place in an opera.

The intro to the first song on this album legitimately made me think my stereo was broken. The rest of the album was okay, though (but just okay).

This album got me FUNKED UP!

Method Man has some really solid beats in this album, and his lyrics are very good. Unfortunately, his actual rapping abilities fall behind his writing. This is still a pretty good (but not great) hip-hop album, just not as good as others by Wu-Tang members.

Like most of P-Funk's portfolio, this is some fantastic funk. It's honestly kind of hard to even call this a funk album, though (in a good way). The band's prog and rock influences really shine through on several songs. An easy 4/5, just not as quite good as other P-Funk offerings.

This is definitely Buckley's best album, but I just don't think it's all that good. It is perfectly fine, but I don't find him to be a particularly good singer. (I do think that part of this is that he's overshadowed by his son in my mind, though)

Uninspired, uninteresting, bland, and boring. This album is very generic sounding rock music, and not much else.

Good, but not incredible, R&B. This album is consistently pleasant sounding, but none of the songs on it really blow me away.

Fantastic, quintessential mambo. I do wish that there were some longer songs on the album, but it is still very good.

This album really just wasn't all that memorable or impressive to me. It's perfectly fine, but not something I see myself choosing to play again.

Soft and boring. I'm not sure if I don't like Elliot Smith, or if I don't like lo-fi/indie folk. Either way, not a great album.

Now THIS is Baroque Pop. Not usually my favorite genre, but I think Wainwright has the musical abilities to actually make it sound great. This album was a very good showcase of his singing and song writing capabilities, and was solid from start to finish.

This album has a very strong start, but falls off after the first two songs. I really expected this to be 4 stars based on the Tracy Chapman music I've heard before, but it was really just okay.

There are some really great songs on this album, but the first few songs, the last track, and the skits hold it back from greatness. Still a very good album, though.

This album is okay, but not much more than that. Disappointingly, it seems that Cee-Lo Green's best songs are hardly even his, being collaborations and/or written by other artists.

I really want to like this album, but I just can't get past Lou Reed's voice. Why does he sound like that?

Thriller is absolutely incredible. It blew me away the first time I heard it, and it remains one of the best albums ever.

This album was fine. Just fine. There are no memorable tracks on it, and nothing that made me think "wow! this sounds pretty good!". It's not bad by any stretch of the imagination, but I don't think it's an album that everyone needs to listen to, by any means.

Absolutely fantastic, by far some of Queen's best work (and they have some good work). There were no songs that I disliked on this album, and many that I loved.

This album certainly isn't bad, but it just seems like it could be better. The accordion (?) in a few songs is especially odd, and totally throws the whole album off.

I'm kind of disappointed by this album. Led Zeppelin III and Led Zeppelin IV are fantastic, and I expected this to be the same. But it's just okay. It isn't a bad album by any means, but there are plenty of better rock albums out there (and a few much better Zeppelin albums).

Like most Motörhead albums, this provides decent (if a little same-y) thrash. Unfortunately, like most live albums, it provides mediocre recordings of songs that already have better studio versions.

This is some pretty solid pop/rock, but progressive and experimental enough to keep it interesting.

This is probably the best start to an album I've heard yet. Disc one is nearly non-stop incredible, iconic tracks. Then disc two hits. It isn't bad, just weird, and not necessarily in a good way. If this was only disc one, it would be five stars, without a doubt.

I'm not really sure what this album is doing on this list - Shaft seems better suited to 1001 movies to watch before you die - but I'm certainly not upset about it.

This album is painfully bland, and incredibly uninteresting. I hate to say it, but it's just lame, pathetic almost. I know from her other work that Lorde can make good music, but this just isn't. It doesn't feel in any way engaging or novel. Perfect Places was okay, but not nearly good enough to make up for the incredibly milquetoast work of mediocrity that made up the rest of the album.

Maybe I've just watched too much of Da Ali G show, but I cannot take this album seriously. Dizzee's name, voice, and lyrics all sound absolutely ridiculous, but it seems that he takes himself entirely seriously. Several times while listening to this album I started wondering if it's some kind of comedy or parody album, because surely no one would actually put this into the world thinking it's good. I think I might just have a major issue with a British accent in hip-hop, but I really just cannot get into this album at all.

This album just really doesn't do it for me. It's so bland and unoriginal, yet it also manages to be dissonant and unmelodic. There are so many much better 70s rock albums out in the world, and even on this list, and there is absolutely no reason that this album should be in the book.

Very "The Smiths" sounding. They aren't bad, but one of those bands that just seems to have one sound that makes up every song. Meat is Murder (the song) was very interesting, and an album of songs like that would easily be 4 or 5 stars.

Setting aside the fact that there really don't need to be 9 Neil Young albums on this list, this definitely is not one of his best. I think this album only serves to highlight Young's mediocre singing voice, and the songwriting is pretty lackluster.

I think this may actually be the greatest album ever made. Absolutely perfect for every second (all 2396 of them). I truly think that the list can only go down from here, and I sincerely wish I could give this a sixth star. I'm not much for writing, and I really can't do this album justice in this review. It is really, honestly and truly, a thing of beauty.

I don't think there's really much to say about this album. It's wholly unimpressive, just mediocre and uninteresting rock.

This album is iconic for a reason. It's really an exemplary prog-rock album, and a great concept album.

This album has a super interesting concept, and while I didn't love all of the songs, they're pretty good overall.

This album is certainly interesting, and it's nice to see how far hip-hop has come. Unfortunately, hip-hop has come a long way, and the album is clearly pretty old fashioned and basic.

There are some seriously good songs on this album, but most of them come straight from Nevermind and In Utero. I liked listening to this album, but there's absolutely no reason for it to be included on this list instead of some other album.

I think this album is kind of on the soft side for Industrial, but it still sounds very good. If there were more unique songs on it, it would be an easy stars.

This album is definitely better than The Second Annual Report, but it seems a bit less adventurous and avant garde at the same time. All in all, it is a pretty good album, and an excellent example of Industrial music. It is absolutely worth a listen, and I'll probably be listening to it again in the near future.

This album is way better than I anticipated, but still not great. Kid Rock cannot rap to save his life, but the beats are sometimes okay. The (probably like 30 second) Eminem feature was the highlight of the album, by a long shot, if only for a break from Kid Rock.

This album just isn't all the interesting, and it doesn't seem to do much to set itself apart (but I also know nothing about world and Punjabi music). It wouldn't be bad if it was half as long, but an unremarkable 90 minute album is a bit rough.

The Libertines seem to have mastered mediocre recreation of a sound made by thousands of better bands 10 or 20 years earlier than them. If this album came out in the 70s, then it might actually be kind of good in comparison. As it stands, it is truly unimpressive and absolutely does not deserve a spot on this list.

I think this album and the writing are good, but I just don't love Liz Phair's singing. If I was bigger on Indie and Lo-Fi music, I'm sure this would be a 4 or 5 star album.

This album is really good, but I just can't help being disappointment that this and Trafalgar are on the list, and somehow Spirits Having Flow isn't. On its own, though, Odessa is a very good album.

I generally think that Dylan is a good songwriter and a subpar singer. In Blood on the Tracks, he demonstrates his incredible ability to be a subpar songwriter, and godawful singer. I think I would rather bleed out than listen to any of these tracks again.

I went into this album knowing nothing about Wilco, and expecting noise music or experimental rock. There was certainly some of that, but not nearly enough to overcome the whiny, boring, indie rock sound.

I think there are probably more Tom Waits albums on this list than there need to be, but this one is definitely the best I've heard so far. Tom's voice is its own thing, but I think it lends itself well to this album, and there are some seriously good songs on here.